This collection documents Scheeline's work as a textile designer from 1945-1970.The archive material consists of brochures, photographs, sketches, correspondence, scrapbooks, client records, and other related items that document Ms. Scheeline's career from the 1930s to the 1980s (briefly covers 1990s). A majority of the items deal specifically with the projects for textiles and wallcoverings, research on forms in nature, and notes on her travels.
This collection documents Kauffer's work as a theater designer, and graphic designer from 1915-1954.The collection includes allusions to correspondences between Kauffer in America to T.S. Eliot (1888-1965) in London, between 1930 and 1955. (There are no letters between the two men in the collection.) Although Kauffer and Eliot were to become friends after 24 July 1930, they were professionally related before that time. Kauffer illustrated the Ariel edition of Eliot's "Marina." Kauffer and Eliot met in London. In the collection are also posters of Kauffer's works, biographical pieces, and obituaries as well as photographs of the artist.
The Parish-Hadley Collection documents the history of the New York City design firm from 1962-1994.Particular emphasis is on Sister Parish (Mrs. Henry Parish II) and Albert Hadley. Magazine clippings from various publications make up the majority of the collection as well as gossip column excerpts about Parish-Hadley or infamous clients. The slides date mostly from the 1980s-1990s and depict some but not all Parish-Hadley projects.
This collection does not represent the entire Parzinger archive. The German firm, K.P.M., has the drawings Parzinger produced for the line of ceramics and a part of the documentation for the work in the United States was damaged or lost in a 1951 flood in the Madison Avenue office. However, enough of the archive remains to document a significant part of the designer's work from the 1940s-1970s. Included in the collection are brochures, ad sheets, magazine pages, chart-like sheets of furniture designs, drawings or blueprints, clippings, photographs, press articles, and pages of notes. The collection does not include business papers which were deliberately excluded for space reasons.
Manuscript and printed textual material, photographic prints and negatives, slides, audio tapes, film, original and reproduction artwork, maps, scrapbooks, and historical and natural artifacts related to the history of African exploration and natural history, dating primarily from the nineteenth and twentieth centuries. Includes correspondence, drafts of publications, diaries, account books, ephemera, posters, newsclippings, biographies, memoirs, portraits, and the former personal property of selected explorers, big game hunters, missionaries, pioneers, and naturalists in Africa.
Scrapbooks compiled by Leslie Leland Locke, chiefly containing notes and ephemera on the history of calculating machines and typewriters, information on inventors, and notes for Locke's own collection of calculating machines. Some of the inventors, correspondents, inventions, companies, and agencies referenced include: Charles Babbage; Frank Stephen Baldwin (Baldwin's calculating machine); Edwin A. Bayley; Ernst Benecke (Brunsviga-Maschenienwerke Grimme, Natalis & Co. A.G., Braunsweig); Burroughs Adding Machine Co.; Vannevar Bush; C.E. Locke Mfg. Co. (the Locke Adder); Grover C. Chase; Colburn Gear & Mfg. Co. (George L. Colburn); Thomas A. Edison (Ediphone); Facit calculating machines; Felt & Tarrant Mfg. Co.; the Graf Zeppelin (for the calculating machines used on its flights); George B. Grant; R. Haase (Brunsviga-Maschenienwerke Grimme, Natalis & Co. A.G., Braunsweig); A.V. Kryha; George F. Kunz; Derrick N. Lehmer; the MADAS calculator; Marchant Calculating Machine Co.; the "Millionaire" (O. Steiger); Monroe Calculating Machine Co.; the Museums of the Peaceful Arts; Picht braille typewriters for the blind; George Sarton; Thaleswerk; Franz Trinks; Triumphator Works; the United States Patent Office; and the United States National Museum (Smithsonian Institution; including curators C.W. Mitman and Frank A. Taylor of the Division of Engineering, and J.E. Graf, U.S.N.M. associate director). Excerpted material is taken from various publications, such as the International office equipment magazine; the International export review; the American mathematical monthly; the Mathematics teacher; the New York Times; the New York world; the New York Sun; the Herald examiner; Colliers; the Chicago Tribune; and Science.
The collection consists chiefly of hand-written notes made by Southgate on a wide range of postal history topics and related matters, generally on lined or graph paper measuring 25 x 15 cm. or smaller, for keeping in triple-post binders. Some of the notes were made in "Lefax" or other commercially-available notebooks. The collection includes numerous mounted newsclippings, brochures, and excerpted articles from philatelic journals, as well as statistical data, advertisements, copies of correspondence, and diagrams made by Southgate to illustrate plate variations, etc.
Collection of William Temple Hornaday's notes and correspondence, chiefly relating to his travels, his publications, and his collecting of wild animals. Includes lists of Hornaday's expenses and animals collected on an expedition to Borneo in 1878 for Henry A. Ward, with addendum dated 1933; correspondence from Albert N. Theobald, Charles Theobald, and Wm. Theobald of the Theobald Brothers firm of taxidermists in Mysore, south India (1906-1919); letters from Norman W. Mumford of Boston, Mass. (1920), G.W. Beardsley of the Evening Herald Co., Binghamton, N.Y. (1909), and Mortimer Osborne Bigelow, Capt. 8th U.S. Cavalry, Fort Huachuca, Arizona (1909), and a letter from Hornaday and his wife Josephine to Wm. Sarre[?] (1934).
A collection of official U.S. government documents relating to the legislative history of the 1966 Department of Transportation Act, prepared by the Civil Aeronautics Board for the use of its own staff.Types of materials in the collection include: presidential messages; bills of the 89th Congress (House and Senate) in various stages of the legislative process; amendments; committee prints and hearings; a copy of Public Law 89-670; excerpts from the Congressional record; typed and signed Civil Aeronautics Board inter- and intra-office correspondence; memoranda and other miscellaneous documents.
This material does not cover all clients and projects undertaken by Dreyfuss. This collection consists of theater design materials, industrial design materials, primarily, though not exclusively, from the 1950s and 60s, draft copies of his books, including extensive research files for the "Symbol Sourcebook," texts of lectures delivered by Dreyfuss, and biographical material. Included is Dreyfuss's Brown Book which provides an outline of his achievements. Photographs and slides of many of his designs are included. Materials relating to three publications include original drafts of the books with author notes, drawings, photographs, correspondence, and research materials. Also contains materials relating to the symbols exhibition held at the Hallmark Gallery in New York City in 1972.This collection was the source of many of the objects and issues addressed in Cooper-Hewitt's 1997 exhibition, "Henry Dreyfuss: Directing Design", and companion book, "Henry Dreyfuss, Industrial Designer: The Man in the Brown Suit", both conceived by Russell Flinchum. 311 reels of microfilm documenting most of the projects undertaken by Dreyfuss Associates were created by the firm and added to the collection later.