Lloyd F. Rader was born in 1902 in Lincoln, Nebraska. He received his education from the University of Michigan at Ann Arbor, earning his bachelor, masters, and Ph. D in civil engineering. Rader taught at the University of Nebraska at Lincoln, the Polytechnic Institute of Brooklyn, New York and he served as a professor at the University of Wisconsin at Madison for 33 years. The collection includes material about Rader's professional career, honors and awards he received, and articles and textbooks authored or co-authored by Rader about asphalt, concrete, and urban planning.
Collection includes historic photographs, slides and films on subjects relating to all aspects of the petroleum industry, including exploration, drilling, refineries, tankers, pipelines, automobiles, trucks, aviation, refueling, buildings, coal, gasification, plants, mining, surface mining, fields, land reclamation, coastal zone management, corporate public service, educational programs, crude oil, deepwater ports, and watercraft It also documents numerous products other than gasoline produced by the petroleum industry, such as propane, lubricants, heating oil, and plastics.
The papers of sculptor, writer, and earthworks artist Robert Smithson and his wife, sculptor, filmmaker, and earthworks artist Nancy Holt measure 14.9 linear feet and date from 1905 to 1987, with the bulk of the material dating from 1952 to 1987. The papers consist of Smithson's biographical material; business and personal correspondence, much of it with artists; interview transcripts; extensive writings and project files; financial records; printed material; a scrapbook of clippings; holiday cards with original prints and sketches; photographic material; and artifacts. Also found are project files related to Nancy Holt's films Pine Barrens and Suntunnels.
The Hales Bar Dam was built on the Tennessee River to improve river navigation and produce hydroelectric power. Construction work on the dam, which took place from 1905 to 1913, faced engineering challenges and leaks due to the broken and creviced limestone beneath the dam. The collection spans 1905-1968 and includes papers, reports, drawings and photographs related to the construction of the dam, as well as documents related to its maintenance in the decades following its completion.
The Cummings Structural Concrete Company Records consists primarily of correspondence and business records documenting Robert A. Cummings' firm, consulting work, and participation in professional associations, especially the American Society of Civil Engineers, 1892-1893, circa 1900-1939; technical data and publications on soils testing, 1900-1939;...
This accession consists of records documenting the review of Smithsonian Institution exhibition, facility, publication, and event plans for visitor and staff accessibility. Materials include correspondence, memoranda, proposals, drawings, background information and related materials.
The collection contains primarily black-and-white silver gelatin photographic prints, produced by film studios and distributors for advertising and theater lobby display purposes. The films are mostly American, although the collection includes some European and Japanese films. Some films are accompanied by small booklets in Danish.
The records of San Francisco Focus Gallery measure 11.8 linear feet and date from 1963-1987. The bulk of the collection consists of exhibition files. There are also artists files, sales information, correspondence, and scattered records of the gallery's companion bookshop.
The records of the Fine Arts Federation of New York, a consortium of New York City arts and architecture organizations, measure 15.2 linear feet and date from 1895-2005, bulk 1935-2002. The Federation's activities on behalf of the interests of the constituent organizations and the greater community are documented through officers' files, correspondence, administrative records, scattered printed materials, and scrapbooks.
These records document the conceptualization, development, design, and execution of several exhibitions held by the Cooper-Hewitt Museum from 1973 through 1992, and of exhibitions rejected or cancelled by the museum. Exhibition files include proposals; research files; correspondence with object lenders, scholars, and exhibition designers; ...