This collection covers the period that Ratia was with Marimekko, 1951-1979.It includes scrapbook, press releases, correspondence, brochures, photographs, magazine articles, swatches, and trade catalogs. It contains extensive information about the company's affiliation with D/R and its operations in Finland. It includes a copy of "Phenomenon Marimekko," the catalog from a comprehensive exhibition that was held at the Museum of Applied Arts in Helsinki in 1986. The collection contains legal correspondence and contracts pertaining to D/R's representation of Marimekko in the United States, as well as numerous swatches, sample books, brochures for stockholders, and trade catalogs. Files pertaining to Marimekko's work in Finland is mostly in Finnish and consists of brochures, posters, articles, and sample books, as well as a copy of the publication, "Design in Finland 1983."Additional information on Marimekko's association with D/R can be found in the Cooper-Hewitt Design Archive's Design Research, Inc. Collection.
This collection contains4,300 black and white photographs that document architecture and design in Paris from 1925-1937.These silver-gelatin prints, mostly 8 x 10, depicting French industrial art objects, interior settings, and window displays were amassed by Bonney who lived most of her life in Paris. Many of the photographs were done by Bonney. She collected others from news agencies, photographers, and stock photograph vendors. Many of the photographs are accompanied by captions composed in a conversational manner by Bonney.
Consists of 24 watercolors mounted in a "Croxley Drawing Book" album ( p., interleaved with tissue paper) with the hand-written identification: "Watercolour drawings by f-emale & m-ale African primary school children" on p.  of the cover; 1 print-out of essay (2010), Painted drawings by Rhodesian school children in the Smithsonian Institution, by Jonathan Zilberg; and 1 photocopy of a "Suggested press release" for a traveling exhibition of similar paintings that toured the U.S. under the auspices of the Smithsonian Institution Traveling Exhibition Service from 1960 through 1970. The paintings were mounted in the album sometime between 1965 and 1967. The watercolors were created by children at the Nyarutsetso Art Centre, Highfield, Salisbury (now Harare) Rhodesia (now Zimbabwe) in the course of art classes taught by Anglican missionary and art educator, Canon Edward Paterson, and date from 1961-1967.
Collection consists of reproductions of paintings and photocopies of various documents: newspaper clippings, exhibition announcements and brochures, labels, correspondence, receipts, and contracts. Also includes biographical information and lists of exhibitions.
This collection documents Kauffer's work as a theater designer, and graphic designer from 1915-1954.The collection includes allusions to correspondences between Kauffer in America to T.S. Eliot (1888-1965) in London, between 1930 and 1955. (There are no letters between the two men in the collection.) Although Kauffer and Eliot were to become friends after 24 July 1930, they were professionally related before that time. Kauffer illustrated the Ariel edition of Eliot's "Marina." Kauffer and Eliot met in London. In the collection are also posters of Kauffer's works, biographical pieces, and obituaries as well as photographs of the artist.
This collection spans the period from the mid-1940s to the early-1960s and consists ofnewspaper and magazine articles by and about Loewy, including the 1949 TIME magazine on which he appeared on the cover. Extensive clippings exist pertaining to his designs for automobiles. Also includes many articles and speeches written by and about William Snaith, a partner in the firm which was renamed Raymond Loewy/William Snaith, Inc. in 1961. A catalog from the exhibition, "Ten Automobiles," which took place at the Museum of Modern Art in New York City in 1953, is included. Other materials include brochures printed and designed by the firm, press releases, a listing of projects, honors, and membership. Some photographs of Loewy and his design team are included. The collection does not contain any original design materials or project files.
Material relates to Sutnar's career including exhibitions, designs for corporate clients, designs for books on packaging design and catalog information. Little office correspondence and personal information is provided.The major part of the collection consists of Sutnar's designs, including logos, letterheads, catalogs, and advertising campaigns for a large number of clients, notably Addo-X, Carr's Department Stores, JC Penney, RCA, and Vera, as well as product and catalog design for Sweet's Catalog Service. Also included are drafts of books, sketches, over 5,000 photographs, photoprints, and photonegatives. Other materials include clippings, page layouts, brochures and booklets about package design and magazine layouts.
Collection consists ofapproximately 66,000, high quality engravings collected by Kubler from European and American books and periodicals dating almost exclusively from the 19th century.Portraits and city views document the social history and material culture of the period. Specific topics covered include archery, boxing, funerals, irrigation, milk, peddlers, riots, stenography, volcanos, and wrecks, among others. Among the publications from which illustrations were removed are Harper's weekly, Frank Leslie's Illustrated Newspaper, Puck, Illustrated London News, and King's New York City Views. Dates Kubler noted on the individual items are the dates on which the illustrations appeared in the publication from which they were extracted, not the date of the events or subjects being documented. Each print is mounted on tissue. Folders marked by a red circle indicate extremely rare prints.
Album with seventeen specimens of flowering plants that were collected, dried, and arranged by Ralph L. Dixon and his wife, Hetty G. Dixon. The album contains specimens of 17 plants that were gathered by the Dixons, mostly in the vicinity of Washington D.C. (Georgetown, Great Falls, and the C. & O. Canal towpath) in 1924. Two of the final group of specimens were gathered in Montana and the Rocky Mountains in 1960.
A collection of magazine and newspaper articles, academic papers, advertisements, press releases, typed and hand-written correspondence, speeches, drafts, and other materials relating to Belle Kogan and her career as an industrial designer.