Collection consists of reproductions of paintings and photocopies of various documents: newspaper clippings, exhibition announcements and brochures, labels, correspondence, receipts, and contracts. Also includes biographical information and lists of exhibitions.
This collection documents Kauffer's work as a theater designer, and graphic designer from 1915-1954.The collection includes allusions to correspondences between Kauffer in America to T.S. Eliot (1888-1965) in London, between 1930 and 1955. (There are no letters between the two men in the collection.) Although Kauffer and Eliot were to become friends after 24 July 1930, they were professionally related before that time. Kauffer illustrated the Ariel edition of Eliot's "Marina." Kauffer and Eliot met in London. In the collection are also posters of Kauffer's works, biographical pieces, and obituaries as well as photographs of the artist.
The Parish-Hadley Collection documents the history of the New York City design firm from 1962-1994.Particular emphasis is on Sister Parish (Mrs. Henry Parish II) and Albert Hadley. Magazine clippings from various publications make up the majority of the collection as well as gossip column excerpts about Parish-Hadley or infamous clients. The slides date mostly from the 1980s-1990s and depict some but not all Parish-Hadley projects.
This collection does not represent the entire Parzinger archive. The German firm, K.P.M., has the drawings Parzinger produced for the line of ceramics and a part of the documentation for the work in the United States was damaged or lost in a 1951 flood in the Madison Avenue office. However, enough of the archive remains to document a significant part of the designer's work from the 1940s-1970s. Included in the collection are brochures, ad sheets, magazine pages, chart-like sheets of furniture designs, drawings or blueprints, clippings, photographs, press articles, and pages of notes. The collection does not include business papers which were deliberately excluded for space reasons.
Material relates to Sutnar's career including exhibitions, designs for corporate clients, designs for books on packaging design and catalog information. Little office correspondence and personal information is provided.The major part of the collection consists of Sutnar's designs, including logos, letterheads, catalogs, and advertising campaigns for a large number of clients, notably Addo-X, Carr's Department Stores, JC Penney, RCA, and Vera, as well as product and catalog design for Sweet's Catalog Service. Also included are drafts of books, sketches, over 5,000 photographs, photoprints, and photonegatives. Other materials include clippings, page layouts, brochures and booklets about package design and magazine layouts.
This collection documents Scheeline's work as a textile designer from 1945-1970.The archive material consists of brochures, photographs, sketches, correspondence, scrapbooks, client records, and other related items that document Ms. Scheeline's career from the 1930s to the 1980s (briefly covers 1990s). A majority of the items deal specifically with the projects for textiles and wallcoverings, research on forms in nature, and notes on her travels.
This collection consists ofcorrespondence, scrapbooks, catalogs, brochures, original drawings, photographs, financial records, resumes, legal documents, magazine articles, business records, press releases, artwork, and samples of boxes, bags, and buttons. Files documenting the company's history include a statement of the company's philosophy and records pertaining to the establishment of new stores in various cities. Project files document the furniture, fabrics, rugs, and accessories imported and design by Design Research, Inc. Bound reprints of articles that appeared in Interiors and International Design magazines are included. Clippings and other records documenting the design and construction of D/R stores are provided in the files pertaining to Benjamin Thompson & Associates, Inc. Also found in these files is a printed and bound presentation copy of Thompson's address, "The Craft of Design and the Art of Building", along with other articles by and about Thompson. Additional information pertaining to D/R's association with Marimekko can be found in the Cooper- Hewitt Design Archive's Marimekko Collection.
This collection covers the period that Ratia was with Marimekko, 1951-1979.It includes scrapbook, press releases, correspondence, brochures, photographs, magazine articles, swatches, and trade catalogs. It contains extensive information about the company's affiliation with D/R and its operations in Finland. It includes a copy of "Phenomenon Marimekko," the catalog from a comprehensive exhibition that was held at the Museum of Applied Arts in Helsinki in 1986. The collection contains legal correspondence and contracts pertaining to D/R's representation of Marimekko in the United States, as well as numerous swatches, sample books, brochures for stockholders, and trade catalogs. Files pertaining to Marimekko's work in Finland is mostly in Finnish and consists of brochures, posters, articles, and sample books, as well as a copy of the publication, "Design in Finland 1983."Additional information on Marimekko's association with D/R can be found in the Cooper-Hewitt Design Archive's Design Research, Inc. Collection.
This collection contains4,300 black and white photographs that document architecture and design in Paris from 1925-1937.These silver-gelatin prints, mostly 8 x 10, depicting French industrial art objects, interior settings, and window displays were amassed by Bonney who lived most of her life in Paris. Many of the photographs were done by Bonney. She collected others from news agencies, photographers, and stock photograph vendors. Many of the photographs are accompanied by captions composed in a conversational manner by Bonney.
Manuscript and printed textual material, photographic prints and negatives, slides, audio tapes, film, original and reproduction artwork, maps, scrapbooks, and historical and natural artifacts related to the history of African exploration and natural history, dating primarily from the nineteenth and twentieth centuries. Includes correspondence, drafts of publications, diaries, account books, ephemera, posters, newsclippings, biographies, memoirs, portraits, and the former personal property of selected explorers, big game hunters, missionaries, pioneers, and naturalists in Africa.