Photograph prints, negatives and color transparencies documenting early modern American artists and the contemporary artist Richard Lindner.
Originally assembled by the Metropolitan Museum of Art for study purposes, this collection is comprised of 2,790 black-and-white photographs documenting the work of 250 sculptors.
This collection contains photographic material taken during Jerry L. Thompson's career at the Metroplitan Museum of Art (New York, NY). The collection includes black-and-white photographic prints, negatives and color transparencies documenting the work of four prominent American sculptors: Erastus Dow Palmer, Frederic Remington, Augustus Saint-Gaudens, and John Quincy Adams Ward.
The Walter Rosenblum Collection is comprised of 7,396 silver gelatin negatives taken by noted photographer Walter Rosenblum (1919-2006) for New York art galleries, collectors and artists between 1945 and 1976. The collection reflects the art of his time and is particularly strong in American and European avant-garde, surreal and abstract works.
The Peter A. Juley & Son Collection is comprised of approximately 127,000 photographic negatives documenting the work of more than 11,000 American artists. Included in the collection are 4,700 photographic portraits of artists.
This collection includes 329 black and white photographic prints, measuring 8 x 10 inches or smaller, that depict African art objects and were published in Warren M. Robbins' book, African Art in American Collections (New York, Washington, London: Praeger, 1966).
Photographs depicting American Indian musical instruments in the Crosby Brown Collection at the Metropolitan Museum of Art, including Northwest Coast reed instruments and rattles.
The papers of New York art dealer, writer and teacher, Martin Diamond measure 3.2 linear feet and date from 1928 to 2013. The materials involve to a limited degree Diamond's wife, Harriette Diamond, co-owner and co-operator of Martin Diamond Fine Arts, Inc. Their gallery work and relationships with artists they represented are documented by writings, subject and artist files, and photographic materials. Subject files concern American abstract art, particularly the 20th century Transcendental abstract painters, and include printed materials, correspondence and photographic materials. Artists' files include similar materials and some writings by artists. Photographic materials are of artworks and exhibition installations.
This accession consists of records which document planning for and the installation of the following exhibitions: "Art, Design and the Modern Corporation: The Collection of the Container Corporation of America;" "The Martha Jackson Memorial Collection;" "Patrick Ireland: Drawings, 1965-1985;" "Close Focus: Prints, Drawings and Photographs;" ...
The Samuel J. Wagstaff papers, circa 1932-1985 comprise 6.2 linear feet of correspondence, writings, miscellaneous records, printed material, and photographs documenting Wagstaff's professional and personal relationships with artists and photographers, his career as an art curator, and his position as an important collector of paintings and photographs. Correspondence with artists and others such as curators, arts organizations, galleries, and museums, reflects the diversity of contemporary American art and includes individuals associated with the abstract expressionist, Fluxus, pop, earth, conceptual, and minimalist art movements.