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Archives of American Art
Charles James Madison Eaton correspondence with Hiram Powers, and a letter received from Thomas Sully
Summary
- Collection ID:
- AAA.eatochar
- Creators:
-
Eaton, Charles James Madison, 1808-1893Powers, Hiram, 1805-1873
- Dates:
-
1845-1867
- Languages:
-
English.
- Physical Description:
-
21 Items(on partial microfilm reel)
- Repository:
Scope and Contents
Scope and Contents
Nineteen letters from Hiram Powers in Florence to Eaton, 1845-1867, concerning: the future of the Fine Arts in America; sculpture for the Capitol building; government patronage and politics; his commissions for portrait busts and ideal figures; his biographer, C.E. Lester, whom Powers rejects as "a scroundrel capable of any amount of falsehood"; the London exhibition and the American tour of the sculpture the GREEK SLAVE; European reaction to the outcome of the American Civil War; the art community in Florence; Powers' 1846 trip to Turin and Rome; and his health, family, and personal ambitions. In closing his letters, Powers often sends regards from Miner Kellogg.
Scope and Contents
Also included is a letter from Eaton to Powers, December 5, 1864, regarding a shipment of modelling clay from Baltimore to Florence, and a letter from Thomas Sully in Philadelphia to Eaton, September 27, 1847. Eaton was disappointed to learn that a painting he had inspected was not a Sully. "I am mortified at your disappointment," Sully wrote, "...had the picture been an original by me, I should have charged double the price."
Biographical / Historical
Biographical / Historical
Eaton was a founder of the Maryland Historical Society, a trustee of the Peabody Institute, and a collector of art. Eaton probably met Hiram Powers on one of his trips to Florence in the 1840's. They became lifelong friends and Eaton served as an American agent of sorts, promoting Powers' interests in Washington and Baltimore.
Administration
Existence and Location of Copies
35mm microfilm reel 3416 available at Archives of American Art offices and through interlibrary loan.
Existence and Location of Copies
35mm microfilm reel also available in the Maryland Historical Society.
Existence and Location of Originals
Originals in Maryland Historical Society, Baltimore, Maryland.
Immediate Source of Acquisition
Lent for microfilming 1985 by the Maryland Historical Society.
Using the Collection
Conditions Governing Access
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Keywords
Keyword Terms | Keyword Types | ||
---|---|---|---|
Art, Modern -- 19th century | Topical | Search Smithsonian Collections | Search ArchiveGrid |
Artists and patrons | Topical | Search Smithsonian Collections | Search ArchiveGrid |
Portrait painters | Occupation | Search Smithsonian Collections | Search ArchiveGrid |
Miniature painters | Occupation | Search Smithsonian Collections | Search ArchiveGrid |
Painters | Occupation | Search Smithsonian Collections | Search ArchiveGrid |
Art patrons -- Maryland | Occupation | Search Smithsonian Collections | Search ArchiveGrid |
Sculptors -- Italy | Occupation | Search Smithsonian Collections | Search ArchiveGrid |
Kellogg, Miner K. (Miner Kilbourne), 1814-1889 | Personal Name | Search Smithsonian Collections | Search ArchiveGrid |
Lester, C. Edwards (Charles Edwards), 1815-1890 | Personal Name | Search Smithsonian Collections | Search ArchiveGrid |
Sully, Thomas, 1783-1872 | Personal Name | Search Smithsonian Collections | Search ArchiveGrid |
Archives of American Art
750 9th Street, NW
Victor Building, Suite 2200
Washington, D.C. 20001
https://www.aaa.si.edu/services/questions