Oral history interview with John Cederquist

Summary
Collection ID:
AAA.cederq09
Creators:
Cederquist, John
Riedel, Mija, 1958-
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
Dates:
2009 April 14-15
Languages:
English
Physical Description:
11 Items
Sound recording: 11 sound files (4 hr., 54 min.)
digital, wav file
111 Pages
Transcript
Repository:

Scope and Contents
Scope and Contents
An interview of John Cederquist conducted 2009 April 14-15, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Cederquist's studio, in San Clemente, California.
Scope and Contents
John Cederquist speaks of his recent series Dollar Bill; his long-standing interest in perspective and use of tool imagery in his work; his childhood in Southern California; his early interest in art through custom car art; high school art instruction and focusing on craft; earning undergraduate and graduate degrees at California State University, Long Beach in the late 1960s and early 1970s; teaching at Saddleback College, Mission Viejo, California, starting in the early 1970s; work in wood and leather; other brief teaching jobs in Southern California universities; early exhibitions; exhibition and demonstrations at Parnham House, Beaminster, England, 1978; starting to teach perspective at Saddleback; Number One; the Egg and the Eye gallery/cafe, Los Angeles, California; Game Table [1982]; Auntie Macassar Goes West, 1987-88; philosophical and aesthetic differences between wood artists on the East and West coasts; exhibition: "Material Evidence: Master Craftsmen Explore ColorCore," Workbench: the Gallery, New York, New York, 1984; "California Woodworking," the Oakland Museum [of California, 1980; Thonet catalog as source material]; influence of animation in film and television; the perceptual and conceptual issues in translating two dimensions into three, and vice versa; the nature of illusion and perception; inclusion of work in an exhibition at the Museum of Fine Arts, Boston, 1989; the influence of How to Wrap Five Eggs: Traditional Japanese Packaging, Hideyuki Oka, Trumbull, Connecticut: Weatherhill, 1967; use of the Thomas Chippendale book (1754) as source material; subtle influence of cubism on Ghost Boy [1992] piece; his choice of furniture as the vehicle for his aesthetic exploration; series Furniture That Builds Itself (1991-2007), and continued influence of cartoons and animation; his choice of different kinds of wood; series How to Wrap Five Crates; series Kimonos and the influence of Japanese aesthetics; When Machines Dream of Hokusai [1995]: Road to Dreamland; series Wave (early to mid-1990s), and Tubular [1990], the first in the series; series Kosode; series This Is Not Lunch; historical Japanese tattoos as a source of inspiration; "Furniture That Builds Itself," Franklin Parrasch Gallery, New York, New York, 2003; sense of humor and "goofiness" in his work; Flat Foot Floogie Builds a Bench. [2003]; influence of photography on his work; his pieces as functional furniture and the artistic potential therein; social commentary in his recent Kosode pieces; Heavenly Victory; how his pieces get named; "The Art of John Cederquist: Reality of Illusion," Oakland Museum of California, 1999-2000; Breakthrough series: Steamer, early 1990s; Top Drawer (1985); Space Age Wave Machine (1999); use of thick wood instead of veneer; strengths and weaknesses of a university setting for art studies; the importance of being part of the craft movement; the role of Garth Clark's gallery in the movement; the importance of working with the Franklin Parrasch gallery; his admiration for art critic Robert Hughes; the role of online media in art journalism and criticism and journalism. He also recalls Gary Zuercher, Franklin Parrasch, John Snidecor, George Turnbull, John Makepeace, Edward S. Cooke, Garry Knox Bennett, Wendy Maruyama, Tom Gaines, Bob and Chris Straight, Arthur Danto, and Roberta Smith.

Biographical / Historical
Biographical / Historical
John Cederquist (1946- ) creates fine art furniture and wood sculpture. Cederquist is known for using trompe l'oeil in his work. He was educated at Long Beach State University and teaches at Saddleback College.

Administration
Existence and Location of Copies
Transcript available online.
Author
Sponsor
Funding for this interview was provided by the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America. Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.
Immediate Source of Acquisition
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.

General
General
Originally recorded on 3 sound discs. Reformatted in 2010 as 11 digital wav files. Duration is 4 hr., 54 min.

Using the Collection
Conditions Governing Access
Transcript available on the Archives of American Art website.

Keywords
Keywords table of terms and types.
Keyword Terms Keyword Types
Art -- Study and teaching Topic Search Smithsonian Collections Search ArchiveGrid
Cabinetmakers -- California -- Interviews Topic Search Smithsonian Collections Search ArchiveGrid
Decorative arts Topic Search Smithsonian Collections Search ArchiveGrid
Furniture designers -- California -- Interviews Topic Search Smithsonian Collections Search ArchiveGrid
Sculptors -- California -- Interviews Topic Search Smithsonian Collections Search ArchiveGrid
Woodworkers -- California -- Interviews. Topic Search Smithsonian Collections Search ArchiveGrid
Sound recordings Type Search Smithsonian Collections Search ArchiveGrid
Interviews Type Search Smithsonian Collections Search ArchiveGrid
Bennett, Garry Knox, 1934- Personal Name Search Smithsonian Collections Search ArchiveGrid
Clark, Garth, 1947- Personal Name Search Smithsonian Collections Search ArchiveGrid
Cooke, Edward S., 1954- Personal Name Search Smithsonian Collections Search ArchiveGrid
Danto, Arthur Coleman, 1924- Personal Name Search Smithsonian Collections Search ArchiveGrid
Gaines, Tom Personal Name Search Smithsonian Collections Search ArchiveGrid
Hughes, Robert Personal Name Search Smithsonian Collections Search ArchiveGrid
Makepeace, John Personal Name Search Smithsonian Collections Search ArchiveGrid
Maruyama, Wendy, 1952- Personal Name Search Smithsonian Collections Search ArchiveGrid
Parrasch, Franklin Personal Name Search Smithsonian Collections Search ArchiveGrid
Largin, Roberta Smith Personal Name Search Smithsonian Collections Search ArchiveGrid
Snidecor, John Personal Name Search Smithsonian Collections Search ArchiveGrid
Straight, Bob Personal Name Search Smithsonian Collections Search ArchiveGrid
Straight, Chris Personal Name Search Smithsonian Collections Search ArchiveGrid
Turnbull, George Personal Name Search Smithsonian Collections Search ArchiveGrid
Zuecher, Gary Personal Name Search Smithsonian Collections Search ArchiveGrid
California State University -- Students Corporate Name Search Smithsonian Collections Search ArchiveGrid
Franklin Parrasch Gallery Corporate Name Search Smithsonian Collections Search ArchiveGrid
Museum of Fine Arts, Boston Corporate Name Search Smithsonian Collections Search ArchiveGrid
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America Corporate Name Search Smithsonian Collections Search ArchiveGrid
Oakland Museum Corporate Name Search Smithsonian Collections Search ArchiveGrid
Saddleback College -- Faculty Corporate Name Search Smithsonian Collections Search ArchiveGrid

Repository Contact
Archives of American Art
750 9th Street, NW
Victor Building, Suite 2200
Washington, D.C. 20001
https://www.aaa.si.edu/services/questions
https://www.aaa.si.edu/