The Smithsonian Speech Synthesis History Project, conducted by H. David Maxey from 1986 through 2002, created a collection of archival materials documenting the history and development of speech synthesis technology. Maxey collaborated with Dr. Bernard Finn, Elliot Sivowitch and Harold Wallace of the National Museum of American History's Division of Information, Technology, and Society.
This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.
The papers of curator Nan Rosenthal measure 26.4 linear feet and 17.1 gigabytes and date from circa 1940-2013. There is a small amount of biographical material; correspondence, mostly letters from her first husband Otto Piene; project and research files encompassing her work as a curator and historian; as well as teaching files; and thousands of slides organized by subject. Among Rosenthal's research and project files are sound recordings and transcripts from dozens of interviews Rosenthal conducted with artists including Howard Hodgkin, Anselm Kiefer, friends and family of Yves Klein, Robert Rauschenberg and friends, George Rickey, Claus Oldenburg, and Sangbin Im. In addition to paper records, the collection also includes a large number of sound recordings, video recordings, and born digital material.
The Smithsonian Videohistory Program, funded by the Alfred P. Sloan Foundation from 1986 until 1992, used video in historical research. Additional collections have been added since the grant project ended. Videohistory uses the video camera or digital recorder as a historical research tool to record moving visual information. Video works ...
The papers of illustrator, xerography artist, filmmaker, and educator Esta Nesbitt measure 10.5 linear feet and date from circa 1942-1981. Found within the papers are biographical material, correspondence, writings, xerography research files, project and exhibition files, and printed material. Much of the collection relates to Nesbitt's xerography art work. Additionally, the collection includes motion picture film and sound recordings related to her film and performance work.
The records of the New York City gallery Thread Waxing Space measure 36.7 linear feet and date from 1980s-2001 (bulk 1991-2001). Exhibitions and events held at the gallery are documented through correspondence, artists' bios, printed materials, shipping records, photographic materials, audiovisual materials, scattered electronic records, and other administrative records. Also found are a handful of artist research files, clippings, and press books.
The papers of Owen M. Lynch (1931-2013) contain his research and fieldwork on marginalized castes in India, and in particular highlight his work among the Dalits, or Untouchables, in Agra. The collection consists of field notes, surveys, interviews, maps, drawings, manuscript notes and drafts, language materials, subject files, day planners, correspondence, university papers, conference symposium and panel materials, photographs, sound recordings, video recordings, and electronic records.
The Robert Rankin papers, 1886, 1914, 1956-2011, document his field work, research, and professional activities, primarily in relation to his work studying American Indian languages. Rankin was professor of linguistics at the University of Kansas from 1969 until his retirement in 2005. The collection consists of sound recordings, field notebooks, vocabulary lists and bibliographies, dictionaries, research files, slip files, word lists, correspondence, ephemera, notes, readings and reprints, writings, drafts, and teaching materials. This includes materials from Rankin’s work with the last native speakers of the Quapaw and Kaw (Kansa, Kanza) languages and subsequent research, writings, and collaborations with tribes and fellow linguists.
Records document the Gerber Scientific Instrument Company, Hartford, Connecticut, and its four subsidiaries: Gerber Garment Technology, Inc., Gerber Scientific Products, Inc., Gerber Systems Corp., and Gerber Optical, Inc. Gerber Scientific designs, develops, manufactures, markets and services computer aided design and computer aided CAD/CAM systems. The records include correspondence, memoranda, product literature, trade literature, patent records, instruction manuals, proposals, engineering records, photographs, technical reports, drawings, press releases, and newspaper clippings.
The papers of Los Angeles Abstract Classicist painter and educator Frederick Hammersley measure 31.8 linear feet and date from circa 1860-2009, bulk 1940-2009. The papers contain biographical materials, 31 diaries, family and professional correspondence, personal business and financial records, estate records, writings, graphic design projects, teaching files, printed materials, scrapbooks, photographs, and works of art. An 2015 unprocessed addition includes a diary possibly written by Hammersley's mother, photograph albums and photographs, sketches and block prints, computer printouts, and hand painted grid color boxes used by Hammersley in teaching color theory.