These records document the governance and programmatic activities of the Museum of the American Indian/Heye Foundation (MAI) from its inception in 1904 until its sublimation by the Smithsonian Institution in 1990. The types of materials present in this collection include personal and institutional correspondence, individual subject files, minutes and annual reports, financial ledgers, legal records, expedition field notes, research notes, catalog and object lists, publications, clippings, flyers, maps, photographs, negatives and audio-visual materials. These materials span a varied range of subjects relating to the activities of the museum which are more fully described on the series level.
The William Wildschut photograph collection contains 183 photographic negatives, and 89 post cards. From 1917 to 1928 William Wildschut studied the Apsáalooke people through interviews, photography, and the collection of cultural objects. In 1921 Wildschut was hired as a field man by George Gustav Heye the director of the Museum of the American Indian, Wildschut officially collected and conducted field expeditions in Montana, Wyoming, Idaho, Canada, and North Dakota on behalf of the Museum until 1928. Wildschuts photographs include portrait style photos of Apsáalooke people, special events, daily reservation life, interments, and encampments. Tribes represented in this collection are primarily Apsáalooke, the postcard collection consists of other tribes including Lakota, Arapaho, and other unidentified tribes.
This collection documents the activities of Joe Glazer's record label Collector Records. Materials include the label's original commercial recordings, paper records related to day-to-day business operations and production, field recordings made by Joe Glazer, and Glazer's personal music collection.
This collection consists of correspondence, memos, newspaper articles and logbooks concerning the flight.
This collection follows Mountain's aviation career.
This collection of photographs, shot by Reverend James O. Arthur while serving as a missionary for the Reformed Church of America, documents the activities on the Winnebago Reservation in Nebraska in 1913 as well as Mescalero and Chirichua Reservation in White Tail, New Mexico from 1914-1919. Additional images depict vacations and travels throughout the United States by the Arthur family and friends between the years 1913-1928.
This collection contains 85 glass plate negatives depicting Iroquois students and student life at the Thomas Indian School on the Cattaraugus Indian Reservation in New York state, circa 1900-1945.
This collection contains glass lantern slides shot by rancher and explorer John Wetherill (1866-1944). The photographs depict Ancestral Puebloan sites in southwestern U.S., as well as photos of Diné (Navajo) and Ute men and women.
This collection consists of 1 photograph album containing 42 snapshot photographs and photographic postcards from circa 1930-1934. The bulk of the photographs depict Haskell Institute students including members of the football team Arnes Barlow, Paul Edge, Leonard Barlow, Guy Bush, Charles Bernard, Led Wilson, and coach John...
Jack Mitchell (1925- 2013) was an acclaimed photographer who began chronicling the work of the Alvin Ailey American Dance Theater in 1961. Alvin Ailey (1931- 1989), one of the most influential African American choreographers of modern dance, dedicated himself and his dance company to creating ballets that not only accelerated the careers of young African American dancers, but also stole the attention of national and international audiences in displaying the racial perspective of dance in the African American experience. This collection serves as Mitchell's documentation of the dance company's evolution while capturing the true idiosyncrasies and physicality of movement through still images. Through Alvin Ailey and Jack Mitchell's partnership, they were able to collaborate and produce a unique production of art, fusing the meaning and movements of dance and the techniques of photography.