Collection consists of 183 35mm photographic slides that Dr. John M. Fogg took of a variety of arboreta, botanic gardens, plant nurseries, and other assorted gardens throughout the United States and Canada between 1955 and 1967.
The collection contains the project design records of Rudy J. Favretti. Favretti, a landscape architect and professor noted for his extensive work in historical restoration of landscaped gardens, parks, homes, and more. He donated his collection of garden design files, plans, and images to the Smithsonian's Archives of American Gardens in March 2011.
The John Hiller Lantern Slide Collection contains 216 glass autochromes dated circa 1920-1930 documenting homes and gardens, house interiors, scenes from domestic and foreign travel, flower arrangements, and people in Europe and unidentified locations.
Alan Harwood is a Professor Emeritus at University of Massachusetts, Boston in the Anthropology Department. Trained in social anthropology he has studied illness and healing in Tanzania and communities in New York City and Boston. Harwood was the founding editor of Medical Anthropology Quarterly (new series, 1986-1991) and series editor of Cambridge Studies in Medical Anthropology (1999-2004) The bulk of this collection is composed of Alan Harwood's 1962-1964 ethnographic research among the Safwa in Tanzania (then known as Tanganyika); his research on health beliefs and medical practices of residents in a low-income area of the Bronx, New York (1967-1970); and his research in Boston, Massachusetts on different ethnic groups' conceptions of health (1994-1995). Also among his papers are materials from his involvement in the Centers for Disease Control and American Anthropological Association (AAA) Workgroup on "The Use of Race & Ethnicity as Scientific Categories" at the 1994 AAA meeting.
Collection of personal notebooks of civil engineers.
An exhibition on contemporary African American women artists curated by Robert L. Hall and exhibited at the Anacostia Museum of the Smithsonian Institution from November 1990 to April 1991. Artists included are: Erlena Chisolm Bland, Lilian Thomas Burwell, Yvonne Pickering Carter, Margo Humphrey, Martha Jackson-Jarvis, Viola Burley Leak, Winnie Owens-Hart, Stephanie E. Pogue, Malkia Roberts, Gail Shaw-Clemons, Sylvia Snowden, Renée Stout, Denise Ward-Brown, Joyce E. Wellman, and Adell Westbrook.
This exhibition was developed for circulation by the Smithsonian Institution Traveling Exhibition Service with the assistance of the Anacostia Museum of the Smithsonian Institution and the National Museum of American History. It was adapted from an exhibition organized by the Museum of the Confederacy, Richmond, Virginia. These records document the planning, organizing, execution, and promotion of the exhibition. Materials include correspondence, research files, exhibit script, administrative records, brochures, press coverage, education packets, loan agreements, floor plans, and catalogues.
The major part of the collection, series 1-4, contains nearly 28,000 glass plates, including original stereoscopic negatives, interpositives, and both negative and positive non-stereoscopic plates used to produce lantern slides and paper prints. The photographs were taken all over the world. The majority are from the Underwood & Underwood active fi...
This collection consists of business correspondence 1895-1901 of the company, including correspondence of the General Manager, D.A. Wightman; personal papers of Mr. Daniel A. Wightman including a sketch book, 1874-76; Specifications for locomotives and tenders; price lists; locomotive cost estimates; tests; hauling capacities of locomotives; and co...
This collection contains biographical material on both Feltons; a handwritten bound report by Felton on the construction of the Norfolk Co. Railroad, 1847 1849; correspondence, 1861 1927, to and from both Feltons; various reports on military railroads during the World War years; and news clippings and articles on the Feltons, 1889-1930.