Archives of American Art

A Finding Aid to the Charles Henry Alston Papers, 1924-1980, in the Archives of American Art

Summary

Collection ID:
AAA.alstchar
Creators:
Alston, Charles Henry, 1907-1977
Dates:
1924-1980
Languages:
English
.
Physical Description:
0.9 Linear feet
Repository:
The scattered papers of African American and Harlem Renaissance painter, muralist, illustrator, sculptor, and educator Charles Henry Alston measure 0.9 linear feet and date from 1924-1980. Included are biographical materials, correspondence, commission and teaching files, writings and notes, printed materials, and photographs. Notable correspondents include Romare Bearden, Byron Browne, Jacob Lawrence, and Hale Woodruff.

Scope and Content Note

Scope and Content Note
The scattered papers of African American and Harlem Renaissance painter, muralist, illustrator, sculptor, and educator Charles Henry Alston (1907-1977) measure 0.9 linear feet and date from 1924-1980. The bulk of the collection documents his personal and professional relationships with figures of the Harlem Renaissance. Researchers should note that this collection contains very little documentation on Alston's actual federal WPA work with the Harlem Art Workshop, the Harlem Artists Guild, or his Harlem Hospital murals completed in 1940. A photograph of Alston in 1937 is likely the only reference to the actual WPA murals in this collection.
Scattered correspondence includes general correspondence; letters concerning Alston's artistic endeavors; and personal letters from friends and family. Found is a copy of a thank you note from Eudora Welty to John Woodburn for a jacket design presumably by Alston; letters from Harlem Renaissance figures and personal friends Romare Bearden, Byron Brown, Jacob Lawrence, and Hale Woodruff.
Commission files are for Alston's murals including those in the Golden State Mutual Life Insurance building in Los Angeles, California (1947); and the addition to the Harlem Hospital (1965); and the Family and Criminal Courts Building in the Bronx, New York (1976). There is one file concerning teaching at City College New York (CUNY).
Writings and notes includes scattered notes and three short stories probably by Alston entitled "Bitsy O'Wire," "Body and Soul," and "Gigi."
Printed materials include illustrations by Alston in the Columbia University literary magazine, The Morningside, and medical illustrations done for Dr. Louis T. Wright. Also found are scattered clippings, exhibition announcements, press releases, and materials from the First Conference on Aesthetic Responsibility.
Photographs are of Alston, Alston with his wife, Myra Logan, his mother Anna Alston Bearden, Romare Bearden, and Hale Woodruff. Photographs of note include one of Alston holding a self-portrait, and one of the artist in 1937 with works that are most likely preliminary sketches of his WPA murals at Harlem Hospital. There are also photographs of Alston's works of art.

Arrangement

Arrangement
The collection is arranged into 6 series:
  • Missing Title
  • Series 1: Biographical Information, 1924-1977 (Box 1; 3 folders)
  • Series 2: Correspondence, 1931-1977(Box 1; 7 folders)
  • Series 3: Commission and Teaching Files, 1947-1976 (Box 1; 4 folders)
  • Series 4: Writings and Notes, circa 1940s-1970s (Box 2-3; 4 folders)
  • Series 5: Printed Material, 1928, 1946-1980(Box 2-3; 5 folders)
  • Series 6: Photographs, 1925-1968 (Box 2; 2 folders)

Biographical Note

Biographical Note
Charles Henry Alston (1907-1977) worked primarily in New York city as a painter, muralist, illustrator, and educator. He was part of the Harlem Renaissance movement in the 1930s and helped form the Harlem Art Workshop and the Harlem Artists Guild.
Charles Henry "Spinky" Alston was born in Charlotte, North Carolina on November 28th, 1907. His parents were the Reverend Primus Priss and Anna Miller. After the death of his father, Alston's mother married Henry Pierce Bearden (Romare Bearden's uncle) in 1913 and the family moved to New York City.
At DeWitt Clinton High School in New York, Alston served as art editor of the school's literary magazine. Alston majored in fine arts and history at Columbia University, graduating in 1929. He became active in the Harlem community and accepted a position as director of Utopia House, a boy's camp, where he started an art program. He returned to Columbia and recieved a Masters degree in art education from Columbia's Teachers College. While still a student, he illustrated album covers for jazz musician Duke Ellington and book covers for poet Langston Hughes.
Alston played a major role in the Harlem Renaissance Movement of the period. During the Great Depression, he and sculptor Henry Bannarn directed the Harlem Art Workshop which was funded by the Works Progress Administration Federal Art Project. There he taught and mentored African American painter Jacob Lawrence and Romare Bearden, among others.
In the 1950s, Alston embarked on a series of portraits of African American figures. He also taught at the Art Students League and later with the City College of New York (CUNY). Along with his wife, Myra Logan, a surgeon at Harlem Hospital, Alston lived in Harlem and remained an active member of the community until the end of his life. Charles Alston died in 1977.

Administration

Author
Jayna M. Hanson
Sponsor
Funding for the digitization of this collection was provided by the Terra Foundation for American Art
Provenance
Charles Alston lent portions of the collection for microfilming in 1970. Aida Winters and Rousmaniere Alston Wilson, Charles Alston's sisters, donated additional materials to the Archives of American Art in 1982 and 1984.
Separated Material
In 1970, Charles Alston loaned materials for microfilming, including correspondence with Henry Epstein, Langston Hughes, Robert Riggs, Harry Sternberg, J. Johnson Sweeney, Hale Woodruff and others. Also loaned for microfilming were sketchbooks, printed materials, and photographs. Subsequently, some of the photographs were later donated by Alston's sisters. The loaned materials are available only on microfilm reel N70-23 at Archives of American Art offices, and through interlibrary loan. These materials are not included in the container listing of this finding aid.
Alternative Forms Available
This site provides access to the papers of Charles Henry Alston in the Archives of American Art that were digitized in
2010
, and total
948
images.
Materials not scanned include health records, financial tax notes, duplicates, and photographs of works of art.
Material lent for microfilming is available on 35mm microfilm reel N70-23 at the Archives of American Art offices and through interlibrary loan.
Processing Information
Upon receipt, the collection was arranged and microfilmed on reels 4222-4223. The collection was reprocessed with a finding aid prepared by Jayna Hanson in 2008. In 2010, the collection was fully digitized with funding provided by the Terra Foundation for American Art.

Using the Collection

Preferred Citation
Charles Henry Alston papers, 1924-1980. Archives of American Art, Smithsonian Institution.
Restrictions on Access
Use of original papers requires an appointment.
Terms of Use
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Related Material
Also found in the Archives of American Art are two oral history interviews with Charles Henry Alston, one conducted by Harlan Phillips on September 28, 1965 and another by Al Murray on October 19, 1968.
Additional Charles Henry Alston papers are located at the University of North Carolina's Southern Historical Collection at the Louis Round Wilson Special Collections Library.

Keywords

Keywords table of terms and types.
Keyword Terms Keyword Types
Harlem Renaissance Topical Search Smithsonian Collections Search ArchiveGrid
Photographs Genre Form Search Smithsonian Collections Search ArchiveGrid
Painters -- New York (State) -- New York Occupation Search Smithsonian Collections Search ArchiveGrid
Muralists -- New York (State) -- New York Occupation Search Smithsonian Collections Search ArchiveGrid
African American artists Topical Search Smithsonian Collections Search ArchiveGrid
Educators -- New York (State) -- New York Occupation Search Smithsonian Collections Search ArchiveGrid
Illustrators -- New York (State) -- New York Occupation Search Smithsonian Collections Search ArchiveGrid
Sculptors -- New York (State) -- New York Occupation Search Smithsonian Collections Search ArchiveGrid
African American educators Topical Search Smithsonian Collections Search ArchiveGrid
African American painters Topical Search Smithsonian Collections Search ArchiveGrid
African American sculptors Topical Search Smithsonian Collections Search ArchiveGrid
Wright, Louis T. (Louis Tompkins), 1891-1952 Personal Name Search Smithsonian Collections Search ArchiveGrid
Woodruff, Hale, 1900-1980 Personal Name Search Smithsonian Collections Search ArchiveGrid
Bearden, Romare, 1911-1988 Personal Name Search Smithsonian Collections Search ArchiveGrid
Bearden, Anna Alston Personal Name Search Smithsonian Collections Search ArchiveGrid
Browne, Byron, 1907-1961 Personal Name Search Smithsonian Collections Search ArchiveGrid
City University of New York. City College -- Faculty Corporate Name Search Smithsonian Collections Search ArchiveGrid
Logan, Myra, 1909-1977 Personal Name Search Smithsonian Collections Search ArchiveGrid
Lawrence, Jacob, 1917-2000 Personal Name Search Smithsonian Collections Search ArchiveGrid
Welty, Eudora, 1909-2001 Personal Name Search Smithsonian Collections Search ArchiveGrid

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