Manuscript for "Summertime", recorded by Davis and GIl Evans in 1959.
Printed materials, consisting mostly of obscure, alternative jazz magazines containing articles about Silver; and two publicity photographs of Silver.
The original manuscript for Coltrane's composition, "A Love Supreme."
Publicity photographs and postcards of entertainers, mostly jazz musicians and leaders of dance bands, etc., and related memorabilia.
Original music, photographs, recordings, and ephemera documenting the life and professional careers of Horace and Fletcher Henderson.
Five cassette audiotapes, master's degree thesis, and Billy Strayhorn music transcription to Duke Ellington's "Lotus Blossom.",Material documents the career and compositional techniques of Duke Ellington, and interviews with Duke Ellington and Cat Anderson.
Conductor's scores for: "Didn't it Rain", "Shadrack", "This Train", "Sometimes", "Jonah", "Down by the Riverside", "Jonah and the Whale", "Nobody Knows the Trouble I've Seen". Condensed scores for: "Shadrack", "Go Down Moses", Ezekiel", "Motherless Child", "Rock My Soul".
Archival materials documenting the career of the composer and arranger Ralph Burns. The papers include six holograph scores, three bound presentation scores, photographs, and a bound scrapbook containing photographs, programs and clippings.
Collection consists of twenty-five (25) 7-inch reel-to-reel audiotapes of nine (9) radio interviews documenting the career of Duke Ellington as composer and musician.
Two transcriptions by Roberta Mandel of Billy Strayhorn's composition, "Blood Count"; five transcriptions by David Berger: "Harlem Airshaft", "Ko-Ko", "Subtle Lament", "Flaming Sword", "Mainstem", and "Jack the Bear", all composed by Duke Ellington; and two G. Schirmer transcriptions of Ellington's "Come Sunday".