Collection consists ofapproximately 66,000, high quality engravings collected by Kubler from European and American books and periodicals dating almost exclusively from the 19th century.Portraits and city views document the social history and material culture of the period. Specific topics covered include archery, boxing, funerals, irrigation, milk, peddlers, riots, stenography, volcanos, and wrecks, among others. Among the publications from which illustrations were removed are Harper's weekly, Frank Leslie's Illustrated Newspaper, Puck, Illustrated London News, and King's New York City Views. Dates Kubler noted on the individual items are the dates on which the illustrations appeared in the publication from which they were extracted, not the date of the events or subjects being documented. Each print is mounted on tissue. Folders marked by a red circle indicate extremely rare prints.
Includes photographs from the Wasatch Mountains sub-series (Ogden; Cache Valley; Bear River; Gooseberry Creek; Red Rock Pass); and also photographs of Fort Hall, Idaho; Snake River; Pleasant Valley; Portneuf Canyon, Idaho; Red Rock Mountains; hydraulic gold mining at Alder Gulch, near Virginia City, Montana; the camp at Fort Ellis, Montana; Shadow [i.e. Mystic] Lake; and the headwaters of the Gallatin.
Notebook kept by Peter Spicer for recording arithmetical concepts and exercises as a young student, with an emphasis on business and bookkeeping-related skills. Some of the topics covered include: Federal money; simple interest; brokerage; insurance; compound interest; annuities; loss and gain; conjoined proportion; vulgar fractions; decimal fractions; arithmetical progression; and geometrical progression; among others.
This collection documents Wallance's career from his enrollment in the Design Laboratory School in 1936 to his death in 1990.Included are his designs for tableware, furniture, and household accessories, as well as material on his research and writings. This collection consists of sketches, drawings, photographs, correspondence, and reference materials, in addition to publicity and promotional materials. Extensive documentation exists on Wallance's pioneering designs for stainless steel flatware for H. E. Lauffer Company and his experimental furniture for the U.S. Army, Philharmonic Hall at Lincoln Center, and the Hard Manufacturing Company. Thorough documentation of his research for his landmark book, "Shaping America's Products," is included. The collection also contains a substantial amount of information on the Design Laboratory School, the first industrial design school in the United States to be patterned after the Bauhaus.
Project files containmagazine and newspaper clippings, reviews, correspondence, renderings, floor plans, perspective drawings, site plans, sketches, preliminary drawings, patents, stationery, labels, and technical reports. There is an extensive collection of photographs and slides of many of Deskey's packaging designs, interiors, furnishings, and exhibition installations. The files of Donald Deskey Associates include organizational charts, client files, proposals, and financial records. Some of Deskey's personal correspondence, speeches, articles, and family photographs are included. Materials cover the period from 1927-1975.
Consists of 24 watercolors mounted in a "Croxley Drawing Book" album ( p., interleaved with tissue paper) with the hand-written identification: "Watercolour drawings by f-emale & m-ale African primary school children" on p.  of the cover; 1 print-out of essay (2010), Painted drawings by Rhodesian school children in the Smithsonian Institution, by Jonathan Zilberg; and 1 photocopy of a "Suggested press release" for a traveling exhibition of similar paintings that toured the U.S. under the auspices of the Smithsonian Institution Traveling Exhibition Service from 1960 through 1970. The paintings were mounted in the album sometime between 1965 and 1967. The watercolors were created by children at the Nyarutsetso Art Centre, Highfield, Salisbury (now Harare) Rhodesia (now Zimbabwe) in the course of art classes taught by Anglican missionary and art educator, Canon Edward Paterson, and date from 1961-1967.
This collection consists ofcorrespondence, scrapbooks, catalogs, brochures, original drawings, photographs, financial records, resumes, legal documents, magazine articles, business records, press releases, artwork, and samples of boxes, bags, and buttons. Files documenting the company's history include a statement of the company's philosophy and records pertaining to the establishment of new stores in various cities. Project files document the furniture, fabrics, rugs, and accessories imported and design by Design Research, Inc. Bound reprints of articles that appeared in Interiors and International Design magazines are included. Clippings and other records documenting the design and construction of D/R stores are provided in the files pertaining to Benjamin Thompson & Associates, Inc. Also found in these files is a printed and bound presentation copy of Thompson's address, "The Craft of Design and the Art of Building", along with other articles by and about Thompson. Additional information pertaining to D/R's association with Marimekko can be found in the Cooper- Hewitt Design Archive's Marimekko Collection.
This collection documents Kauffer's work as a theater designer, and graphic designer from 1915-1954.The collection includes allusions to correspondences between Kauffer in America to T.S. Eliot (1888-1965) in London, between 1930 and 1955. (There are no letters between the two men in the collection.) Although Kauffer and Eliot were to become friends after 24 July 1930, they were professionally related before that time. Kauffer illustrated the Ariel edition of Eliot's "Marina." Kauffer and Eliot met in London. In the collection are also posters of Kauffer's works, biographical pieces, and obituaries as well as photographs of the artist.