A Finding Aid to the Kraushaar Galleries Records, 1885-2006, in the Archives of American Art

Summary
Collection ID:
AAA.kraugall
Creators:
Kraushaar Galleries
Dates:
1877-2006
Languages:
English
Physical Description:
91.9 Linear feet
Repository:
The records of New York City Kraushaar Galleries measure 91.9 linear feet and date from 1877 to 2006. Three-fourths of the collection documents the gallery's handling of contemporary American paintings, drawings, and sculpture through correspondence with artists, private collectors, museums, galleries, and other art institutions, interspersed with scattered exhibition catalogs and other materials. Also included are John F. Kraushaar's estate records; artists' files; financial ledgers documenting sales and gallery transactions; consignment and loan records; photographs of artwork; sketchbooks and drawings by James Penney, Louis Bouché, and others; and two scrapbooks.

Scope and Content Note
Scope and Content Note
The records of New York City Kraushaar Galleries measure 91.9 linear feet and date from 1877 to 2006. Three-fourths of the collection documents the gallery's handling of contemporary American paintings, drawings, and sculpture through correspondence with artists, private collectors, museums, galleries, and other art institutions, interspersed with scattered exhibition catalogs and other materials. Also included are John F. Kraushaar's estate records; artists' files; financial ledgers documenting sales and gallery transactions; consignment and loan records; photographs of artwork; sketchbooks and drawings by James Penney, Louis Bouché, and others; and two scrapbooks.
The collection reflects all activities conducted in the day-to-day administration of the business and relates to the acquisition, consignment, loan, sale, and exhibition of art by twentieth-century American artists and European artists of the nineteenth and early twentieth centuries. The records document specific arrangements for loans and exhibitions, artist-dealer relations, relationships with public and private collectors, interaction with the art dealer community, and routine requests for information.
Much of the artist correspondence relates to practical arrangements for exhibitions of artwork, but in many cases also documents the development of individual artists and the effect of their relationship with the galleries on their ability to produce marketable work. Many of the artists represented in the collection also wrote lengthy letters, particularly to Antoinette Kraushaar, describing their attitudes to their work and providing insight into how that work was shaped by events in their personal lives.
The bulk of the correspondence with museums and institutions concerns practical arrangements for loans of artwork and provides detailed information about market prices and insurance values. It offers insight into the general climate of opinion toward particular artists and styles at any given time. Correspondence with other galleries and dealers also concerns loans and sales of artwork but, due to the typically cordial and cooperative nature of relations between the Kraushaars and their contemporaries, may also provide a more extensive and personal view of relationships and trends in the art dealer community. Similarly, while a portion of the correspondence with private collectors concerns routine requests for information and loans of art on approval, there is also substantive correspondence documenting the development of the artistic vision of collectors such as Preston Harrison, Elizabeth S. Navas, and Duncan Phillips.
From 1917 to the mid-1930s correspondence was handled mainly by John Kraushaar, and the bulk of that relating to European galleries and European art can be found during these years. Although there are only a handful of materials before 1926, records from the 1920s and 1930s document Kraushaar Galleries' growing commitment to American artists and the climate of the market for their work. The financial hardships of the Depression are vividly depicted in the numerous letters written during the 1930s seeking payment on accounts receivable and requesting extensions on accounts payable.
From the mid-1930s to 1968 correspondence was conducted primarily by Antoinette Kraushaar and, to some degree, by her assistants in later years. As the galleries' focus on American art increased, so did the volume of correspondence with artists, and the collection is particularly rich during the 1940s and early 1960s. In later years to 2006, most of the correspondence was conducted by Carol Pesner and gallery assistants.
The exhibition catalogs included in the collection do not represent a complete set. Those found are working copies used by the galleries in preparation for exhibitions and are often annotated with prices or insurance values. Additional exhibition catalogs can be found on the microfilm described in the Administrative Information section of this finding aid.
The majority of Kraushaar Galleries' insurance records can be found in files relating to the company Wm. E. Goodridge & Son, later known as Wm. E. Goodridge, Inc. Shipping and transportation records are generally filed under the names of the companies used for such transactions and can primarily be found under Davies, Turner & Co., Hudson Forwarding & Shipping Co., Railway Express Agency, Inc., and W. S. Budworth & Son, and to a lesser degree under American Railway Express Company, Arthur Lenars & Cie., C. B. Richard & Co., De La Rancheraye & Co., Hayes Storage, Packing & Removal Service, Inc., and Willis, Faber & Co. Ltd.
The 2008-2009 accretion includes additional correspondence similar in content and with correspondents as described above, as well as some artists' Christmas cards. However, the bulk of the additional correspondence dates from 1965-2006, with a handful of miscellaneous correspondence from 1877 to the mid-twentieth century. Also found are financial and business records including records from the closing of the John F. Kraushaar estate; over 40 ledgers providing nearly complete documentation of the gallery's sales and transactions from its establishment to 1946; incoming consignment records, including account statements and correspondence with artists, from the 1940s to 2006; and outgoing consignment and loan records from 1899-2006. The gallery's representation of its stable of artists is documented through artists' files containing printed materials, exhibition catalogs and announcements, price lists, and biographical information, as well as containers of photographs and negatives of artwork. Also found is a 1933 sketchbook by James Penney, drawings and sketchbooks by Louis Bouché, and two scrapbooks.

Arrangement
Arrangement
Kraushaar Galleries generally filed all types of records together with correspondence in a combination of alphabetical and chronological files. Thus financial records, insurance records, receipts, photographs, and exhibition catalogs can be found interfiled with general correspondence in Series 1-3. A group of photographs of artwork maintained separately by Kraushaar Galleries constitutes Series 4. Series 6 was minimally processed separately from Series 1-5, and the arrangement reflects the original order of the addition for the most part.
Records in Series 1-3 were originally filed alphabetically by name of correspondent and then by month, by a span of several months, or by year. The alphabetical arrangement has been retained, but to facilitate access the collection was rearranged so that correspondence was collated by year. From 1901 to 1944 outgoing letters and incoming letters are filed separately; in 1945 some outgoing letters are filed separately, with the bulk of the material filed together as correspondence; from 1946 to 1968 incoming and outgoing letters are filed together as correspondence.
For Series 1-3 organizations or individuals represented by at least 15 letters are filed in separate file folders. All other correspondents are arranged in general files by letters of the alphabet, with selected correspondents and subjects noted in parentheses after the folder title.
Series 2 and several boxes in Series 3 contain a variety of notes and receipts received and created by Kraushaar Galleries that were originally unfoldered. The notes can be found in folders adjacent to the receipts and include handwritten notes of customer names and addresses, financial notes and calculations, catalogs of exhibitions, invitations and announcements to exhibitions frequently used as note paper, and other miscellany. Although most of the miscellaneous notes are undated, they are filed, with the receipts, at the end of the year to which they appear to relate. For the years 1929 and 1930 Kraushaar Galleries created separate alphabetical files for some of the billing statements received from other businesses. These have been filed adjacent to "Miscellaneous Notes" and "Receipts" in the appropriate years.
Kraushaar Galleries tended to file correspondence with businesses alphabetically according to the letter of the last name: for example, Wm. E. Goodridge & Son would be filed under G rather than W.
  • Series 1: Outgoing Letters, 1920-1945 (boxes 1-9; 9 linear ft.)
  • Series 2: Incoming Letters (boxes 10-26; 16.25 linear ft.)
  • Series 3: Correspondence, 1945-1968 (boxes 26-53; 27.75 linear ft.)
  • Series 4: Photographs, undated (box 54; 0.5 linear ft.)
  • Series 5: Artwork, [1926, 1938] (box 53; 2 items)
  • Series 6: Addition to the Kraushaar Galleries Records, 1877-2006 (boxes 55-99, BV100; 38.4 linear feet)

Historical Note
Historical Note
Charles W. Kraushaar established Kraushaar Galleries in 1885 as a small store on Broadway near Thirty-first Street in New York City. Initially the store sold artist materials, photogravures, and reproductions. Drawing on his previous experience working with William Schause, a leading dealer in European paintings, Kraushaar soon progressed to selling original watercolors, paintings, and engravings by European artists, primarily landscapes of the Barbizon School.
In 1901 Kraushaar moved the business to 260 Fifth Avenue and with the assistance of his brother, John F. Kraushaar, began adding more modern French and American painters to the inventory. Of particular interest to John Kraushaar was the group of American realists known as "The Eight," who had held a self-selected, self-organized exhibition at the Macbeth Gallery in 1908. The Eight were Arthur B. Davies, William Glackens, Robert Henri, Ernest Lawson, George Luks, Maurice Prendergast, Everett Shinn, and John Sloan. Luks, whom John Kraushaar met around 1902, was probably the first major American artist represented at Kraushaar Galleries. In 1917 John Sloan was invited to hold his first one-person show at the galleries despite accusations that his exhibition at the Whitney Studio the previous year had represented a brutal depiction of life that lacked subtlety and sensitivity.
When Charles Kraushaar died suddenly in 1917, John assumed control of the galleries and soon enlisted the assistance of his daughter, Antoinette Kraushaar. Antoinette had suffered a bout of pneumonia during the influenza epidemic of 1918 that cut short her education; grooming her for a career in the galleries was a logical step. Following the end of the First World War, Kraushaar resumed his buying trips to Europe, often accompanied by Antoinette, and exhibited works by European artists such as André Derain, Henri Matisse, Amedeo Modigliani, Pablo Picasso, Henri de Toulouse-Lautrec, and Vincent Van Gogh. However, it was the increasing commitment to contemporary American artists for which the galleries would become best known. In addition to The Eight, the Kraushaars developed their inventory of American paintings and etchings with exhibitions of work by artists such as Gifford Beal, Charles Demuth, Guy Pène Du Bois, Gaston Lachaise, Jerome Myers, Charles Prendergast, and Henry Schnakenberg.
Returning from a buying trip to Europe in 1929, John Kraushaar wrote to California collector Preston Harrision on July 26 that "the prices over there, especially for modern pictures are astounding." Nevertheless, Kraushaar believed that investing in modern art would yield benefits within the next five years, and he refused to be influenced by museums and critics outside of New York who were reluctant to agree. He exhibited a healthy disrespect for museum directors in general, whom he referred to in his letters to Harrision as "dead heads" who ought to be sent to different art centers of the world in order to "get in touch with what is going on there" (March 11, 1929).
Like most of its contemporaries, Kraushaar Galleries suffered considerably during the Depression of the 1930s and struggled to collect and, in turn, pay accounts due. On October 5, 1931, John Kraushaar confessed to H. S. Southam, "Business is very bad with us, and I know that you will treat it confidentially when I tell you that I have had to sacrifice a good part of my personal holdings to provide cash for my own business." By 1934 the rent on the galleries' current location at 680 Fifth Avenue, where Kraushaar had moved in 1919, was out of all proportion to the amount of business that was being generated. In 1936, a timely move to 730 Fifth Avenue allowed the family to effect substantial economies without a disproportionate loss of business.
During the 1930s, John Kraushaar's health began to fail, and he was frequently absent from the galleries. Consequently, Antoinette Kraushaar took on greater responsibility for the operation of the business with the assistance of her brother Charles. Although Antoinette was one of few women to hold such a prominent position in the art business at that time, there is no evidence in the records to suggest that artists or customers who had been accustomed to dealing with John Kraushaar had any difficulty accepting the transition in management from father to daughter.
Nevertheless, collecting accounts remained difficult, and although business had improved by 1938 it was now stymied by the threat of war in Europe. The warmth of relations between the Kraushaars and the artists they handled, and their colleagues, was crucial to Antoinette during these years. She repeatedly expressed her gratitude for their understanding and assistance in her letters as she struggled to meet financial obligations and operate the business in her father's absence, experimenting with different strategies as she evolved an approach that would sustain the business. In a letter to Gifford Beal dated August 6, 1941, she spoke of "hellish times" and stressed, "I have learned a great many things during the past few years and hope that we are groping our way towards a working solution of our own affairs at least."
While there is no question that Antoinette Kraushaar shared her father's genuine interest in contemporary American artists, the growing commitment to these artists that was forged during these years was driven in large part by necessity. By increasing her stock of American art and adding "younger painters of promise," she was able to sell work in a much broader price range. Consequently she could reach a wider audience and increase the likelihood that the business would remain solvent. This method of business also suited her personality far more than having a very specialized inventory of highly priced work, an approach that she confessed to J. Lionberger Davis on December 3, 1940, "requires a particular kind of temperament, and frankly I neither like it nor believe in it."
Throughout her career Antoinette imbued the business with her personal style. She understood that elitism alienated art buyers of moderate income, who constituted her bread and butter, and believed strongly that the gallery environment should not be intimidating to potential customers. She corresponded at length with old and new clients alike, patiently offering advice when asked and maintaining liberal policies for those who wished to borrow artwork on approval. She also participated in events that promoted efforts to make art available to a wider audience, such as a 1951 exhibition and seminar at the Florida Gulf Coast Art Center that addressed problems of buying and selling art. She was a two-time board member of the Art Dealers Association of America and considered the organization to be an important source of support for the gallery community.
In her dealings with other commercial galleries and art institutions, Antoinette Kraushaar exhibited a strong spirit of cooperation and enthusiasm, consistently lending art to small, locally owned businesses and community organizations as well as to more established galleries and world-class museums. She also developed long and mutually beneficial associations with the art departments of many educational institutions across the country, which proved to be fertile ground for young and upcoming artists.
Antoinette Kraushaar exhibited the same honesty and fairness in dealing with artists as her father had, expressing her opinions of their work in a forthright manner and maintaining a policy of always looking at the work of any artist who came to her. She understood the inherent difficulties of dealing with living artists but relished the excitement of encouraging their work and watching them develop. On November 14, 1947, in reply to a letter from the artist Bernard Arnest, in which Arnest apologized for burdening her with his worries, she reminded him, "One of the functions of a dealer is to act as a safety valve. Didn't you know?"
Although she would not retain artists indefinitely if she felt their work had deteriorated in quality, Antoinette often stressed that she was prepared to accept little or no initial financial return on the work of artists who showed promise or whose work held a particular appeal for her. In a letter of December 30, 1940, she reassured Walt Dehner that the lack of sales from his recent exhibition would not lead her to withdraw his work from the galleries. In typically unassuming style she advised Dehner to "go on painting whatever interests you. We have found that there is no recipe for success, either artistic or material."
In the early 1940s Antoinette Kraushaar implemented two changes to her inventory. Sensing that interest in sculpture was growing, she rearranged the space to give that medium more room and attention. The market for etchings had been declining since the late 1930s, and as she reduced this part of her inventory she also acted on her personal passion for drawings by opening a small gallery devoted to contemporary American drawings that were priced well within the range of most customers.
By the time Kraushaar Galleries moved to 32 East Fifty-seventh Street, late in 1944, American art had become the main focus of the business. While the long-standing interest in The Eight and other artists of that period continued, the galleries also handled contemporaries such as Louis Bouché, Samuel Brecher, John Heliker, Andrée Ruellan, and Karl Schrag. When John Kraushaar died in December 1946, Antoinette and Charles legally assumed control of the business. This partnership continued until 1950, when Antoinette assumed sole ownership of the gallery.
In 1955 the galleries moved uptown to smaller quarters at 1055 Madison Avenue, and Antoinette Kraushaar gave up the greater part of her print business. She was inundated with requests from artists to be allowed a chance to show her their work, and the galleries' exhibition schedule was always full. Contemporary artists she now represented included Bernard Arnest, Peggy Bacon, Russell Cowles, Kenneth Evett, William Dean Fausett, William Kienbusch, Joe Lasker, and George Rickey, and she continued to exhibit artwork by Charles Demuth, William Glackens, George Luks, Maurice Prendergast, Boardman Robinson, and John Sloan.
By the late 1950s the artists of the generation that her father had promoted in the early part of the century had died, but Antoinette Kraushaar had the pleasure of seeing his faith in them come to fruition. In a letter to Ralph Wilson dated October 20, 1958, she stated with satisfaction, "The Boston Museum is taking (at long last) a deep interest in (Maurice) Prendergast, and they will probably do an important show within the next year." Her correspondence with William Glackens's son Ira in the 1960s reveals the extent to which Glackens's popularity had grown since his death in 1938, and the market for John Sloan's work had been increasing steadily since the late 1920s. In 1962 James Penney summed up Kraushaar Galleries' success in the foreword of a catalog for an exhibition of paintings and sculpture the galleries had organized with the Munson-Williams-Proctor Institute at Hamilton College:
1854
Charles W. Kraushaar born
1871
John F. Kraushaar born
1885
Kraushaar Galleries established on Broadway near Thirty-first Street
1901
Galleries moved to 260 Fifth Avenue
1902
Antoinette Kraushaar born
1917
Charles W. Kraushaar died; John Kraushaar assumed control of the business, increasing inventory of modern American and European artists; first John Sloan exhibition
1919
Galleries moved to 680 Fifth Avenue
[1920]
Antoinette Kraushaar began assisting with the business
1924
Maurice Prendergast died
1936
Galleries moved to the Heckscher Building at 730 Fifth Avenue
1938
William J. Glackens died
1944
Galleries moved to the Rolls Royce Building at 32 East Fifty-seventh Street; American art now the main focus of the business
1946
John Kraushaar died; Antoinette and Charles Kraushaar assumed control of the business
1948
Charles Prendergast died
1950
Antoinette Kraushaar assumed sole ownership of Kraushaar Galleries
1951
John Sloan died
1955
Galleries moved to 1055 Madison Avenue
1959
Carole Pesner joined Kraushaar Galleries
1964
Galleries extended into adjacent building
1981
Galleries moved to 724 Fifth Avenue
1986
Katherine Kaplan joined Kraushaar Galleries
1988
Antoinette Kraushaar retired from day-to-day management of the business
1992
Antoinette Kraushaar died

Administration
Separated Material
In addition to the records described in this finding aid, the following materials were lent to the Archives for filming in 1956 and are available on microfilm reels NKR1-NKR3 and for interlibrary loan: a book of clippings from 1907 to 1930, primarily of exhibition reviews; loose clippings and catalogs of exhibitions from 1930 to 1946; and a group of photographs and clippings relating to George Luks and other artists. These materials were returned to Kraushaar Galleries after microfilming.
Processing Information
The first three accessions were merged and processed by Stephanie L. Ashley in 2000, with funding provided by The Getty Grant Program. The 2008-2009 addition of 38.4 linear feet was minimally processed by Sarah Haug in 2011 with funding provided by the Smithsonian Institution Collections Care Fund. The arrangement of the 2008-2009 addition reflects the original order of the collection for the most part.
Author
Stephanie L. Ashley and Sarah Haug
Sponsor
Funding for the processing of this collection was provided by the Getty Foundation and the Smithsonian Institution Collections Care Fund
Provenance
53.5 linear feet of records were donated to the Archives of American Art by Kraushaar Galleries in three separate accessions in 1959, 1994, and 1996. Katherine Kaplan of Kraushaar Galleries donated an additional 38.4 linear feet in 2008-2009.

Appendix: List of Kraushaar Galleries Exhibitions
Appendix: List of Kraushaar Galleries Exhibitions
The Archives of American Art does not hold a complete collection of catalogs from exhibitions held at Kraushaar Galleries; therefore the dates and titles of exhibitions provided in this appendix are inferred from a variety of sources including correspondence, notes, artists' files, and requests for advertising. Italics indicate that the exact title of an exhibition is known.
Jan., 1912
Paintings by Gustave Courbet and Henri Fantin-Latour
Apr., 1912
Paintings by Frank Brangwyn and Henri Le Sidaner
Jan., 1913
Paintings by Ignacio Zuloaga
May, 1913
Etchings by Seymour Haden
June, 1913
Paintings and Lithographs by Henri Fantin-Latour
Oct., 1913
Etchings by Frank Brangwyn
Jan., 1914
Ignacio Zuloaga
Mar., 1914
Paintings by Alphonse Legros
Apr., 1914
George Luks
May, 1914
Seven Modern Masterpieces including Gustave Courbet, Henri Fantin-Latour, Alphonse Legros, Matthew Maris, and James McNeill Whistler
undated, 1915
Paintings by John Lavery
Jan.-Feb., 1917
James McNeill Whistler's White Girl
Feb.-Mar., 1917
Paintings by Augustus Vincent Tack
Mar.-Apr., 1917
Paintings and Etchings by John Sloan
Summer, 1917
Works by French artists including A. L. Bouche, Josef Israels, Gaston La Touche, and Alphonse Legros
Oct., 1917
Monoprints by Salvatore Antonio Guarino
Nov., 1917
Etchings and Mezzotints by Albany E. Howarth
Jan., 1918
Recent Paintings by John Lavery
Jan.-Feb., 1918
Paintings and Watercolors by George Luks
Feb.-Mar., 1918
Paintings by Augustus Vincent Tack
Mar., 1918
Paintings by John Sloan
Apr.-May, 1918
Paintings by A. L. Bouche
May, 1918
War Paintings by J. Mortimer Block, Charles S. Chapman, Guy Pène Du Bois, H. B. Fuller, George Luks, W. Ritschell, John Sloan, and Augustus Vincent Tack
Oct., 1918
Oil Paintings by William Scott Pyle
Nov., 1918
Paintings by Gustave Courbet, Henri Fantin-Latour, Alphonse Legros, Edouard Manet, Antoine Vollon, James McNeill Whistler, and Ignacio Zuloaga, and bronzes by Antoine Louis Bayre, Emile Antoine Bourdelle, and Mahonri Young
Apr., 1919
Paintings and Monoprints by Salvatore Anthonio Guarino
Jan.-Feb., 1919
Decorative Panels and Other Paintings by Augustus Vincent Tack
Mar., 1919
Paintings and Drawings by John Sloan
May, 1919
Paintings by George Luks, Monticelli, and A. P. Ryder
Sept., 1919
Work by Jean Louis Forain
Oct., 1919
Etchings and Lithographs by Alphonse Legros
Jan., 1920
Recent Paintings by George Luks
Feb., 1920
Recent Paintings by John Sloan
Feb., 1920
Paintings by William Scott Pyle
Mar., 1920
Recent Paintings by Gifford Beal
Apr., 1920
Recent Paintings by Augustus Vincent Tack
Apr., 1920
Paintings by Henri Le Sidaner
Apr., 1920
Paintings and Drawings by Jean Louis Forain
Apr.-May, 1920
Paintings and Drawings by Jerome Myers
May, 1920
Paintings by Henrietta M. Shore
Jan., 1921
Paintings by French and American Artists
Jan.-Feb., 1921
Paintings by George Luks
Feb., 1921
New Paintings by Augustus Vincent Tack
Apr., 1921
John Sloan Retrospective
Summer, 1921
French and American Artists
Oct., 1921
Paintings of Mountford Coolidge
Oct., 1921
Works by Henri Fantin-Latour and Henri Le Sidaner
Nov., 1921
Frank Van Vleet Tompkins
Dec., 1921
Paintings and Bronzes by Modern Masters of American and European Art
Jan., 1922
Exhibition of Recent Paintings and Watercolors by George Luks
Feb., 1922
Paintings by Augustus Vincent Tack
Mar., 1922
Paintings and Watercolors by Gifford Beal
Apr., 1922
Exhibition of Paintings by Guy Pène Du Bois
Summer, 1922
Paintings by Modern Masters of American and European Art
Oct., 1922
Recent Paintings of the Maine Coast by George Luks
Jan., 1923
Exhibition of Paintings by George Luks
Feb., 1923
Paintings and Decorative Panels by Augustus Vincent Tack
Mar., 1923
Landscapes by Will Shuster
Mar., 1923
Paintings by Samuel Halpert
Apr., 1923
Marine Figures and Landscapes by Gifford Beal
Apr.-May, 1923
Paintings by John Sloan
May, 1923
Paintings by Frank Van Vleet Tompkins
June, 1923
Etchings by Marius A. J. Bauer
Oct., 1923
American Watercolors by Gifford Beal, Reynolds Beal, George Luks, Maurice Prendergast, and William Zorach
Dec., 1923
Etchings and Lithographs by Alphonse Legros
Dec., 1923
Paintings, Drawings, and Pastels by Charles Adolphe Bischoff
Jan., 1924
Paintings by Celebrated American Artists
Mar., 1924
Paintings and Drawings by Guy Pène Du Bois
Apr., 1924
New Paintings by George Luks
May, 1924
Paintings by Marjorie Phillips
Summer, 1924
French and American Modern Artists
Oct., 1924
Painting, Watercolors, and Sculpture by William Zorach
Nov., 1924
Watercolors by Seven Americans
Dec., 1924
French Paintings
Jan., 1925
Paintings by John Sloan
Jan.-Feb., 1925
Maurice Prendergast Memorial Exhibition
Mar., 1925
Plans and Photographs of Work in Landscape Architecture by Charles Downing Lay
Apr., 1925
Paintings by William J. Glackens
Dec., 1925
Watercolors by Gifford Beal, Reynolds Beal, Carl Broemel, Richard Lahey Jerome Myers, Maurice Prendergast, Henry E. Schnakenberg, Abraham Walkowitz, and William Zorach
undated, 1926
Lower Broadway by W. Walcot
Feb., 1926
Paintings by Paul Burlin
Feb., 1926
Portraits of Duncan Phillips, Esq. Charles B. Rogers, Esq. & The Hon. Elihu Root Painted by Augustus Vincent Tack
Mar., 1926
Paintings, Watercolors, and Drawings by Gifford Beal
Apr., 1926
John Sloan
Sept.-Oct., 1926
Exhibition of Etchings by C. R. W. Nevinson
Oct., 1926
Drawings, Etchings, and Lithographs by Nineteenth-Century French Artists
Oct., 1926
Paintings and Drawings by Mathieu Verdilhan
Dec., 1926
Exhibition of Watercolors by Gifford Beal, Reynolds Beal, Carl Broemel, Guy Pène Du Bois, Ernest Fiene, Samuel Halpert, Henry Keller, Louis Kronberg, Richard Lahey, Charles Lay, Jerome Myers, Maurice Prendergast, Henry
Dec., 1926
Schnakenberg, A. Walkowitz, Martha Walters, William Zorach
Jan., 1927
French Drawings and Prints
Feb., 1927
Paintings, Drawings, Etchings, and Lithographs by John Sloan
Mar., 1927
Gifford Beal
Mar.-Apr., 1927
Decorative Panels and Watercolors by Margarett Sargent
Mar.-Apr., 1927
Exhibition of Drawings and Lithographs of New York by Adriaan Lubbers
Apr., 1927
Paintings and Etchings by Walter Pach
Apr.-May, 1927
Paintings and Watercolors by Leopold Survage
Apr.-May, 1927
Etchings and Woodcuts by D. Galanis
May, 1927
Paintings by Guy Pène Du Bois
Summer, 1927
Paintings by American Artists
Summer, 1927
Paintings, Watercolors, and Drawings by Georges Braque, Honoré Daumier, Edgar Degas, André Derain, Henri Fantin-Latour, Jean Louis Forain, Constantin Guys, Henri de Toulouse-Lautrec, Edouard Manet, Henri Matisse, Amedeo Modigliani, Claude Monet, Morissot, Pablo Picasso, Camille Pissarro, Odilon Redon, Segonzac, and Georges Seurat
Oct.-Nov., 1927
Exhibition of Etchings in Color by Bernard Boutet de Monvel
Nov., 1927
Exhibition of Paintings, Drawings, Lithographs, and Watercolors by Ernest Fiene
Dec., 1927
Watercolors by American Artists including Gifford Beal, Reynolds Beal, Carl Broemel, Charles Demuth, Guy Pène Du Bois, Ernest Fiene, Henry G. Keller, Richard Lahey, Charles Downing Lay, Howard Ashman Patterson, [Maurice] Prendergast, Henry E. Schnakenberg, Abraham Walkowitz, Frank Nelson Wilcox, and [William] Zorach
Dec., 1927
Paintings by Guy Pène Du Bois
Dec., 1927
Paintings, Sculpture, and Decorative Media by George Biddle
Jan.-Feb., 1928
Paintings by S. J. Peploe
Feb., 1928
Drawings by Henri Fantin-Latour
Feb., 1928
Pastels and Drawings by Margarett Sargent
Feb., 1928
Drawings for Balzac's Les Contes Drolatiques by Ralph Barton
Feb.-Mar., 1928
Sculpture by William Zorach
Mar., 1928
Recent Paintings by Marjorie Phillips
Mar.-Apr., 1928
Exhibition of Paintings by William Glackens
Apr., 1928
Paintings, Drawings and Lithographs by R. H. Sauter of London, England
Oct., 1928
Modern French Paintings, Watercolors and Drawings
Oct.-Nov., 1928
Paintings, Watercolors, Drawings, Etchings, and Lithographs by Richard Lahey
Nov., 1928
Exhibition of Paintings and Sculpture by J. D. Fergusson
Nov.-Dec., 1928
Paintings, Drawings and Etchings by Walter Pach
Dec., 1928
Paintings and Watercolors by Abraham Walkowitz
Jan., 1929
Exhibition of Paintings by Margarett Sargent
Jan., 1929
Watercolors by Rodin
Jan.-Feb., 1929
Exhibition of Sculpture by Arnold Geissbuhler
Feb., 1929
Paintings and Watercolors by Guy Pène Du Bois
Feb.-Mar., 1929
Paintings by Gifford Beal
Mar., 1929
Exhibition of Paintings by Adriaan Lubbers
Mar.-Apr., 1929
Exhibition of Etchings by Gifford Beal, Frank W. Benson, Childe Hassam, Kenneth Hayes Miller, and John Sloan
Apr., 1929
Exhibition of Paintings by Arnold Friedman
Apr., 1929
Sculpture by Harriette G. Miller
May, 1929
Paintings by Howard Ashman Patterson
May, 1929
Paintings by William Meyerowitz
Oct., 1929
Exhibition of Modern French Paintings, Watercolors and Drawings
Nov., 1929
Modern French and American Paintings, Watercolors, Prints, and Sculpture (at Gage Galleries in Cleveland)
Jan., 1930
Paintings by Paul Bartlett
Feb., 1930
Watercolors by Auguste Rodin
Feb.-Mar., 1930
Paintings by Guy Pène Du Bois
Summer, 1930
Paintings by American Artists
Oct., 1930
Paintings and Watercolors by Maurice Prendergast
Nov., 1930
Paintings by Ruth Jonas
Nov., 1930
Sculpture by Harriette G. Miller
Jan., 1931
Paintings and Watercolors by Richard Lahey
Jan.-Feb., 1931
Paintings by Erle Loran Johnson
Feb.-Mar., 1931
Paintings, Watercolors and Etchings by Gifford Beal
Mar., 1931
Paintings and Watercolors by Walter Pach
Mar.-Apr., 1931
Paintings, Drawings, and Etchings by Rudolf H. Sauter
May, 1931
Exhibition of Watercolors by John La Farge, Gifford Beal, H. E. Schnakenberg, Maurice Prendergast, Guy Pène Du Bois, Richard Lahey
Fall, 1931
Modern French Paintings, Watercolors, and Drawings
Dec., 1931
Exhibition of Drawings and Watercolors by D. Y. Cameron, Joseph Gray, Henry Rushbury, Muirhead Bone, Edmund Blampied, Gwen John
Dec., 1931
Lithographs and Posters by H. de Toulouse-Lautrec
Jan., 1932
Watercolors by Pierre Brissaud
Feb., 1932
Paintings and Drawings by A. S. Baylinson
Mar., 1932
Watercolors and Pastels by French and American Artists
Apr., 1932
Paintings by Nan Watson
May, 1932
Sculpture by Behn, Bourdelle, Geissbuhler, Lachaise, Maillol, Miller, Nadelman, Renoir, Young, Zorach; Decorative Panels by Max Kuehne, and Charles Prendergast
June-Aug., 1932
Paintings and Watercolors by American Artists
Oct.-Nov., 1932
Paintings, Watercolors, and Drawings by Various Artists
Jan., 1933
Paintings by Paul Bartlett
Jan.-Feb., 1933
Lithographs by Henri Fantin-Latour
Feb., 1933
Etchings of Dogs by Bert Cobb
Feb.-Mar., 1933
Paintings by American Artists
Feb.-Apr., 1933
Paintings by Contemporary Americans
Apr., 1933
Paintings by Maurice Prendergast
Oct., 1933
Exhibition of French Paintings, Watercolors, and Drawings
Oct.-Nov., 1933
Drawings by Emily W. Miles
Oct.-Nov., 1933
Exhibition of Etchings and Lithographs
Nov., 1933
Paintings and Watercolors by Henry E. Schnakenberg
Dec., 1933
Watercolors by Gifford Beal
Jan., 1934
Exhibition of Drawings by Denys Wortman for "Metropolitan Movies"
Summer, 1934
Paintings by Gifford Beal, Reynolds Beal, Isabel Bishop, Ann Brockman, Preston Dickinson, Guy Pène Du Bois, William J. Glackens, Richard Lahey, Ernest Lawson, George Luks, Harriette Miller, Maurice Prendergast, Henry E. Schnakenberg, and John Sloan
Oct.-Nov., 1934
Exhibition of Etchings and Lithographs
Nov.-Dec., 1934
Paintings by Gifford Beal
Mar., 1935
Complete Collection of Etchings by Mahonri Young
July-Aug., 1935
Paintings by American Artists including Gifford Beal, Reynolds Beal, Ann Brockman, Guy Pène Du Bois, William J. Glackens, Max Kuehne, Richard Lahey, Ernest Lawson, George Luks, Harriette G. Miller, Maurice Prendergast, Henry E. Schnakenberg, John Sloan, and Abraham Walkowitz
Oct.-Nov., 1935
Decorative Panels by Charles Prendergast
Nov., 1935
Exhibition of Paintings by H. E. Schnakenberg
Mar., 1936
Paintings by Louis Bouché
Apr., 1936
Paintings by Gifford Beal
Oct.-Nov., 1936
Loan Collection of French Paintings
Dec., 1936
Monotypes in Color by Maurice Prendergast
Jan., 1937
Recent Watercolors by H. E. Schnakenberg
Jan., 1937
Paintings of Flowers by William J. Glackens
Feb., 1937
Etchings by John Sloan
Feb., 1937
A Group of American Paintings
Sept., 1937
A Group of Paintings by Gifford Beal, Louis Bouché, Guy Pène Du Bois, William J. Glackens, Ernest Lawson, George Luks, Maurice Prendergast, Theodore Robinson, John Sloan, J. Alden Weir
Oct.-Nov., 1937
Decorative Panels by Charles Prendergast
Dec., 1937
American Watercolors
Jan.-Feb., 1938
Paintings by Gifford Beal
Feb.-Mar., 1938
Drawings by William Glackens, Guy Pène Du Bois, John Sloan, Denys Wortman
Apr., 1938
Paintings by Louis Bouché
May, 1938
Paintings and Pastels by Randall Davey
Oct., 1938
Selected Paintings by Modern French and American Artists
Nov., 1938
Paintings by Guy Pène Du Bois from 1908 to 1938
Nov., 1938
Paintings and Sculpture by Harriette G. Miller
Dec., 1938
Watercolors by Prendergast, Keller, Demuth, Wilcox and Others
Jan., 1939
Paintings by H. H. Newton
Oct., 1939
French and American Paintings
Oct.-Nov., 1939
Drawings by William Glackens of Spanish-American War Scenes
Nov., 1939
Paintings and Watercolors by Russell Cowles
Jan.-Feb., 1940
Recent Paintings by Louis Bouché
Feb.-Mar., 1940
Paintings by Henry Schnakenberg
Mar.-Apr., 1940
Paintings by Maurice Prendergast
Apr.-May, 1940
Watercolors by Charles Kaeselau
May-June, 1940
A Group of Recent Paintings by Gifford Beal, Russell Cowles, John Koch, Henry Schnakenberg, Esther Williams, Louis Bouché, Guy Pène Du Bois, Harriette G. Miller, John Sloan, Edmund Yaghjian
Oct., 1940
Drawings by American Artists
Nov., 1940
Walt Dehner
Mar., 1941
John Koch
May-June, 1941
Watercolors and Small Paintings by Gifford Beal
Oct.-Nov., 1941
Recent Paintings by Russell Cowles
Nov.-Dec., 1941
Paintings and Watercolors by Henry E. Schnakenberg
Dec., 1941
Charles Prendergast
Jan., 1942
Paintings by Samuel Brecher
Jan.-Feb., 1942
Recent Paintings by Guy Pène Du Bois
Mar.-Apr., 1942
Recent Paintings by Louis Bouché
Mar.-Apr., 1942
Illustrations by Boardman Robinson Commissioned by the Limited Editions Club for Edgar Lee Masters' "Spoon River Anthology"
Dec., 1942
Paintings from the Period of the Last War
Feb., 1943
Paintings and Watercolors by William Dean Fausett
Mar., 1943
Paintings by John Hartell
May-July, 1943
Watercolors by Contemporary American Artists
Feb.-Mar., 1944
Samuel Brecher
Feb.-Mar., 1944
Paintings, Gouaches, and Drawings by Andrée Ruellan
Mar., 1944
Vaughn Flannery
Mar.-Apr., 1944
Recent Paintings by Russell Cowles
Apr.-May, 1944
Recent Paintings by Louis Bouché
May-June, 1944
Retrospective Exhibition of Paintings and Watercolors by Henry G. Keller
Oct., 1944
Esther Williams
Nov.-Dec., 1944
Paintings and Watercolors of France by Maurice Prendergast
Dec., 1944
William J. Glackens Sixth Memorial Exhibition
Dec., 1944
Kraushaar Galleries Sixtieth Anniversary Exhibition of Paintings by William J. Glackens, Ernest Lawson, George Luks, Maurice Prendergast, and John Sloan
Jan.-Feb., 1945
Paintings by Gifford Beal
Feb.-Mar., 1945
Paintings by Andrée Ruellan
Apr.-May, 1945
Charles Locke
May-June, 1945
William Dean Fausett
Oct., 1945
Paintings by John Hartell
Nov.-Dec., 1945
Recent Watercolors by Marion Monks Chase
Nov.-Dec., 1945
Gouaches by Cecil Bell
Dec., 1945
Memorial Exhibition of Paintings and Watercolors by Ann Brockman
undated, 1946
Russell Cowles
Jan.-Feb., 1946
Richard Lahey
Feb., 1946
John Koch
Feb.-Mar., 1946
Paintings by Ernst Halberstadt
Mar., 1946
Paintings of Mexico and Guatemala by Henry E. Schnakenberg
Mar., 1946
Iver Rose
Apr., 1946
Louis Bouché
Apr.-May, 1946
Russell Cowles
May-June, 1946
Paintings by Bernard Arnest, Charles Harsanyi, Irving Katzenstein, Anna Licht, James Penney, Etienne Ret, and Vernon Smith
Sept., 1946
Retrospective Exhibition of the Work of Boardman Robinson
Nov., 1946
Guy Pène Du Bois
Nov.-Dec., 1946
William J. Glackens Eighth Memorial Exhibition
Jan., 1947
Karl Schrag
Feb.-Mar., 1947
Sculpture by Robert Laurent
Feb.-Mar., 1947
Paintings by Iver Rose
Feb.-Mar., 1947
Recent Paintings by Vernon Smith
Apr., 1947
Charles Prendergast
Apr., 1947
Louis Bouché
Apr.-May, 1947
Esther Williams
Oct.-Nov., 1947
Anna Licht
Nov., 1947
William J. Glackens Ninth Memorial Exhibition, with Works by Lenna Glackens
Mar., 1948
Russell Cowles
Apr.-May, 1948
Bernard Arnest
Aug.-Sept., 1948
New York Paintings and Watercolors
Oct.-Nov., 1948
Kenneth Evett
Nov.-Dec., 1948
Watercolors and Pastels by Harriette G. Miller
Jan.-Feb., 1949
John Hartell
Sept.-Oct., 1949
Contemporary American Watercolors and Gouaches
Oct., 1949
Contemporary Paintings
Jan., 1950
Maurice Prendergast Retrospective of Oils and Watercolors
Jan.-Feb., 1950
James Penney
Feb.-Mar., 1950
Paintings by Karl Schrag
Mar.-Apr., 1950
Russell Cowles
Jan.-Feb., 1951
William Sommer
Feb., 1951
Prints and Drawings by Various Artists
Feb., 1951
Paintings by Louis Bouché
Mar., 1951
Kenneth Evett
Apr.-May, 1951
Paintings by Gallery Artists
May-July, 1951
Contemporary American Watercolors
July-Aug., 1951
Paintings on the Summer Theme
Sept.-Oct., 1951
Vaughn Flannery
Oct.-Nov., 1951
Recent Paintings by Gallery Artists
Nov., 1951
Paintings by John Koch
Nov.-Dec., 1951
Joe Lasker
Dec., 1951
Small Prints and Drawings
Jan., 1952
Recent Gouaches by William Kienbusch
Jan., 1952
John Sloan: Recent Etchings from 1944-1951, and Etchings and Drawings Selected from All Periods of His Career
Feb.-Mar., 1952
Andrée Ruellan
Mar.-Apr., 1952
Bernard Arnest
Apr.-May, 1952
Recent Sculpture by Robert Laurent
May, 1952
Recent Paintings by Contemporary American Artists
May-June, 1952
Watercolors by Joseph Barber, Edward Christiana, Walt Dehner, Sidney Eaton, Wray Manning, and Woldemar Neufeld
July-Aug., 1952
Color Prints (Woodcuts, Etchings, and Lithographs) by Eleanor Coen, Caroline Durieux, Max Kahn, Tom Lias, Woldemar Neufeld, James Penney, George Remaily, Ann Ryan, and Karl Schrag
Nov., 1952
Karl Schrag
Dec., 1952-Jan. 1953
Eight Oregon Artists
Jan., 1953
Charles Prendergast Memorial Exhibition
Jan.-Feb., 1953
John Hartell
May, 1953
John Heliker
June, 1953
Humbert Alberizio, Vaughn Flannery, William Kienbusch, George Rickey, Andrée Ruellan, and Karl Schrag
Sept., 1953
Works by Gifford Beal, Kenneth Evett, Tom Hardy, John Koch, and James Lechay
Sept.-Oct., 1953
Paintings by Glackens, Lawson, Prendergast, Sloan
Oct.-Nov., 1953
Paintings by E. Powis Jones
Oct.-Nov., 1953
Recent Works by John Koch
Nov., 1953
Kenneth Evett: Drawings from Greek Mythology
Nov.-Dec., 1953
Recent Metal Sculptures by Tom Hardy
Nov.-Dec., 1953
Pastels, Drawings and Prints by Peggy Bacon
Nov.-Dec., 1953
Recent Paintings by Ralph Dubin
Feb.-Mar., 1954
Russell Cowles
Mar.-Apr., 1954
James Penney
Nov.-Dec., 1954
Tom Hardy: Metal Sculptures
Jan., 1955
Mobiles, Machines, and Kinetic Sculpture by George Rickey
Jan.-Feb., 1955
James Lechay
Feb., 1955
Mobiles by George Rickey
Feb.-Mar., 1955
Drawings, Etchings, and Lithographs by John Sloan (with a selection of prints by artists whose work influenced him in his early years: Rembrandt, Hogarth, Goya, Rops, Daumier, Rowlandson and others, to mark the publication of John Sloan: A Painter's Life by Van Wyck Brooks)
Mar.-Apr., 1955
Jane Wasey
Apr., 1955
Recent Work by Joe Lasker
May-June, 1955
Sculpture and Drawings by Contemporary American Artists
Jan., 1956
Carl Morris
Jan.-Feb., 1956
John Laurent
Feb.-Mar., 1956
William Kienbusch
Mar., 1956
Andrée Ruellan
Mar.-Apr., 1956
Karl Schrag
Apr.-May, 1956
John Heliker
May, 1956
Monotypes by Maurice Prendergast
Oct., 1956
The Eight
Jan.-Feb., 1957
Paintings by John Hartell
Apr., 1957
James Penney
Apr.-May, 1957
John Heliker
May-June, 1957
Fourteen Painter-Printmakers (American Federation of Arts exhibition)
June-July, 1957
20th Century American Artists
Nov., 1957
William Glackens and His Friends (based on the book by Ira Glackens)
Nov., 1957
Marguerite Zorach
Jan., 1958
Gouches, Drawings and Small Glyphs by Ulfert Wilke
Jan.-Feb., 1958
Tom Hardy
Feb.-Mar., 1958
John Koch
Feb.-Mar., 1958
Still Life Exhibition with Works by William J. Glackens and Maurice Prendergast
Feb.-Mar., 1958
Cecil Bell
Mar., 1958
Karl Schrag
Mar., 1958
Carl Morris
Mar.-Apr., 1958
Louis Bouché
Apr., 1958
Paintings and Drawings by Joe Lasker
Apr.-May, 1958
Paintings and Drawings by Walter Feldman
Apr.-May, 1958
Sculpture by Henry Mitchell
May-June, 1958
Works in Casein and Gouache by Bernard Arnest, William Kienbusch, Carl Morris, and Karl Schrag
July, 1958
Still Life Paintings and Watercolors by American Artists
Oct.-Nov., 1958
Kenneth Evett
Nov., 1958
Elsie Manville
Nov.-Dec., 1958
John Laurent
Jan., 1959
Kinetic Sculpture by George Rickey
Jan.-Feb., 1959
Bernard Arnest
Mar., 1959
Karl Schrag
Mar.-Apr., 1959
Paintings by Joe Lasker
Apr.-May, 1959
Henry Mitchell
Sept.-Oct., 1959
Robert Searle
Oct.-Nov., 1959
Russell Cowles
Nov., 1959
Caseins and Paintings by William Kienbusch
Dec., 1959
Paintings by Vaughn Flannery
Feb., 1960
James Lechay
Apr., 1960
Landscapes by John Sloan
Apr.-May, 1960
John Guerin
May-June, 1960
Drawings and Small Sculpture by Gallery Artists
Oct., 1960
Ainslie Burke
Oct.-Nov., 1960
Leon Goldin
Nov.-Dec., 1960
Ulfert Wilke
Jan., 1961
Leonard DeLonga
Jan., 1961
Kenneth Evett
Jan.-Feb., 1961
Walter Feldman
Feb.-Mar., 1961
Watercolors and Pastels by Early Twentieth-Century American Artists
Mar., 1961
Paintings by Ralph Dubin
Mar.-Apr., 1961
James Penney
Apr.-May, 1961
John Koch
June, 1961
Works by Humbert Albrizio, Bernard Arnest, Cecil Bell, Louis Bouché, Ralph Dubin, Kenneth Evett, Walter Feldman, John Hartell, John Heliker, William Kienbusch, John Koch, Robert Laurent, James Lechay, Elsie Manville, Henry Mitchell, James Penney, George Rickey, Andrée Ruellan, Henry E. Schnakenberg, Karl Schrag, Jane Wasey, and Marguerite Zorach
Sept., 1961
Works by Contemporary Americans
Oct., 1961
George Rickey: Kinetic Sculpture
Oct.-Nov., 1961
Carl Morris
Nov.-Dec., 1961
Peggy Bacon
Dec., 1961
Selected Works by Twentieth-Century Americans
Jan., 1962
Polymer Resin and Sumi Ink Paintings by Kenneth Evett
Jan.-Feb., 1962
Louis Bouché
Feb.-Mar., 1962
Karl Schrag
Mar., 1962
Marguerite Zorach
Apr., 1962
John Laurent
Apr.-May, 1962
Sculpture by Tom Hardy
May-June, 1962
Drawings by Contemporary American Artists
July-Aug., 1962
Group Exhibitions - Paintings, Drawings and Sculpture by 20th Century American Artists
Oct., 1962
Bernard Arnest
Feb., 1963
William Kienbusch
Feb.-Mar., 1963
John Guerin
Mar., 1963
John Hartell
Sept.-Oct., 1963
Andrée Ruellan
Oct.-Nov., 1963
Ainslie Burke
Nov., 1963
Walter Feldman
Dec., 1963
Drawings by John Koch
Dec., 1963
Paintings by Contemporary Americans
Jan., 1964
Leonard DeLonga
Jan.-Feb., 1964
Joe Lasker
Feb.-Mar., 1964
Leon Goldin
Mar., 1964
Paintings by Ralph Dubin
Apr., 1964
Carl Morris
Apr.-May, 1964
Paintings and Drawings by John Heliker
Oct.-Nov., 1964
Louis Bouché
Nov.-Dec., 1964
Karl Schrag
Dec., 1964
Kenneth Evett
Feb., 1965
Russell Cowles
Feb.-Mar., 1965
James Lechay
Mar.-Apr., 1965
James Penney
Apr.-May, 1965
Gifford Beal
Feb., 1966
Dennis Leon
Feb.-Mar., 1966
Henry Schnakenberg
Mar.-Apr., 1966
John Hartell
Apr., 1966
Elsie Manville
Oct., 1966
Contrasts - Early and Late Works by Selected Contemporaries
Oct.-Nov., 1966
Tom Hardy
Nov.-Dec., 1966
Francis Chapin
Dec., 1966-Jan., 1967
Karl Schrag: Etchings and Lithographs
Jan.-Feb., 1967
Leonard DeLonga
Feb.-Mar., 1967
Carl Morris
Mar.-Apr., 1967
Ainslie Burke
Apr.-May, 1967
John Heliker: Paintings, Drawings, and Watercolors
May-June, 1967
William Glackens
Oct., 1967
Kenneth Callahan
Oct.-Nov., 1967
John Laurent
Jan.-Feb., 1968
Dennis Leon
Feb.-Mar., 1968
Robert La Hotan
Apr., 1968
John Guerin
Apr.-May, 1968
Leon Goldin
Sept.-Oct., 1968
Contemporary Sculpture and Drawings
Oct.-Nov., 1968
Karl Schrag
Nov.-Dec., 1968
James Lechay: Portraits and Landscapes
Dec., 1968-Jan., 1969
Group Exhibition
Jan., 1969
Elsie Manville
Mar., 1969
Kenneth Evett
Apr.-May, 1969
James Penney
Sept.-Oct., 1969
New Works by Contemporary Artists
Oct.-Nov., 1969
John Hartell: Exhibition
Nov., 1969
Peggy Bacon
Dec., 1969
Selected Examples by American Artists 1900-1930
Jan., 1970
Leonard DeLonga
Feb., 1970
Joe Lasker
Mar., 1970
Group Exhibition
Mar.-Apr., 1970
Dennis Leon
Apr.-May, 1970
Jerome Myers
Oct.-Nov., 1970
Tom Hardy
Jan.-Feb., 1971
Jane Wasey
Mar.-Apr., 1971
Kenneth Callahan
Oct., 1971
Ainslie Burke
Nov.-Dec., 1971
Karl Schrag
Feb.-Mar., 1972
John Koch
Mar.-Apr., 1972
Robert La Hotan
Apr.-May, 1972
Leon Goldin
May-June, 1972
Selected Works by 20th Century Americans
Sept.-Oct., 1972
Gallery Collection: American Watercolors and Drawings
Oct.-Nov., 1972
John Hartell
Nov.-Dec., 1972
Peggy Bacon
Dec., 1972
20th Century Americans
Jan., 1973
Leonard DeLonga
Feb., 1973
Carl Morris
Mar., 1973
James Lechay
Mar.-Apr., 1973
Russell Cowles: Landscape Paintings
Apr.-May, 1973
Jerome Witkin
May-June, 1973
Kenneth Evett: Watercolors
Oct.-Nov., 1973
Kenneth Callahan
Jan., 1974
Joe Lasker
Jan.-Feb., 1974
Bernard Arnest
Feb.-Mar., 1974
Concetta Scaravaglione
Oct., 1974
Ainslie Burke
Oct.-Nov., 1974
James Penney
Jan., 1975
Tom Hardy
Jan.-Feb., 1975
Karl Schrag
Feb.-Mar., 1975
Robert La Hotan
Mar.-Apr., 1975
William Kienbusch
Apr., 1975
Elsie Manville
Apr.-May, 1975
Gifford Beal
Oct.-Nov., 1975
John Hartell
Nov., 1975
Daniel O'Sullivan
Mar., 1976
Jerome Witkin
May, 1976
Linda Sokolowski
Sept.-Oct., 1976
Joe Lasker, Illustrations from Merry Ever After
Oct., 1976
Leonard DeLonga
Nov.-Dec., 1976
Kenneth Callahan
Jan., 1977
James Lechay
Mar., 1977
Karl Schrag
Mar.-Apr., 1977
David Cantine
Oct.-Nov., 1977
John Hartell
Nov.-Dec., 1977
Ainslie Burke
Feb., 1978
Robert La Hotan
Apr., 1978
Elsie Manville
Oct., 1978
Tom Hardy
Oct.-Nov., 1978
Jerome Witkin
Jan.-Feb., 1979
Joe Lasker
Feb., 1979
Kenneth Evett
Feb.-Mar., 1979
Karl Schrag
Mar.-Apr., 1979
Carl Morris
Apr.-May, 1979
Linda Sokolowski
Oct.-Nov., 1979
Daniel O'Sullivan
Feb.-Mar., 1980
Kenneth Callahan
Mar., 1980
Ainslie Burke
Oct., 1980
John Hartell
Jan., 1981
Leonard DeLonga
Feb., 1981
James Lechay
Feb.-Mar., 1981
Robert La Hotan
Mar.-Apr., 1981
Jerry Atkins
Apr.-May, 1981
Ben Frank Moss
Jan.-Feb., 1982
Jerome Witkin
Feb.-Mar., 1982
Elsie Manville
Mar.-Apr., 1982
Karl Schrag
Apr.-May, 1982
Linda Sokolowski
May-June, 1982
David Cantine
Sept.-Oct., 1982
Kenneth Callahan
Oct.-Nov., 1982
Joe Lasker
Nov.-Dec., 1982
Daniel O'Sullivan
Jan.-Feb., 1983
William Kienbusch: Memorial Exhibition
Feb.-Mar., 1983
Jerry Atkins
Mar.-Apr., 1983
John Hartell
Apr.-May, 1983
John Heliker
May-June, 1983
Kenneth Evett
Oct., 1983
Concetta Scaravaglione
Oct.-Nov., 1983
Ben Frank Moss
Nov.-Dec., 1983
Russell Cowles
Dec., 1983-Jan., 1984
20th Century Americans
Jan.-Feb., 1984
Marguerite Zorach: Paintings at Home and Abroad
Feb.-Mar., 1984
Robert La Hotan
Mar., 1984
David Smalley
Apr., 1984
Carl Morris
May, 1984
Karl Schrag
July, 1984
Drawings by 20th Century Americans
July-Aug., 1984
Collages and Drawings by Joseph Heil
Aug.-Sept., 1984
Drawings and Prints by Tom Hardy
Sept.-Oct., 1984
James Penney: Memorial Exhibition
Oct.-Nov., 1984
Paintings and Drawings by Leon Goldin
Nov.-Dec., 1984
Isabelle Siegel
Dec., 1984-Jan., 1985
Group Exhibition: Contemporary American Paintings and Sculpture
Jan.-Feb., 1985
James Lechay
Feb.-Mar., 1985
Ainslie Burke
Mar., 1985
Karen Breunig
Apr., 1985
Kenneth Callahan
Oct., 1985
Elsie Manville
Oct.-Nov., 1985
William Glackens
Jan.-Feb., 1986
Linda Sokolowski
Feb.-Mar., 1986
Jerry Atkins
Apr.-May, 1986
Jane Wasey
Oct.-Nov., 1986
John Hartell
Nov.-Dec., 1986
Karl Schrag
Feb.-Mar., 1987
Kenneth Evett
Apr.-May, 1987
Ben Frank Moss
May-June, 1987
David Smalley
Oct.-Nov., 1987
Isabelle Siegel
Feb.-Mar., 1988
Karen Breunig
Mar.-Apr., 1988
Leon Goldin
Sept.-Oct., 1988
Elsie Manville
Oct.-Nov., 1988
James Lechay
Jan.-Feb., 1989
Karl Schrag
Feb.-Mar., 1989
Linda Sokolowski
Jan.-Feb., 1990
Kenneth Callahan: Works of the Fifties
Jan.-Feb., 1990
Gifford Beal: Watercolors
Mar., 1990
Robert La Hotan: Recent Paintings
Mar.-Apr., 1990
Sonia Gechtoff: New Paintings
May-June, 1990
David Smalley: Recent Sculpture
May-June, 1990
Andrée Ruellan: Sixty Years of Drawing...
Oct., 1990
Isabelle Siegel
Nov., 1990
Leon Goldin
Jan.-Feb., 1991
Karl Schrag
Feb.-Mar., 1991
Joe Lasker
Apr., 1991
Ainslie Burke
Nov.-Dec., 1991
Linda Sokolowski: Oils, Collages, Monotypes
Dec., 1991-Jan., 1992
Elsie Manville: Small Works on Paper
Mar., 1992
Tabitha Vevers
May-June, 1992
Sonia Gechtoff
Oct.-Nov., 1992
James Lechay
Nov.-Dec., 1992
Karl Schrag
Mar., 1993
Leon Goldin: Works on Paper
Apr.-May, 1993
Robert La Hotan
Oct., 1993
David Smalley: Sculpture Inside and Out
Oct., 1993
Andrée Ruellan: Works on Paper 1920-1980
Mar.-Apr., 1994
Kenneth Evett: Travels: Themes and Variations (Watercolors of Italy, Greece, Arizona, Maine and California)
Mar.-Apr., 1994
Tabitha Vevers
Oct.-Nov., 1994
Linda Sokolowski
Nov.-Dec., 1994
Karl Schrag
Jan.-Feb., 1995
Langdon Quin
Mar.-Apr., 1995
Robert La Hotan
Sept.-Oct., 1995
Sonia Gechtoff
Jan.-Feb., 1996
Elsie Manville: Paintings and Works on Paper
Oct.-Nov., 1996
Karl Schrag: A Self Portrait Retrospective, 1940-1995
Jan.-Feb., 1997
Joe Lasker: Paintings and Watercolors
Mar.-Apr., 1997
Tabitha Vevers
Oct.-Nov., 1997
James Lechay
Feb.-Mar., 1998
Linda Sokolowski: Canyon Suite: Works from the Southwest
Mar.-Apr., 1998
Leon Goldin: Paintings on Paper
Sept.-Oct., 1998
Sonia Gechtoff: Mysteries in the Sphere
Oct.-Nov., 1998
Langdon Quin: Recent Paintings
Nov.-Dec., 1998
John Gill
Jan.-Feb., 1999
Robert La Hotan
Feb.-Mar., 1999
Ann Sperry: Where Is Your Heart
Nov.-Dec., 1999
Kathryn Wall
Jan.-Feb., 2000
Elsie Manville
Sept.-Oct., 2000
Joe Lasker
Oct.-Nov., 2000
James Lechay
Oct.-Nov., 2000
Tabitha Vevers
May-June, 2001
Kenneth Callahan: Drawings
Dec., 2001-Jan., 2002
Sur La Table: A Selection of Paintings and Works on Paper
Jan.-Feb., 2002
Karl Schrag: Theme and Variations II: The Meadow
undated, 2003
Ann Sperry
Jan.-Feb., 2003
Andrée Ruellan: Works on Paper from the 1920s and 1930s
Oct.-Nov., 2003
Joe Lasker: Muses and Amusements
Nov.-Dec., 2003
Tabitha Vevers
Mar.-Apr., 2004
Leon Goldin: Five Decades of Works on Paper
May-July, 2004
Anne Frank: A Private Photo Album
Jan.-Feb., 2005
John Gill: Ceramics
Sept.-Oct., 2005
Karl Schrag: The Painter of Bright Nights

Using the Collection
Restrictions on Access
Use of originals requires an appointment. A fragile original scrapbook is closed to researchers.
Ownership and Literary Rights
The Kraushaar Galleries records are owned by the Archives of American Art, Smithsonian Institution. The collection is subject to all copyright laws. Authorization to publish, quote or reproduce from the records requires written permission from: Katherine Kaplan, Kraushaar Galleries, 724 Fifth Avenue, New York, NY 10019.
Preferred Citation
Kraushaar Galleries records, 1877-2006. Archives of American Art, Smithsonian Institution.

Related Material
An untranscribed oral history interview with Antoinette Kraushaar was conducted for the Archives of American Art by Avis Berman in 1982, and is available on five audio cassettes at the Archives' Washington D.C. research facility.

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Robinson, Boardman, 1876-1952 Personal Name Search Smithsonian Collections Search ArchiveGrid
Lechay, James Personal Name Search Smithsonian Collections Search ArchiveGrid
Laurent, Robert, 1890-1970 Personal Name Search Smithsonian Collections Search ArchiveGrid
Hartell, John Personal Name Search Smithsonian Collections Search ArchiveGrid
Cantene, David Personal Name Search Smithsonian Collections Search ArchiveGrid
Schnakenberg, H. E. (Henry Ernest), 1892-1970 Personal Name Search Smithsonian Collections Search ArchiveGrid
Kraushaar, Antoinette M., 1902-1992 Personal Name Search Smithsonian Collections Search ArchiveGrid
Harrison, Preston Personal Name Search Smithsonian Collections Search ArchiveGrid
Heliker, John, 1909-2000 Personal Name Search Smithsonian Collections Search ArchiveGrid
Williams, Esther, 1907-1969 Personal Name Search Smithsonian Collections Search ArchiveGrid
Luks, George Benjamin, 1867-1933 Personal Name Search Smithsonian Collections Search ArchiveGrid
New Britain Institute. Art Museum Corporate Name Search Smithsonian Collections Search ArchiveGrid
Glackens, Edith Personal Name Search Smithsonian Collections Search ArchiveGrid
Navas, Elizabeth S., 1885-1979 Personal Name Search Smithsonian Collections Search ArchiveGrid
DeLonga, Leonard Personal Name Search Smithsonian Collections Search ArchiveGrid
Evett, Kenneth Warnock, 1913- Personal Name Search Smithsonian Collections Search ArchiveGrid
Halberstadt, Ernst, 1910-1987 Personal Name Search Smithsonian Collections Search ArchiveGrid
Prendergast, Maurice Brazil, 1858-1924 Personal Name Search Smithsonian Collections Search ArchiveGrid
Morris, Carl, 1911-1993 Personal Name Search Smithsonian Collections Search ArchiveGrid
Ruellan, Andrée, 1905-2006 Personal Name Search Smithsonian Collections Search ArchiveGrid
Smalley, David, 1940- Personal Name Search Smithsonian Collections Search ArchiveGrid
Flannery, Vaughn Personal Name Search Smithsonian Collections Search ArchiveGrid
Cowles, Russell, 1887-1979 Personal Name Search Smithsonian Collections Search ArchiveGrid
Penney, James, 1910-1982 Personal Name Search Smithsonian Collections Search ArchiveGrid
Beal, Gifford, 1879-1956 Personal Name Search Smithsonian Collections Search ArchiveGrid
Bacon, Peggy, 1895-1987 Personal Name Search Smithsonian Collections Search ArchiveGrid
Beal, Reynolds, 1866-1951 Personal Name Search Smithsonian Collections Search ArchiveGrid
Ernest Brown and Co. Corporate Name Search Smithsonian Collections Search ArchiveGrid
Carnegie Institute Corporate Name Search Smithsonian Collections Search ArchiveGrid
University of Nebraska--Lincoln. Department of Art Corporate Name Search Smithsonian Collections Search ArchiveGrid
Museum of Modern Art (New York, N.Y.) Corporate Name Search Smithsonian Collections Search ArchiveGrid
Hardy, Thomas, 1921- Personal Name Search Smithsonian Collections Search ArchiveGrid
Glackens, William J., 1870-1938 Personal Name Search Smithsonian Collections Search ArchiveGrid
Prendergast, Charles, 1863-1948 Personal Name Search Smithsonian Collections Search ArchiveGrid
Demuth, Charles, 1883-1935 Personal Name Search Smithsonian Collections Search ArchiveGrid
Albrizio, Humbert, 1901-1970 Personal Name Search Smithsonian Collections Search ArchiveGrid
Lachaise, Gaston, 1882-1935 Personal Name Search Smithsonian Collections Search ArchiveGrid
Bignou, Etienne Personal Name Search Smithsonian Collections Search ArchiveGrid
Kirsch, Frederick D. (Frederick Dwight), b. 1899 Personal Name Search Smithsonian Collections Search ArchiveGrid
Sloan, John, 1871-1951 Personal Name Search Smithsonian Collections Search ArchiveGrid
Allard, J. Personal Name Search Smithsonian Collections Search ArchiveGrid
Bouché, Louis, 1896-1969 Personal Name Search Smithsonian Collections Search ArchiveGrid
Juley, Peter A., 1862-1937 Personal Name Search Smithsonian Collections Search ArchiveGrid
Stanley, Alix W. Personal Name Search Smithsonian Collections Search ArchiveGrid
Arnest, Bernard, 1917- Personal Name Search Smithsonian Collections Search ArchiveGrid
Brueming, Karen Personal Name Search Smithsonian Collections Search ArchiveGrid
Miller, Harriette Personal Name Search Smithsonian Collections Search ArchiveGrid
Kraushaar, John F., 1871-1946 Personal Name Search Smithsonian Collections Search ArchiveGrid
Guillaume, Paul, 1891-1934 Personal Name Search Smithsonian Collections Search ArchiveGrid

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