Photographs taken by Michael A. Dudas while traveling in Angola, Cameroon, Cote d'Ivoire, Mauritania and the Democratic Republic of the Congo in 1983.
Photographs taken by Lois Evans of Mbuti peoples in the Democratic Republic of the Congo in the 1970s.
The photographs are cityscapes and landscapes taken by Burton E. Ashley in Egypt, South Africa, Tanzania, and Zambia during the early 1930s and early 1950s. The images include views of Cape Town, South Africa; Cairo, Egypt; Port Said, Egypt, and Mozambique. Architecture depicted includes buildings in Tanzania, a mission in Zambia and the Mohammed Ali Mosque in Cairo. Additionally, there are images of the Kalahari Desert in Botswana and rivers and waterfalls including the Luangwa, Nile, Zambezi and Victoria Falls. The collection also includes photos of animals, geological features and vegetation.
Photographs taken by M. Marvin Breckinridge Patterson during her trip with Olivia Stokes Hatch from Capetown, South Africa, to Cairo, Egypt, by boat, car and train in 1932. The book, "Olivia's African Diary: Cape Town to Cairo," (Washington, DC: Eastern Press, 1980) recounts the details of the trip. The photographs document the peoples of Africa in Egypt, Kenya, South Africa, Sudan, Tanganyika (now Tanzania), Uganda, Congo (Democratic Republic) and Zanzibar. They include the Baila, San, Shona, Xhosa and Zulu. The images portray African peoples in a wide range of activities. These include a bride and groom at Lovedale, South Africa; dancers at the Crown Mine near Johannesburg, South Africa; flower vendors in Cape Town, South Africa; two leading elders at Amanzimtoti, South Africa; a craftsman making spears; a tanner in the Sudan; miners with their wives in Katanga (now Shaba), Belgian Congo (now Democratic Republic of the Congo); schoolboys in the Sudan; a Shona man; women lining-up to receive rations in the Belgian Congo; workers pouring gold at the Crown Mine near Johannesburg, South Africa; and a Zulu woman at a market in Durban, Natal, South Africa. Architecture includes the Queen Hatshepsut's room at Karnak, Luxor, Egypt; and the ruins of Great Zimbabwe. Images of the natural world include a mountain at Cape Town, South Africa; a park in Port Elizabeth, South Africa; and Victoria Falls, Southern Rhodesia (now Zimbabwe). Animals depicted include egrets, ostriches and wildebeests.
Photographs taken by John Dean while traveling in the Sudan in 1961 and in Liberia and Sierre Leone in 1962.
Photographs taken by Phyllis Galembo in Nigeria.
Photographs taken by Victoria Scott from 1969 to 1979 in Nigeria to document Nigerian art, in particular works at the Oshogbo school, while teaching and working as a visual artist at the Jebba Technical College. Photographs are of artists and their works. Scott used the images in her courses on Nigerian art at the college. The photographs document drawings, graphic prints, paintings and textiles of the Oshogbo school of artists. There are photographic reproductions of the following works: Elephant by Nike; Elmina Castle by Kwe Ade Odus; Free Yourself and See Yourself by Twins Seven-Seven; Mamiwata VoyiboII by Bruce Onobrakpeya; Obatala and his Wife by Joseph Olu-Billy; Ogun, God of Iron by Sam Babarinsa; Reindeer by Jimoh Buraimoh; The Secret Life of the Twins of Nigeria by Asiru Olatunde; and Yam Festival Masquerade by Adebisi Fabunmui. Also included within the collection are images of artists at work and the town in which they live. People portrayed include artist Adebisi Fabunmi; a blacksmith at work in Kaduna, Nigeria; and potters in Gahana. Images of the towns include a market in Abeokuta, Nigeria; a Portuguese fort in Cape Coast, Ghana and an Osun (deity) shrine in Oshogbo.
Photographs taken by Beverly Mack in Sierra Leone and of the Hausa people in Kano, Nigeria. The photographs document the cultures of northern Nigeria and Sierra Leone, including the Hausa people. Locations include Fourah Bay College in Freetown and Port Loko, Sierra Leone, and Kana and Zaria, Nigeria. Africans are shown buying and selling in markets, holding an Islamic celebration at the palace in Kano and riding horses. Architecture shown includes exteriors and interiors of buildings such as houses and Islamic structures, as well as street scenes.
Photographs taken by Augustus Browning of Hausa and Fulani peoples in Nigeria between 1982 and 1985.
The collection consists of twenty matted black and white photographs taken in February 2011 that were used in Doggett's series, Omo: Expressions of a People (2012). These artistic photographs were taken in Omo Valley, Ethiopia, and depict Suri, Hamar, Dhassanac and Karo peoples.