Oral history interview with Frank Holliday

Summary
Collection ID:
AAA.hollid17
Creators:
Holliday, Frank
Kerr, Theodore
Dates:
2017 January 24-26
Languages:
English
Physical Description:
5 Items
Sound recording: 5 sound files (5 hr., 18 min.)
digital, wav
136 Pages
Transcript
Repository:

Scope and Contents
Scope and Contents
An interview with Frank Holliday conducted 2017 January 24 and 26, by Theodore Kerr, for the Archives of American Art's Visual Arts and the AIDS Epidemic: An Oral History Project, at Holliday Studios in New York, New York.
Scope and Contents
Holliday speaks of a beautiful relationship with his Grandmother Holliday; growing up in suburbia with a glamorous mother and industrialist father; being encouraged to draw and paint constantly to keep busy and out of trouble; realizing at a young age that art can bring happiness and cheer to others; feeling free and open until society told him he was different and the resulting need to protect himself by trying to be super-masculine; attending junior high in Greensboro, North Carolina during integration and becoming a young politician bringing people and groups together; studying ballet at the North Carolina School of the Arts during high school; continuing his study in New York City until visiting the Museum of Modern Art and deciding he was destined to be a painter; moving to San Francisco at age 18 to live among gay people; the utopian counter-culture that existed before AIDS; making art constantly through photography, film, painting; the theft of much of his early work over the years; realizing he needed to return to New York to escape his street-oriented lifestyle in San Francisco; attending School of Visual Arts; studying gay men semiotically through signs and social cues with Keith Haring and Bill Beckley; working at Warhol's Factory on Union Square and Interview magazine; the genesis of Club 57; imagining his sets at Club 57 as installations with live people; the appeal of his projects being anti-everything; learning about a "gay cancer" and his then-boyfriend becoming sick and dying from an unknown brain issue; living under the assumption that he was HIV-positive for eight years before falling extremely ill with pneumonia; learning of his HIV/AIDS diagnosis two weeks before "the cocktail" came out in 1996; his breakthrough show "Trippin' in America" in 2001; the process of getting sober six years before his diagnosis; learning to make art without the feeling the need to rely on drugs for creativity; meeting his partner of nineteen years and learning to feel worthy of love; self-hatred and homophobia after getting sober; gaining a tremendous respect and appreciation for the gay community living bravely just as they were; witnessing the World Trade Center towers collapse on 9/11; answering a Craigslist ad and being cast in a movie; acting in several films including "American Gangster;" trading three years of acting lessons with Bill Esper for one painting; how acting helped with his painting; comparing his body being tuned to painting as a dancer's is to music; how living with AIDS has made him very aware of the physical-ness of his body and what it means to be alive; the importance of leaving his mark on his art; academia taking over the art world; feeling looked over in retrospectives of AIDS artists, but identifying more as a human with a disease than as an "AIDS artist;" and purposefully leaving room in his paintings to allow the viewer to enter and experience. Holliday also recalls Harvey Milk, Michael Lowe, Mike Bidlo, Philip Taaffe, Jean-Michel Basquiat, Art Garibay, Henry Post, Bill Collum, and Elizabeth Murray.

Biographical / Historical
Biographical / Historical
Frank Holliday (1957- ) is a painter in New York. New York. Theodore Kerr (1979- ) is a writer and organizer in New York, New York.

Administration
Existence and Location of Copies
Transcript is available on the Archives of American Art's website.
Author
Sponsor
Funding for this interview was provided by the Keith Haring Foundation.
Immediate Source of Acquisition
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.

Keywords
Keywords table of terms and types.
Keyword Terms Keyword Types
AIDS (Disease) and the arts Topic Search Smithsonian Collections Search ArchiveGrid
Gay artists -- New York (State) -- New York -- Interviews Topic Search Smithsonian Collections Search ArchiveGrid
HIV and AIDS Topic Search Smithsonian Collections Search ArchiveGrid
Painters -- New York (State) -- New York -- Interviews Topic Search Smithsonian Collections Search ArchiveGrid
Photography Topic Search Smithsonian Collections Search ArchiveGrid
Interviews Type Search Smithsonian Collections Search ArchiveGrid
Sound recordings Type Search Smithsonian Collections Search ArchiveGrid
Actors -- New York (State) -- New York Occupation Search Smithsonian Collections Search ArchiveGrid
Basquiat, Jean-Michel, 1960-1988 Personal Name Search Smithsonian Collections Search ArchiveGrid
Beckley, Bill, 1946- Personal Name Search Smithsonian Collections Search ArchiveGrid
Bidlo, Mike Personal Name Search Smithsonian Collections Search ArchiveGrid
Collum, Bill Personal Name Search Smithsonian Collections Search ArchiveGrid
Esper, William Personal Name Search Smithsonian Collections Search ArchiveGrid
Garibay, Art Personal Name Search Smithsonian Collections Search ArchiveGrid
Haring, Keith Personal Name Search Smithsonian Collections Search ArchiveGrid
Lowe, Michael Personal Name Search Smithsonian Collections Search ArchiveGrid
Milk, Harvey Personal Name Search Smithsonian Collections Search ArchiveGrid
Murray, Elizabeth, 1940- Personal Name Search Smithsonian Collections Search ArchiveGrid
Post, Henry Personal Name Search Smithsonian Collections Search ArchiveGrid
Taafe, Philip Personal Name Search Smithsonian Collections Search ArchiveGrid
Andy Warhol's Factory (New York, N.Y.) Corporate Name Search Smithsonian Collections Search ArchiveGrid
Club 57 (New York, N.Y.) Corporate Name Search Smithsonian Collections Search ArchiveGrid
Visual Arts and the AIDS Epidemic: An Oral History Project Corporate Name Search Smithsonian Collections Search ArchiveGrid
Museum of Modern Art (New York, N.Y.) Corporate Name Search Smithsonian Collections Search ArchiveGrid
North Carolina School of the Arts -- Students Corporate Name Search Smithsonian Collections Search ArchiveGrid
School of Visual Arts (New York, N.Y.) -- Students Corporate Name Search Smithsonian Collections Search ArchiveGrid

Repository Contact
Archives of American Art
750 9th Street, NW
Victor Building, Suite 2200
Washington, D.C. 20001
https://www.aaa.si.edu/services/questions
https://www.aaa.si.edu/