The Sylvester Rosa Koehler papers measure 5.3 linear feet and date from 1833 to 1904, with the bulk of the material dating from 1870 to 1890. The collection consists primarily of Koehler's extensive correspondence to and from many notable artists and printmakers such as Jean F. Harfin, John M. Falconer, Frederick Juengling, and James D. Smillie, as well as friends, and family members and professional correspondence concerning Koehler's activities as a writer, curator, and editor of the American Art Review. The collection also contains financial records and other miscellaneous items.
The papers of Martin H. Bush measure 4.1 linear feet and date from 1948-2012, with the bulk of the material dating from 1970-2008. The collection documents Bush's career as an art historian, educator, consultant, and gallery director through biographical material, correspondence, interviews, subject files, a scrapbook, and printed material. There is an unprocessed addition to this collection that includes one VHS tape, "American Art Forum: Martin Bush, October 27, 1988."
The papers of Los Angeles photo and video artist Eileen Cowin measure 16.3 linear feet and date from 1961 to 2015. The papers include biographical materials, correspondence, writings, teaching files, project files, exhibition files, printed material, video artwork and sketchbooks, sound and video recordings, an external hard drive and floppy disk, and photographic material.
The Jack Tworkov papers measure 9.7 linear feet and are dated 1926-1993. Tworkov's work as a painter and influential teacher, as well as his personal life, are documented by extensive journals and substantive correspondence that record his ideas about art and teaching, and illuminate his relationships with friends, colleagues, and students. Many sketchbooks, writings, interviews, photographs, and moving images are also included.
The papers of cubist painter Karl Knaths measure 8.9 linear feet and date from 1890 to 1973, with the bulk of the materials dating from 1922 to 1971. The collection includes biographical material, personal and professional correspondence, four diaries, 22 notebooks and notes on theoretical color and compositional approaches to painting, published and draft copies of essays on art, miscellaneous printed material, 132 sketchbooks and other artwork.
The papers of Woodstock area painter, muralist, and designer, Anton Refregier (1905-1979) date from circa 1900 to circa 1990 and measure 36.9 linear feet. The collection records Refregier's early commercial work and murals for the Works Progress Adminstration (WPA) and documents his career through to the 1970s with records of commissions for many public and private buildings, exhibitions in the United States and abroad, teaching positions, essays and publications, and extensive travel, particularly to the Soviet Union and Mexico. The collection contains scattered biographical material, personal and business correspondence, notes and writings, 15 diaries and journals, mural and tapestry files, exhibition files, personal business records, printed material, 10 scrapbooks, artwork including sketches and cartoons for murals, and photographs of Refregier, his friends, family and travels.
The papers of Cambridge sculptor and illustrator, Lilian Swann Saarinen, measure nine linear feet and date from circa 1909 to 1977. The collection documents Saarinen's career through correspondence with artists, architects, publishers, and gallery owners; writings and notes, including manuscripts and illustrations for children's books and publications; project and teaching files; financial records; artwork, including numerous project sketches; and photos of Saarinen and her artwork. Saarinen's personal life is also documented through diaries and correspondence with friends and family members, including Eero Saarinen, to whom she was married from 1939-1953.
Alvord Eiseman's research on painter Charles Demuth dates from circa 1914-2005 and measures 10.8 linear feet. The collection is comprised of correspondence, writings, artwork files, printed material, and photographic material that were used in Eiseman's research toward a catalogue raisonné on Demuth.
The papers of New York art critic, writer, educator, and painter, Gregory Battcock, measure 10.2 linear feet and date from 1952 to circa 1980. The collection includes biographical material, correspondence, published and unpublished writings, artists' files, personal business records, printed materials, scrapbooks, photographic materials, and artifacts that detail his involvement in both the mainstream and fringe art scenes of the 1970s.
The papers of New York art collector Douglas Cramer measure 1.3 linear feet and date from circa 1970-2014. Papers include letters from artists, four guest books signed by visitors to Cramer's art collection and attendees of his parties, printed material documenting Cramer's career in television as well as his prominence as an art collector, and photographs of people and artists who attended his parties including Ellsworth Kelly, Ed Ruscha, Mary Boone, Leo Castelli, and others.