Scope and Contents note
The bulk of the collection was assembled by the Metropolitan Museum of Art starting around 1910 and continuing up through 1940, with a few additions added in the 1950s. The images were assembled for study purposes for the Museum's American Department. Included are works from in-house Met staff photographers, as well as photographs acquired from outside sources, including works by commercial photographers and publishers (notably A. B. Bogart, Louis H. Dreyer, Detroit Publishing Company, Joseph Hawkes, and De Witt Ward). Also included are photographs assembled by the Carnegie Corporation of New York for the study of American art and presented to the Metropolitan Museum of Art in 1930.
Among the artists well represented in the collection are: Herbert Adams, Robert Aitken, Alexander Archipenko, George Grey Barnard, Chester Beach, Karl Bitter, Solon H. Borglum, Alexander Stirling Calder, Gaetano Cecere, Henry Clews, Jr., Cyrus Edwin Dallin, Jo Davidson, John Donoghue, Ulric Henry Ellerhusen, Sir Jacob Epstein, Rudolph Evans, John Flannagan, James Earle Fraser, Daniel Chester French, Harriet Whitney Frishmuth, Emil Fuchs, John Gregory, Frances Grimes, Anna Vaughn Hyatt Huntington, Anna Coleman Ladd, Evelyn Beatrice Longman, Augustus Lukeman, Frederick MacMonnies, Hermon Atkins MacNeil, Paul Manship, Edward McCartan, Albin Polasek, Bela Lyon Pratt, Richard H. Recchia, Frederic Remington, Frederick George Richard Roth, Frederic Wellington Ruckstull, William Rush, Augustus Saint-Gaudens, Lorado Zadoc Taft, and Adolph A. Weinman.
Of note, the collection includes a number of rare early photographs of outdoor sculpture and public monuments, including images of the
Mount Rushmore National Memorial
by Gutzon Borglum, South Dakota, the
by Thomas Ball, Washington, D.C., the
by Robert Aitken in San Francisco,
by Horatio Greenough in Washington, D.C., and the
William Earl Dodge Memorial
by John Quincy Adams Ward shown in its original setting in Herald Square, New York City, before it was moved to Bryant Park in 1941.
In addition, the collection has some portraits of artists posing with their sculptures, including Robert Aitken, Gutzon Borglum, Solon Borglum, John Donoghue, Sally James Farnham, Daniel Chester French, Anna Hyatt Huntington, Albin Polasek, Richard Recchia, and Frederic Wellington Ruckstull; and some exhibition installation views, including works by Emil Fuchs exhibited at Fine Arts Building and Cartier Gallery in New York and works by Paul Manship exhibited at the Jessup Memorial Library in Bar Harbor, Maine.