Photographs depicting the people and landscape of Panama, Morocco and the Azores. The collection includes images of villages and structures in Panama, Andre Leconte postcards of Morocco and northern Africa, and an aerial view of an island in the Azores. Also included is a leaflet describing the history and culture of the Azores.
A collection of black and white prints and negatives of Islamic monuments taken by former ambassador Richard B. Parker. The collection includes 200 prints and 481 negatives. The images document Islamic architecture throughout Algeria, Cairo, Lebanon, Syria, Jordan, Morocco, and Spain.
Photographs taken by Frank and Georgette Ballance during their travels through Tanzania, Kenya, Egypt and Morocco during the early 1970s.
This accession consists of cultural agreements between the Smithsonian Institution and foreign governments (Indonesia, Malaysia, Morocco, Saudi Arabia, Tunisia and Iraq). Each agreement includes an English version and translation to the native language.
Photographs made by Janet Longcope during trips to countries around the world. They depict landscapes, buildings, markets, dances, agriculture, arts and crafts, ceremonies, children, cooking, musicians, and transportation. Locations depicted include Afghanistan, Australia, Bhutan, Brazil, Burma, Cambodia, Chile, Colombia, Easter Island, Egypt, Ethi...
Photographs made by Robert and Elizabeth Webb in numerous locations across the world, including Asia (China, Japan, Taiwan, Philippines, Borneo, Singapore, Thailand, Burma, Nepal, India, Sri Lanka, and Russia); the Balkans (Czech Republic, Croatia, Yugoslavia, Montenegro, Serbia, Bulgaria, Romania, Hungary, and Poland); Europe (Spain, England, Fran...
The papers of Virginia painter Eliot Candee Clark measure 6.1 linear feet and date from 1839 to 1984. The papers include biographical materials, correspondence, 21 diaries and notebooks, writings and notes, personal business records, photographs, 9 sketchbooks, and artwork and artifacts. Many of the materials relate to Clark's travels in Europe, India, and throughout the United States.
This collection, which dates from circa 1961-2006, contains audiorecordings from the UNESCO Collection of Traditional Music of the World, as well as related business records. Includes recordings of tradition and sacred music from Benin, Cameroon, Central African Republic, Côte d'Ivoire, Ethiopia, Madagascar, Malawi, Niger, Sudan, Argentina, Bolivia, Brazil, Chile, Cuba, Peru, Afghanistan, Australia, Cambodia, China, Korea, the Solomon Islands, India, Bali, Java, Japan, Laos, Mongolia, Uzbekistan, Pakistan, Thailand, Vanuatu, Vietnam, Algeria, Bahrain, Egypt, Iraq, Morocco, Oman, Syria, and Turkey.
Photographs depicting indigenous peoples, antiquities, implements, textile types, and scenery in Assam, Arunachal Pradesh, and other areas of northeastern India. Represented photographers include Elizabeth Bayley Willis, Verrier Elwin, Panna Pal, R. Pyngrope, and other photographers.
The papers of Francis P. Conant document his anthropological work and, to a lesser extent, his previous career as a journalist and photographer. Francis Paine Conant was a cultural anthropologist who pioneered the use of satellite data in anthropology. He conducted fieldwork in Nigeria and Kenya, and his research interests spanned cultural ecology, AIDS, malaria, and sex and gender studies. He was also Professor Emeritus of Anthropology at Hunter College, where he taught from 1962 to 1995.