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Creators:
Ailey, Alvin
Mitchell, Jack, 1925-
Dates:
1961-2004
Size:
16 linear feet
Collection ID:
NMAAHC.A2013.245
Repository:
National Museum of African American History and Culture

Jack Mitchell (1925- 2013) was an acclaimed photographer who began chronicling the work of the Alvin Ailey American Dance Theater in 1961. Alvin Ailey (1931- 1989), one of the most influential African American choreographers of modern dance, dedicated himself and his dance company to creating ballets that not only accelerated the careers of young African American dancers, but also stole the attention of national and international audiences in displaying the racial perspective of dance in the African American experience. This collection serves as Mitchell’s documentation of the dance company’s evolution while capturing the true idiosyncrasies and physicality of movement through still images. Through Alvin Ailey and Jack Mitchell’s partnership, they were able to collaborate and produce a unique production of art, fusing the meaning and movements of dance and the techniques of photography.

Creators:
Byrd, Charlene Hodges, 1929-2009
Dates:
circa 1750-2009
bulk 1880-1960
Size:
43 linear feet (35 document boxes and 39 oversize boxes)
Collection ID:
NMAAHC.2010.26
Repository:
National Museum of African American History and Culture

The Charlene Hodges Byrd collection measures 43 linear feet, and dates from circa 1750-2009, with the bulk of the material dating from 1880-1960. The collection documents the personal life and professional career of Charlene Hodges Byrd, an African American teacher from Washington, D.C., along with material for several related families from Pennsylvania, Maryland, and Washington, D.C. Family members prominently represented include Sarah A. Shimm, teacher and essayist under the name Faith Lichen; her daughters Erminie F. Shimm and Grace E. Shimm Cummings, both teachers; and Byrd's mother, Joyce Ethel Cummings Hodges, also a teacher. Correspondence and writings chiefly discuss family life, religion, race, education, and the relationship with Frederick Douglass and his family. The collection is arranged in 10 series: Biographical Material, Correspondence, Writings, Subject Files, Financial and Legal Records, Printed Material, Volumes, Memorabilia, Textiles, and Photographs.

Creators:
United States. Bureau of Refugees, Freedmen, and Abandoned Lands.
Dates:
1865-1872
Size:
1,917,680 digital images (1918 digitized microfilm rolls)
Collection ID:
NMAAHC.FB
Repository:
National Museum of African American History and Culture

The Freedmen's Bureau Digital Collection is comprised of digital surrogates previously available on the 1918 rolls of microfilm held by the National Archives and Records Administration.

Dates:
1865-1870
Size:
38 microfilm
Collection ID:
NMAAHC.FB.M843
Repository:
National Museum of African American History and Culture

This collection is comprised of digital surrogates previously available on the 38 rolls of microfilm described in the NARA publication M843. These digital surrogates reproduced the previously un-filmed records of the Assistant Commissioner for the State of North Carolina, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865-70. The records consist of 32 volumes and approximately 20 linear feet of unbound records. The volumes include letters and endorsements sent; registers of letters received; telegrams sent and received; special orders, general orders, and circulars; register of persons recommended as inspectors of elections; a register of apprentices indentured; and index books. The unbound series consist mainly of letters received, orders, reports, and freedmen’s labor contracts. These documents were created or received by the Assistant Commissioner, the Acting Assistant Commissioner, or either of two staff officers who acted for the Assistant Commissioner.

4 records — Page 1 of 1