Summary
- Collection ID:
- AAA.holmthom
- Creators:
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Holman, Thomas S., 1953-2015
- Dates:
-
1970-1989
- Languages:
-
The collection is in English.
- Physical Description:
-
- Repository:
-
Curator, and gallery director Thomas S. Holman's research materials on Reginald Marsh, 1970-1989, measure 1.8 linear feet. Research materials consist of correspondence, notes, printed material, writings, and images accrued during the course of exhibition research that Holman pursued while he was curator of collections at the Minnesota Museum of American Art and director of the Bell Gallery, Brown University. Reginald Marsh research, mainly conducted from 1982-1983, comprises the vast majority of the collection. In addition, there are research files for proposed Charles Demuth and Charles Sheeler exhibitions. Grant research compiled in 1989 concerns a mural exhibition.
Scope and Contents
Scope and Contents
Curator, and gallery director Thomas S. Holman's research materials on Reginald Marsh, 1970-1989, measure 1.8 linear feet. Research materials consist of correspondence, notes, printed material, writings, and images accrued during the course of exhibition research that Holman pursued while he was curator of collections at the Minnesota Museum of American Art and director of the Bell Gallery, Brown University. Reginald Marsh research, mainly conducted from 1982-1983, comprises the vast majority of the collection. In addition, there are research files for proposed Charles Demuth and Charles Sheeler exhibitions. Grant research compiled in 1989 concerns a mural exhibition.
Arrangement
Arrangement
The collection is arranged as 1 series:
Missing Title
- Series 1: Research Files, 1970-1989 (Boxes 1-3; 1.8 linear feet)
Biographical / Historical
Biographical / Historical
Art historian Thomas S. Holman has been a curator at the Norton Museum of Art and Minnesota Museum of American Art, and served as executive director of The Hudson River Museum and Marietta/Cobb Museum. He is now an art advisor and lives in New York City.
Reginald Marsh (1898-1954) was best known for his paintings of life in New York City during the Great Depression. Subjects included crowds on city streets and at Coney Island, women, hobos on the Bowery, vaudeville and other popular entertainments.
Administration
Immediate Source of Acquisition
Donated by Thomas S. Holman in 2013.
Processing Information
This collection was processed to a minimal level and a finding aid prepared in 2014 by Catherine S. Gaines. The Archives of American Art has implemented minimal processing tactics when possible in order to increase information about and access to more of our collections. Minimal processing included arrangement to the series, subseries, and folder levels. Generally, items within folders were simply verified with folder titles, but not arranged further. Folders within boxes were not numbered. The collection was rehoused in archival containers and folders, but not all staples and clips were removed.
Using the Collection
Terms of Use
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the
Smithsonian's Terms of Use for additional information.
Conditions Governing Access
Use of original material requires an appointment.
Preferred Citation
Thomas S. Holman research materials on Reginald Marsh, 1970-1989. Archives of American Art, Smithsonian Institution.
Keywords
Archives of American Art
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