The papers, 1899-1962, of editor, lexicographer, author, and lecturer Everett Edward Thompson (1876-1962) primarily document his 1905 trip to Indonesia and subsequent lectures delivered from 1913-1919 and 1956. Portions of the papers are photocopies. Included are obituaries; a portrait photograph dated 1899; portions of a travel journal; announcements, notes, and 132 glass stereopticons assembled in preparation for lectures on Indonesia; a letter; printed material and clippings related to language and the Webster-Merriam dictionaries; and a handwritten copy of Irene Kuhn's 1961 news article on the early history of U.S. field teaching in the Philippines.
The John Alexander Pope papers contain limited biographical, personal and professional information. The bulk of the collection consists of published and unpublished writings, research materials and correspondence.
Papers, 1959-1987, of Elizabeth Gordon, editor of the periodical, House Beautiful from 1941-1964, mostly related to her research for the August and September 1960 issues of House Beautiful regarding the Japanese aesthetic concept of "shibui", and the subsequent travelling "shibui exhibition" from 1961-1964. Included are correspondence, some photocopies, 1959-1963; notes; drafts for articles and lectures; printed material including magazine and newspaper clippings, 1959-1987; 2 books, and exhibition announcements; drawings of paper and foil art; a photo album containing photos of exhibition installations; and photographs, slides, color transparencies, and lantern slides depicting people, sites, and objects reflecting the "shibui" aesthetic.
Personal papers of Robert O. Muller, a Connecticut-based art dealer and collector who, over the course of seventy years, assembled one of the world's finest collections of Japanese prints from the late 1860s through the 1940s. The papers include Muller's correspondence relating to Japanese art, files relating to his and his wife's 1940 honeymoon in Japan during which he forged many contacts with Japanese artists and art dealers and purchased thousands of prints, subject files, catalogs, business transactions, magazine and newspaper clippings, photographs, and notes and drafts for a planned book.
Elizabeth Moynihan is an architectural historian and author, specializing in the study of Mughal gardens in India. This collection measures 7.13 linear feet and documents Elizabeth Moynihan's research of the Lotus Garden of Dholpur, the Jai Mahal Garden in Jaipur, Mehtab Bagh, and many other Mughal Gardens in India. It includes correspondence; fiel...
The papers of Parisian jeweler and art collector Henri Vever (1854-1942) include six diaries; a ledger of his art acquisitions; original oil paintings by Vever; and photographs. The materials document Vever's circle of friends, patrons, and other art collectors in turn-of-the-century Paris.
Abel William Bahr was a coal merchant and general importer born in China who became an important collector of Chinese art. Several books and catalogues have been published about his collection. His papers include numerous drafts and notes about his memoirs as a collector, correspondence with other collectors and photographs of Chinese art objects, from jade to pottery to paintings.
Dwight William Tryon (1849-1925) was a noted American landscape painter whose painting style is associated with American tonalism. His paintings gained international recognition from the 1880s through the 1920s. Charles Lang Freer was his primary patron. Tryon taught art at Smith College and became head of the Art Department. The Tryon papers, dating from circa 1872 to 1930, document Tryon's professional and personal life and include correspondence, photographs, a sketchbook, and newspaper clippings.
An outstanding scholar in the field of Iranian studies, Ernst Herzfeld (1879--948) explored all phases of Near Eastern culture from the prehistoric period to Islamic times. This collection documents Herzfeld's excavations at Samarra, Persepolis, Pasargadae, and Aleppo and includes correspondence; field notebooks; drawings; sketchbooks; inventories of objects; "squeeze" copies of architectural details; and photographs.
The Myron Bement Smith collection consists of two parts, the papers of Myron Bement Smith and his wife Katharine and the Islamic Archives. It contains substantial material about his field research in Italy in the 1920s and his years working on Islamic architecture in Iran in the 1930s. Letters describe the milieu in which he operated in Rochester NY and New York City in the 1920s and early 1930s; the Smiths' life in Iran from 1933 to 1937; and the extensive network of academic and social contacts that Myron and Katharine developed and maintained over his lifetime. The Islamic Archives was a project to which Smith devoted most of his professional life. It includes both original materials, such as his photographs and notes, and items acquired by him from other scholars or experts on Islamic art and architecture. Smith intended the Archives to serve as a resource for scholars interested in the architecture and art of the entire Islamic world although he also included some materials about non-Islamic architecture.