The papers of Italian-American painter, engraver, and printmaker Letterio Calapai measure 3.4 linear feet and date from 1858 through 1993 (bulk 1920s-1993). Found are correspondence, teaching and project files, writings and notes, printed materials, photographs, and sketchbooks, including one with scenes of Rockwell Kent's dairy farm in upstate New York.
The papers of painter, printmaker and sculptor Agnes Mills measure 1.1 linear feet and date from 1948 to 1999, with the bulk of the material from 1974 to 1993. Her enduring interest in dance theatre is demonstrated in the papers. Reminiscences of her time in the WPA, artist statements, sketchbooks, and a bound compilation of publicity, biographical notes, and images of artwork provide an overview of her professional accomplishments. The collection also includes curricula vitae; correspondence; writings by and about the artist; price lists and inventories; articles, news clippings, press releases and exhibition announcements; original artwork; and photographs of both the artist and her work.
The papers of Wisconsin printmaker and educator Raymond Gloeckler measure 1.4 linear feet and date from 1952 to 2008. Gloeckler's career is documented through biographical material, correspondence with galleries and art organizations, exhibition and commission files, printed material, and artwork.
Photographic prints depicting Country and Western musicians. Many of the photographs are humorous, whimsical, or even surrealistic.
The papers of printmaker Jerome Wallace measure 0.2 linear feet and date from 1875 to 2012 with the bulk of materials dating from 1970 to 2012. The collection documents his life and career through photocopies of biographical materials, writings and statements, articles, and project files. Original legal documents pertaining to a rental property dispute and digital photographs of Wallace and his artwork are also included in the collection.
The papers of Joseph Tobin regarding his friend, painter and printmaker Alton Pickens, measure 0.3 linear feet and date from 1946-circa 1970s. Correspondence primarily pertains to an exhibition that Tobin was trying to organize for Pickens in France, however the exhibition never came to fruition. Also included in the collection are printed material and photographs related to Pickens and his work.
The papers of New York artist Zarina Hashmi date from 1950-2015. The extent measures 1.1 linear feet and 4.28 gigabytes. This small collection documents Hashmi's life and career through biographical material; correspondence with friends, dealers, and curators; writings, including diary pages, a digital video recording of a lecture, and notebooks; project files containing sketches, studies, and reference material; printed material; and over 100 photographs from various stages in the artist's life.
The papers of Washington, D.C. painter and printmaker Kevin MacDonald measure 7.7 linear feet, and date from 1958-2006. The collection contains correspondence with friends and colleagues; journals, notebooks, and other writings; printed material; artwork by MacDonald and others; 29 sketchbooks; and sound, video, and film recordings. Of note are several files regarding his work with the Washington Project for the Arts.
The papers of painter Anne Goldthwaite measure 0.3 linear feet and date from 1910 to 1950. Found within the papers are memoirs of Goldthwaite and her grandmother; clippings and exhibition catalogs; and photographs of Goldthwaite, her family and friends, and her work.
The Terry Schoonhoven papers measure 0.4 linear feet and date from circa 1969 to 1980. The scattered papers document Schoonhoven’s career in Los Angeles as a painter, printmaker, and muralist through writings, artwork and 10 sketchbooks, and photographs.