Usage conditions may apply for digital images, video, and sound recordings linked within SOVA collections. While digital content may be restricted, SOVA collection descriptions and catalog records are available CC0 for re-use. For more information, visit the Smithsonian's Terms of Use page.
Archives of American Art
Oral history interview with Judy Dater
Summary
- Collection ID:
- AAA.dater00
- Creators:
-
Dater, JudyKarlstrom, Paul J.
- Dates:
-
2000 June 2
- Languages:
-
English.
- Physical Description:
-
29 PagesTranscript
- Repository:
Scope and Contents
Scope and Contents
An interview of Judy Dater conducted 2000 June 2, by Paul Karlstrom, for the Archives of American Art,
Scope and Contents
The interview took place in Dater's home, Berkeley, California. Dater focuses on her experiences photographing the nude. Dater discusses the early influence on her of Thomas Hart Benton's "Persephone," a work that she says affected her on an emotional level; how voyeurism depicted informs "looking," a basic activity of the photographer and of many other artists; her collaboration with husband, Jack Welpott, working from the same nude model, and the differences in their objectives; her main interest is human energy, male or female; finding it easier to work with women; her feminism in connection with the subject of the nude and issues of power that arise.
Biographical / Historical
Biographical / Historical
Judy Dater (1941- ) is a photographer and photography model from Berkeley, California. Among Dater's best-known images is one of Imogen Cunningham photographing Twinka Thiebaud, Wayne Theibaud's daughter, at a field workshop in Yosemite. Dater also posed for Cunningham, Wynn Bullock, Ruth Bernhard, and, as a graduate student at San Francisco State University, her teacher and husband-to-be, Jack Welpott.
Administration
Sponsor
Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.
Existence and Location of Copies
Transcript available on line
Immediate Source of Acquisition
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding provided by Bente and Gerald E. Buck Collection.
Digital Content
Using the Collection
Conditions Governing Access
Transcript available on the Archives of American Art website.
More Information
General
General
Originally recorded on 1 sound cassette. Reformatted in 2010 as 2 digital wav file. Duration is 1 hr., 2 min.
Keywords
| Keyword Terms | Keyword Types | ||
|---|---|---|---|
| Photographers -- California | Occupation | Search Smithsonian Collections | Search ArchiveGrid |
| Artists' models -- California | Occupation | Search Smithsonian Collections | Search ArchiveGrid |
| Feminists | Topical | Search Smithsonian Collections | Search ArchiveGrid |
| Women artists | Topical | Search Smithsonian Collections | Search ArchiveGrid |
| Women photographers | Topical | Search Smithsonian Collections | Search ArchiveGrid |
| Sound recordings | Genre Form | Search Smithsonian Collections | Search ArchiveGrid |
| Interviews | Genre Form | Search Smithsonian Collections | Search ArchiveGrid |
| Welpott, Jack, 1923- | Personal Name | Search Smithsonian Collections | Search ArchiveGrid |
Archives of American Art
750 9th Street, NW
Victor Building, Suite 2200
Washington, D.C. 20001
https://www.aaa.si.edu/services/questions
