Oral history interview with Marilyn Levine

Summary
Collection ID:
AAA.levine02
Creators:
Levine, Marilyn, 1935-2005
Adamson, Glenn
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
Dates:
2002 May 15
Languages:
English
Physical Description:
54 Pages
Transcript
Repository:

Scope and Contents
Scope and Contents
An interview of Marilyn Levine conducted 2002 May 15, by Glenn Adamson, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Oakland, California.
Scope and Contents
Levine speaks of growing up in Alberta, Canada; going to the University of Alberta for her undergraduate and graduate degrees in chemistry; being an analytical inorganic chemist; meeting her husband at the university; her husband's work at the University of Regina in Saskatchewan and how rules about nepotism prevented her from teaching; auditing a drawing and painting art class when she could not find a job; taking evening pottery classes taught by Beth Hone; teaching chemistry at Campion College during the school year and pottery during the summers at the University of Regina; meeting Jack Sures at the Western Potters' Association and his influence on her career; helping Sures get a pottery position at the University of Regina; teaching with him from 1966-1969; using a travel grant from the Canada Council to meet American artists such as Peter Voulkos, Ron Nagle, James Melchert, and Robert Arneson; applying to graduate school at the University of California at Berkeley and being rejected; a James Melchert workshop at Beth Hone's studio; getting into Berkeley's graduate program with Melchert's help; receiving an M.F.A.; separating from her husband; experimenting with Funk art; seeing a pair of worn down shoes and becoming inspired to specialize in super-realist ceramic sculptures; her work as "timeless" and not of a particular fashion; showing her art in a New York gallery and being ripped off; having her M.F.A., one person show, at the Hansen Fuller Gallery and at the University Art Museum; letting the galleries price her work; exhibiting at OK Harris in New York; the long, slow process of making pieces; her work being accepted in America, but not in Canada; teaching ceramics to non-art majors at the University of Utah; developing a studio building, The West Coast Macaroni Factory, with Peter Voulkos; her methods, techniques, and materials including her experiments with fiberglass, nylon, and Dacron; avoiding big conferences, such as the National Council on Education for the Ceramic Arts [NCECA]; her first museum retrospective in 1974 at the Norman McKenzie Art Gallery; her exhibition at the Canadian Clay and Glass Gallery in Waterloo, Ontario, in conjunction with the University of Waterloo; her exhibition, "Sharp Focus Realism," at the Sidney Janis Gallery; her involvement in the exhibition, "Clayworks: 20 Americans," at the American Craft Museum; her work in museum collections; having a commission to make ceramic sculptures of sporting gear for Pacific Enterprises; her studio assistants and feeling a lack of privacy; titling her work with human names for identification purposes but not having specific references to anyone. Levine also recalls Robert Bechtle, Ruth Braunstein, Joan Brown, Stephen DeStaebler, Ivan Karp, Bella Feldman, Duane Hanson, Clay Jensen, John Mason, Joan Mondale, and others.

Biographical / Historical
Biographical / Historical
Marilyn Levine (1935-2005) was a ceramist from Oakland, California.

Administration
Existence and Location of Copies
Transcript available online.
Author
Sponsor
Funding for this interview was provided by the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America. Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.
Immediate Source of Acquisition
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.

General
General
Originally recorded on 1 sound disc. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 29 min.

Using the Collection
Conditions Governing Access
Transcript available on the Archives of American Art website.

Keywords
Keywords table of terms and types.
Keyword Terms Keyword Types
Ceramicists -- California -- Oakland -- Interviews Topic Search Smithsonian Collections Search ArchiveGrid
Sculptors -- California -- Oakland -- Interviews Topic Search Smithsonian Collections Search ArchiveGrid
Ceramics -- Technique Topic Search Smithsonian Collections Search ArchiveGrid
Art -- Philosophy Topic Search Smithsonian Collections Search ArchiveGrid
Women artists Topic Search Smithsonian Collections Search ArchiveGrid
Decorative arts Topic Search Smithsonian Collections Search ArchiveGrid
Sound recordings Type Search Smithsonian Collections Search ArchiveGrid
Interviews Type Search Smithsonian Collections Search ArchiveGrid
Art galleries, Commercial Function Search Smithsonian Collections Search ArchiveGrid
Melchert, Jim, 1930- Personal Name Search Smithsonian Collections Search ArchiveGrid
Voulkos, Peter, 1924-2002 Personal Name Search Smithsonian Collections Search ArchiveGrid
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America Corporate Name Search Smithsonian Collections Search ArchiveGrid

Repository Contact
Archives of American Art
750 9th Street, NW
Victor Building, Suite 2200
Washington, D.C. 20001
https://www.aaa.si.edu/services/questions
https://www.aaa.si.edu/