18 records — Page 2 of 2
Dates:
1865–1872
Size:
65 reels
Collection ID:
NMAAHC.FB.M1907
Repository:
National Museum of African American History and Culture

The collection is comprised of digital surrogates previously available on the 65 rolls of microfilm described in the NARA publication M1907. These digital surrogates reproduced the records of the Mississippi headquarters for the Assistant Commissioner and his staff officers and the subordinate field offices of the Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872. The files contain some pre–Bureau record series, dated 1863–64, that were created by military commanders and U. S. Treasury agents who dealt with refugees and freedmen during the Civil War. These records consist of bound volumes and unbound records, containing materials that include letters sent and received, monthly reports, registers of complaints, and other records relating to freedmen's claims and bounty payments.

Dates:
1865–1872
Size:
197,148 digital files
Collection ID:
NMAAHC.FB.M1913
Repository:
National Museum of African American History and Culture

This collection is comprised of digital surrogates previously available on the 203 rolls of microfilm described in the NARA publication M1913. These digital surrogates reproduced the records of the Virginia field offices of the Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872, including previously unfilmed records of the Virginia staff offices of the quartermaster and disbursing officer, and the subordinate field offices. These records consist of bound volumes and unbound records, including letters and endorsements sent and received, orders and circulars, monthly reports, and other records relating to freedmen's complaints and claims.

Dates:
1865–1872
Size:
69,244 digital files
Collection ID:
NMAAHC.FB.M1909
Repository:
National Museum of African American History and Culture

The collection is comprised of digital surrogates previously available on the 78 rolls of microfilm described in the NARA publication M1909. These digital surrogates reproduced the records of the North Carolina Assistant Commissioner, staff officers, and field offices of the Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872. These records consist of bound volumes and unbound records, containing materials that include letters and endorsements sent and received, orders and circulars, monthly reports, and other records relating to freedmen's complaints and claims.

Dates:
1861–1869
Size:
5 reels
Collection ID:
NMAAHC.FB.M1875
Repository:
National Museum of African American History and Culture

This collection is comprised of digital surrogates previously available on the five rolls of microfilm described in the NARA publication M1875. These digital surrogates reproduced marriage records of the Office of the Commissioner, Washington headquarters of the Bureau of Refugees, Freedmen, and Abandoned Lands, 1861–1869. These records consist of unbound marriage certificates, marriage licenses, monthly reports of marriages, and other proofs of marriages.

Dates:
1865-1872
Size:
36,346 digital files
Collection ID:
NMAAHC.FB.M1906
Repository:
National Museum of African American History and Culture

The collection is comprised of digital surrogates previously available on the 42 rolls of microfilm described in the NARA publication M1906. These digital surrogates reproduced the records of the Maryland and Delaware field offices of the Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872. These records consist of bound volumes and unbound records, containing materials that include letters and endorsements sent and received, orders and circulars, monthly reports, and other records relating to freedmen's complaints and claims.

Dates:
1865–1869
Size:
23,105 digital files
Collection ID:
NMAAHC.FB.M1055
Repository:
National Museum of African American History and Culture

The collection is comprised of digital surrogates previously available on the 21 rolls of microfilm described in the NARA publication M1055. These digital surrogates reproduced the records of the Assistant Commissioner for the District of Columbia, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–69. The records consist of 42 bound volumes and 18 feet of unbound documents. The bound volumes include letters and endorsements sent, registers of letters received, and special orders issued. The unbound letters consist primarily of letters and reports received.

Creators:
National Museum of African American History and Culture (U.S.)
Dates:
1940 - Ongoing
Size:
2 sound recordings
41 video recordings
39 motion picture films
Collection ID:
NMAAHC.SC.0001
Repository:
National Museum of African American History and Culture

The Great Migration is a unique, ongoing digitization service program that partners the National Museum of African American History and Culture with individuals and organizations across the United States to preserve their important analog audiovisual media. While major motion picture film and television historically lacked diverse representation, black history was instinctively being preserved in everyday home movies. Today, these personal narratives serve as an invaluable tool for understanding and re-framing black moving image history, and provide a much needed visualization of African American history and culture.

Creators:
Ailey, Alvin
Mitchell, Jack, 1925-
Dates:
1961-2004
Size:
16 linear feet
Collection ID:
NMAAHC.A2013.245
Repository:
National Museum of African American History and Culture

Jack Mitchell (1925- 2013) was an acclaimed photographer who began chronicling the work of the Alvin Ailey American Dance Theater in 1961. Alvin Ailey (1931- 1989), one of the most influential African American choreographers of modern dance, dedicated himself and his dance company to creating ballets that not only accelerated the careers of young African American dancers, but also stole the attention of national and international audiences in displaying the racial perspective of dance in the African American experience. This collection serves as Mitchell's documentation of the dance company's evolution while capturing the true idiosyncrasies and physicality of movement through still images. Through Alvin Ailey and Jack Mitchell's partnership, they were able to collaborate and produce a unique production of art, fusing the meaning and movements of dance and the techniques of photography.

18 records — Page 2 of 2