Archives of American Art

A Finding Aid to the Dorothy C. Miller Papers, 1853-2013, bulk 1920-1996, in the Archives of American Art

Summary

Collection ID:
AAA.milldoro
Creators:
Miller, Dorothy Canning, 1904-2003
Dates:
1853-2013
bulk 1920-1996
Languages:
Collection is in English.
Physical Description:
34.6 Linear feet
Repository:
The papers of contemporary and folk art curator, historian, and consultant Dorothy C. Miller measure 34.6 linear feet and date from 1853-2013, with the bulk of the material dating from 1920 to 1996. The papers primarily concern Miller's private art consulting work outside of her curatorial work at the Museum of Modern Art in New York City. Found are scattered biographical materials, extensive correspondence and subject files, and project files for her art consulting work for the Rockefeller family, Rockefeller University, Chase Manhattan Bank, the Port Authority of New York and New Jersey, the World Trade Center, and other miscellaneous corporate and private clients. Miller's work as a trustee and committee member of various public and private boards and commissions is also represented here. Additionally, the papers contain Miller's research files on Edward Hicks and folk art, and a small number of files of her husband Holger Cahill about his work as Director of the Federal Art Project. There is a scattered documentation of Miller's early curatorial work with Holger Cahill on the First Municipal Art Exhibition (1934) held at the RCA Building in Rockefeller Center. Also found is Dorothy Miller's collection of artists' Christmas cards and photographs of Miller and others. An addition to the papers includes biographical material; family papers; correspondence; professional files; art collection and client files; printed material; and photographic material. While a small number professional files are included, the majority of the addition relates to her personal life, including correspondence with her husband Holger Cahill, and files pertaining to her personal art collection.

Scope and Content Note

Scope and Content Note
The papers of contemporary and folk art curator, historian, and consultant Dorothy C. Miller measure 34.6 linear feet and date from 1853-2013, with the bulk of the material dating from 1920 to 1996. The papers primarily concern Miller's art consulting work outside of her curatorial work at the Museum of Modern Art in New York city. Found are scattered biographical materials, extensive correspondence and subject files, and project files for her art consulting work for the Rockefeller family, Rockefeller University, Chase Manhattan Bank, the Port Authority of New York and New Jersey, and other miscellaneous corporate and private clients. Her work as a trustee and committee member of various public and private boards and commissions is also represented here. Additionally, the papers contain Miller's research files on Edward Hicks and folk art, and a small number of files related to Miller's husband Holger Cahill and his work as Director of the Federal Art Project. There is important documentation of Miller's early curatorial work with Holger Cahill on the First Municipal Art Exhibition (1934) held at the RCA Building in Rockefeller Center. Artwork includes scattered sketches and drawings enclosed with correspondence and original Christmas cards sent to Miller by various artists. Photographs of Miller date from 1926 - circa 1950.
Scattered biographical material mostly concerns Miller's education at Smith College and awards and honorary degrees that she received. Extensive correspondence and subject files document her professional and personal relationships with family, friends, colleagues, museums, art dealers and artists, as well as her research interests. Individual files may contain a mix of correspondence with, as well as about, the person or subject, compiled research documents, printed materials, and scattered photographs. Files are found for Lewin Alcopley, Alfred Barr, Betty Parsons Gallery, Cahill family members, Lee Bontecou, James Byars, Holger Cahill, Alexander Calder, Christo, Chryssa, Calvert Coggeshall, John Canaday, Maryette Charlton, Stuart Davis, Jay DeFeo, Lorser Feitelson, Arshile Gorky, Peggy Guggenheim, Grace Hartigan, Will Horwitt, Jasper Johns, Julien Levy, Pierre Matisse, Louise Nevelson, Barnett Newman, Isamu Nauchi, Georgia O'Keeffe, Pablo Picasso, Robert Rauschenberg, Ad Reinhardt, Kay Sage, Charles Sheeler, Hedda Sterne, travel, Clyfford Still, William Scharf, among many others.
Detailed records of Miller's art consulting and advisory work for the Rockefeller family include correspondence with Nelson A. Rockefeller and David Rockefeller about building their personal collections of contemporary and folk art, meeting notes and minutes, research notes and writings, and printed materials. The largest group of records concerns the writing and publication of The Nelson A. Rockefeller Collection: Masterpieces of Modern Art. Miller's curatorial work for David Rockefeller and the Rockefeller University's Abby Aldrich Rockefeller Hall art collection is documented in Series 4 through curatorial files, correspondence, printed materials, photographs and slides, artists files, and design records.
Series 5 contains files relating to Miller's work as the first art consutant to the Chase Manhattan Bank and the building of the corporation's extensive collection of contemporary art. There is a draft of Miller's text for the bank's published catalog, Art At Work: Chase Manhattan Bank Collection. A smaller set of records is found in Series 6 documenting Miller's work on the Art Committee of the Port Authority of New York and New Jersey, including files about selecting artwork for the World Trade Center during the early 1970s. Files concerning Miller's advisory work with additional public and private clients, boards, and commissions are arranged in Series 7 and 8 and concern the Amstar Corporation, Fidelity International Bank, First National Bank of Tampa, First National City Bank, Inmont Corporation, Pepsico, United Mutual Savings Bank, the Empire State Plaza Art Commission, the Hancock Shaker Village, the Hirshhorn Museum and Sculpture Garden, the Mark Rothko Foundation, the Museum of American Folk Art, and the Smith College Museum of Art.
Miller's papers include a small group of files relating to the WPA Federal Art Project (FAP)created by her husband Holger Cahill when he was director of the FAP, Holger Cahill. A small series is devoted to Miller's work with Eleanore Price Mather researching and writing Edward Hicks: His Peaceable Kingdom and Other Paintings. A series of general research files contain miscellaneous research notes and photographs related to Miller's interests in early American art and folk art. Series 12 contains important documentation of Miller's early curatorial work with Holger Cahill on the First Municipal Art Exhibition (1934) held at the RCA Building in Rockefeller Center.
Works of art are primarily in the form of Christmas cards sent to Miller by various artists including Elise Asher, Lyonel Feininger, Bernard Karpel, and Irene Rice Pereira. A small group of photographs includes photographs of Miller from 1926-circa 1950 and a few photographs of others.
The addition includes biographical material; family papers; correspondence; professional files; art collection and client files; printed material; and photographic material. While a small number of professional files are found here, the majority of material relates to Miller's personal life, including correspondence with her husband Holger Cahill, and files pertaining to her personal art collection. Scattered correspondence, inventories, research, and notes created by curator and donor of the papers, Wendy Jeffers, are found throughout the collection. These materials date from the 1980s-2000s.

Arrangement

Arrangement
The collection is arranged as 15 series:
  • Missing Title
  • Series 1: Biographical Material, 1917-1986 (Box 1; 0.3 linear ft.)
  • Series 2: Correspondence and Subject Files, circa 1912-1992 (Boxes 1-8, OV 27; 7.2 linear ft.)
  • Series 3: Rockefeller Family Art Collections, circa 1949-1985 (Boxes 8-12, 25; 3.9 linear ft.)
  • Series 4: Rockefeller University Collection, 1923-1984 (Boxes 12-13, OV 27; 1.0 linear ft.)
  • Series 5: Chase Manhattan Bank Collection, 1959-circa 1985 (Boxes 13-14, 26; 1.4 linear ft.)
  • Series 6: Port Authority of New York and New Jersey Art Committee, circa 1965-1987 (Boxes 14-15, OV 27; 0.8 linear ft.)
  • Series 7: Other Corporate and Private Clients, 1968-1984 (Boxes 15-16; 1.3 linear ft.)
  • Series 8: Other Boards, Committees and Commissions, 1925, 1949-1985 (Boxes 16-20; 3.6 linear ft.)
  • Series 9: Works Project Administration Federal Art Project Files, 1935-1979 (Box 20, OV 27; 0.5 linear ft.)
  • Series 10: Edward Hicks Catalog, 1934-1984 (Boxes 20-22; 1.5 linear ft.)
  • Series 11: Research Files, 1930s-1980 (Boxes 22-23; 0.8 linear ft.)
  • Series 12: Exhibition Files, 1932-1986 (Box 23; 0.6 linear ft.)
  • Series 13: Works of Art, circa 1924-circa 1982 (Boxes 23-25; 1.5 linear ft.)
  • Series 14: Photographs, 1926-circa 1970s (Boxes 24-25; 0.3 linear ft.)
  • Series 15: Addition to the Dorothy C. Miller Papers, 1853-2003, bulk 1920-1996 (Boxes 28-38, OVs 39-41; 9.9 linear ft.)

Biographical Note

Biographical Note
Dorothy Canning Miller (1904-2003) worked in New York City as a highly influential curator of contemporary and folk art at the Museum of Modern Art and as the first curator of the museum. Later, she was the primary art consultant for Nelson A. Rockefeller, the Rockefeller family, Rockefeller University, Chase Manhattan Bank, and the Port Authority of and New Jersey. Dorothy Miller was also married to Holger Cahill, director of the WPA Federal Art Project.
Dorothy C. Miller was born in Hopedale, Massachusetts in 1904 and received her Bachelor of Arts from Smith College in 1925. She was first introduced to modern art through classes at the Newark Museum taught by John Cotton Dana and Holger Cahill. Miller joined the curatorial staff of the Newark Museum in 1926. The museum was one of the first to organize exhibitions of American folk art, American Primitives (1930-1931) and American Folk Sculpture (1931-1932). Miller worked with Cahill and others on the exhibition and developed a life-long interest in folk art.
After four years at the Newark Museum, Miller moved to New York city, hoping to get involved with the newly opened Museum of Modern Art (MoMA), and, likely, to be with Holger Cahill, with whom she lived with on 8th Street prior to their marriage in 1938. Between 1930 and 1932 she took odd jobs and worked with Mrs. Henry Lang cataloging, researching and installing Lang's collection of Native American art Lang donated to the Montclair Art Museum. At the same time, Holger Cahill was serving as Acting Director of the Museum of Modern Art during an absence of Director Alfred H. Barr. In 1932, Cahill asked Miller to assist him with curating the American Painting and Sculpture, 1862-1932 exhibition at MoMA, and together they also curated the First Municipal Art Exhibition, 1934 at the Rockefeller Center.
In 1934, Barr hired Miller as his assistant and one year later appointed her as MoMA's first curator. Miller spent the next 35 years organizing many of this country's most important exhibitions of contemporary art and building personal relationships with new artists and photographers, as well as the collections of MoMA. Miller retired from MOMA in 1969 and focused more on her art consulting work begun in the late 1950s.
Dorothy Miller's most notable client was Nelson A. Rockefeller. She assisted and advised Rockefeller as he acquired a vast personal collection of modern art - some of which was later donated to MoMA. Just prior to her retirement, Miller organized a large exhibition of Rockefeller's collection. The exhibition catalog written by Miller was the basis for the book she worked on with Rockefeller up until and following his death in 1979, ultimately published as The Nelson A. Rockefeller Collection: Masterpieces of Modern Art. In the preface, Rockefeller credited Miller with being one of the four people to whom he was indebted "for the understanding and endless joy I have found in the collecting of modern art in all forms."
Miller also served as the primary art consultant for projects to furnish federal spaces, including Henry Kissinger's State Department office suite, and the official Vice-Presidential residence at the Admiral's House in Washington D.C.
In 1959 Miller was invited to join the art collection committee of the Chase Manhattan Bank and served on the committee until the mid-1980s, contributing her expertise to the development of one of this country's oldest and largest corporate collections of modern and contemporary art.
Miller was also an advisor to other members of the Rockefeller family, including David Rockefeller, and assisted with developing the art collections of Rockefeller Institute/University. From 1960 through the late 1980s Miller was a member of the art committee for the Port Authority of New York and New Jersey (PANJY) and was responsible for selecting much of the artwork for the World Trade Center in the 1970s. She served on numerous boards and commissions, including the Hancock Shaker Village, the Smithsonian Institution's Hirshhorn Museum and Sculpture Garden, the Empire State Plaza in Albany, Smith College Museum of Art, and the Museum of American Folk Art. She also became a member of the Mark Rothko Foundation Board of Directors after the litigation following Rothko's death between Rothko's executors and his daughter.
In the mid-1970s Miller assisted the Whitney Museum of American with planning an exhibition and supporting catalog of the work of folk artist Edward Hicks. Although the exhibition and catalog were only partially realized in 1980, Miller and Eleanore Price Mather compiled and published a book on Hicks, Edward Hicks: His Peaceable Kingdoms and Other Paintings, published in 1983.
In 1982-1983 Miller received the Art Dealers Association Special Award, an honorary degree from Williams College, and the Skowhegan School of Painting and Sculpture governor's award. In 1984 she was named honorary trustee of the Museum of Modern Art. In 1985 the Smith College Museum of Art honored her important contributions to museum connoisseurship with the exhibition Dorothy C. Miller: With An Eye to American Art.
Dorothy Miller died in 2003 at the age of 99 at her home in Greenwich, New York.

Administration

Author
Stephanie Ashley, Barbara Aikens, and Hilary Price
Sponsor
Funding for the processing of this collection was provided by the Terra Foundation for American Art
Provenance
The collection was donated by Dorothy C. Miller via Wendy Jeffers between 1986 and 1997, and Reid White, Executor of Miller's estate, in 2004. Two subsequent additions were donated by Wendy Jeffers in 2014 and 2015.
Processing Information
Portions of the Dorothy C. Miller papers were initially microfilmed in separate accretions upon receipt on reels NDA 15, 1105-1110, 3482, and 5285-5299, no longer in circulation. All accessions were merged and the papers were processed to a preliminary level by Ambika Sankaran in 2006 and to an intermediate level by Stephanie Ashley in 2008 with funding provided by the Terra Foundation for American Art. The finding aid was prepared by Stephanie Ashley and Barbara Aikens in 2010-2011. A small addition of letters was added to the collection in 2014. The addition from 2015 was processed to a minimal level by Hilary Price in 2016.

Using the Collection

Restrictions on Access
Use of original papers requires an appointment.
Terms of Use
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Preferred Citation
Dorothy C. Miller papers, 1853-2013, bulk 1920-1996. Archives of American Art, Smithsonian Institution.

Related Material
The Archives of American Art holds two oral history interviews with Dorothy C. Miller. The first was conducted by Paul Cummings between May 26, 1970 and September 28, 1971, and details Miller's life from childhood up to, and including, her years at the Museum of Modern Art. The second was conducted by Avis Berman on May 14, 1981 and covers Miller's relationships with Mark Rothko and Clyfford Still. Also found among the holdings of the Archives are the papers of Holger Cahill, Dorothy Miller's husband and colleague.
The Museum of Modern Art Achives holds Dorothy Miller's papers related to her curatorial work at the museum.

More Information

Other Finding Aids

Other Finding Aids
Finding aid available for all but 2015 donation.


Keywords

Keywords table of terms and types.
Keyword Terms Keyword Types
Art historians -- New York (State) -- New York Occupation Search Smithsonian Collections Search ArchiveGrid
Photographs Genre Form Search Smithsonian Collections Search ArchiveGrid
Art museum curators -- New York (State) -- New York Topical Search Smithsonian Collections Search ArchiveGrid
Sketches Genre Form Search Smithsonian Collections Search ArchiveGrid
Corporations -- Private collections Topical Search Smithsonian Collections Search ArchiveGrid
Art -- Private collections Topical Search Smithsonian Collections Search ArchiveGrid
Christmas cards Genre Form Search Smithsonian Collections Search ArchiveGrid
Drawings Genre Form Search Smithsonian Collections Search ArchiveGrid
Folk art Topical Search Smithsonian Collections Search ArchiveGrid
Women museum curators Topical Search Smithsonian Collections Search ArchiveGrid
Women art historians Topical Search Smithsonian Collections Search ArchiveGrid
World Trade Center (New York, N.Y.) -- Art collections Corporate Name Search Smithsonian Collections Search ArchiveGrid
Federal Art Project Corporate Name Search Smithsonian Collections Search ArchiveGrid
Betty Parsons Gallery Corporate Name Search Smithsonian Collections Search ArchiveGrid
Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979 -- Art collections Personal Name Search Smithsonian Collections Search ArchiveGrid
Cahill, Holger, 1887-1960 Personal Name Search Smithsonian Collections Search ArchiveGrid
Rockefeller University Corporate Name Search Smithsonian Collections Search ArchiveGrid
Rothko, Mark, 1903-1970 Personal Name Search Smithsonian Collections Search ArchiveGrid
Coggeshall, Calvert, 1907-1990 Personal Name Search Smithsonian Collections Search ArchiveGrid
Hicks, Edward, 1780-1849 Personal Name Search Smithsonian Collections Search ArchiveGrid
Still, Clyfford, 1904-1980 Personal Name Search Smithsonian Collections Search ArchiveGrid
Smith College. Museum of Art Corporate Name Search Smithsonian Collections Search ArchiveGrid
Calder, Alexander, 1898-1976 Personal Name Search Smithsonian Collections Search ArchiveGrid
Gorky, Arshile, 1904-1948 Personal Name Search Smithsonian Collections Search ArchiveGrid
Port Authority of New York and New Jersey -- Art collections Corporate Name Search Smithsonian Collections Search ArchiveGrid
Charlton, Maryette Personal Name Search Smithsonian Collections Search ArchiveGrid
Feininger, Lyonel, 1871-1956 Personal Name Search Smithsonian Collections Search ArchiveGrid
Pereira, I. Rice (Irene Rice), 1902-1971 Personal Name Search Smithsonian Collections Search ArchiveGrid
Johns, Jasper, 1930- Personal Name Search Smithsonian Collections Search ArchiveGrid
Horwitt, Will Personal Name Search Smithsonian Collections Search ArchiveGrid
DeFeo, Jay, 1929-1989 Personal Name Search Smithsonian Collections Search ArchiveGrid
Chase Manhattan Bank -- Art collections Corporate Name Search Smithsonian Collections Search ArchiveGrid
Christo, 1935- Personal Name Search Smithsonian Collections Search ArchiveGrid
Nevelson, Louise, 1899-1988 Personal Name Search Smithsonian Collections Search ArchiveGrid
Sheeler, Charles, 1883-1965 Personal Name Search Smithsonian Collections Search ArchiveGrid
Municipal Art Exhibition (1st : 1934 : New York, N.Y.) Corporate Name Search Smithsonian Collections Search ArchiveGrid
Rauschenberg, Robert, 1925-2008 Personal Name Search Smithsonian Collections Search ArchiveGrid
Mark Rothko Foundation Corporate Name Search Smithsonian Collections Search ArchiveGrid
Smith College -- Students Corporate Name Search Smithsonian Collections Search ArchiveGrid
Karpel, Bernard, 1911-1986 Personal Name Search Smithsonian Collections Search ArchiveGrid
Copley, Alfred L. Personal Name Search Smithsonian Collections Search ArchiveGrid
Davis, Stuart, 1892-1964 Personal Name Search Smithsonian Collections Search ArchiveGrid
Newman, Barnett, 1905-1970 Personal Name Search Smithsonian Collections Search ArchiveGrid
Sage, Kay Personal Name Search Smithsonian Collections Search ArchiveGrid
Byars, James Lee Personal Name Search Smithsonian Collections Search ArchiveGrid
Mather, Eleanore Price, 1910- Personal Name Search Smithsonian Collections Search ArchiveGrid
Barr, Alfred H., Jr., 1902-1981 Personal Name Search Smithsonian Collections Search ArchiveGrid
Feitelson, Lorser, 1898-1978 Personal Name Search Smithsonian Collections Search ArchiveGrid
O'Keeffe, Georgia, 1887-1986 Personal Name Search Smithsonian Collections Search ArchiveGrid
Hartigan, Grace Personal Name Search Smithsonian Collections Search ArchiveGrid
Noguchi, Isamu, 1904-1988 Personal Name Search Smithsonian Collections Search ArchiveGrid
Chryssa, 1933- Personal Name Search Smithsonian Collections Search ArchiveGrid
Levy, Julien Personal Name Search Smithsonian Collections Search ArchiveGrid
Hirshhorn Museum and Sculpture Garden Corporate Name Search Smithsonian Collections Search ArchiveGrid
Asher, Elise, 1914- Personal Name Search Smithsonian Collections Search ArchiveGrid
Reinhardt, Ad, 1913-1967 Personal Name Search Smithsonian Collections Search ArchiveGrid
Scharf, William, 1927- Personal Name Search Smithsonian Collections Search ArchiveGrid
Matisse, Pierre, 1900-1989 Personal Name Search Smithsonian Collections Search ArchiveGrid
Bontecou, Lee, 1931- Personal Name Search Smithsonian Collections Search ArchiveGrid
Canady, John Personal Name Search Smithsonian Collections Search ArchiveGrid
Picasso, Pablo, 1881-1973 Personal Name Search Smithsonian Collections Search ArchiveGrid
PepsiCo, Inc. Corporate Name Search Smithsonian Collections Search ArchiveGrid
Guggenheim, Peggy, 1898-1979 Personal Name Search Smithsonian Collections Search ArchiveGrid
Sterne, Hedda, 1910-2011 Personal Name Search Smithsonian Collections Search ArchiveGrid

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