A Finding Aid to the Katherine Schmidt Papers,
circa 1921-1971, in the Archives of American Art
Digitized Content

Summary
Collection ID:
AAA.schmkath
Creators:
Schmidt, Katherine, 1898-1978
Dates:
circa 1921-1971
Languages:
English
Physical Description:
0.2 Linear feet
Repository:
The papers of painter and arts advocate Katherine Schmidt measure 0.2 linear feet and date from circa 1921 to 1971. Scattered correspondence, speeches, proposals, meeting minutes, and notes focus primarily on Schmidt's advocacy for federal and state government support of the arts. Printed materials includes exhibition catalogs, clippings, press releases documenting Schmidt's painting career and arts advocacy work. Photographs include portrait photos of Schmidt and photographs of Schmidt's drawings. There are two photographs taken by her first husband Yasuo Kuniyoshi of Schmidt with friends at a party.

Scope and Content Note
Scope and Content Note
The papers of painter and arts advocate Katherine Schmidt measure 0.2 linear feet and date from circa 1921 to 1971. Scattered correspondence, speeches, proposals, meeting minutes, and notes focus primarily on Schmidt's advocacy for federal and state government support of the arts. Printed materials includes exhibition catalogs, clippings, press releases documenting Schmidt's painting career and arts advocacy work. Photographs include portrait photos of Schmidt and photographs of Schmidt's drawings. There are two photographs taken by her first husband Yasuo Kuniyoshi of Schmidt with friends at a party. The papers contain little documentation of Kuniyoshi or their marriage.

Arrangement
Arrangement
The collection is arranged into 4 series:
  • Series 1: Correspondence, 1939-1951, 1961 (Box 1; 3 folders)
  • Series 2: Business Records and Writings, 1940-1950 (Box 1; 7 folders)
  • Series 3: Printed Material, 1925-1971 (Box 1; 4 folders)
  • Series 4: Photographs, circa 1921-1930 (Box 1; 3 folders)

Biographical Note
Biographical Note
Katherine Schmidt (1898-1978) was born in Xenia, Ohio. She moved with her family to New York City, and around the age of 13 began attending Saturday classes at the Art Students League. She continued her art classes after high school and was taught by F. Luis Mora, Kenneth Miller, and John Sloan. While attending the Art Students League, Schmidt made many friends who would later become prominent members of the New York art community, including Peggy Bacon, Alexander Brook, Reginald Marsh, and Lloyd Goodrich. In 1919 she married fellow art student, Yasuo Kuniyoshi, in Ogunquit, Maine. They lived in Maine during the summers, but settled in Brooklyn, New York. Schmidt began working for Juliana Force at the Whitney Studio Club in 1923, where she also periodically exhibited her artwork. She taught sketching classes for the club and also did various other jobs for Force and Gertrude Vanderbilt Whitney until around 1930. Her work during this period consisted of drawings and paintings of landscapes, still lifes, and the homeless and unemployed.
In 1925 Schmidt and Kuniyoshi took their first trip to Europe, spending a year in Paris and Italy and visiting the studios of their American expatriate friends. After another brief trip to Europe in 1928, she and Kuniyoshi bought a house in Woodstock, New York, where they would spend several summers as part of a very active artists' community. In the late 1920s she exhibited and was represented by the Daniel Gallery in New York. In the early 1930s, she became affliated with Downtown Gallery where she became good friends with owner Edith Halpert. She and Kuniyoshi divorced in 1932 and a year later she married lawyer Irvine Shubert. In the 1930s Schmidt became dissatisfied with her artwork and had her last show at the Downtown Gallery in 1939, taking a hiatus from exhibiting for over twenty years.
During the 1930s and 1940s Schmidt became very active in promoting federal and state government support of the arts. She worked with Juliana Force and others on a New York State art bill in the early 1930s, and in 1941 testified for federal appropriations for the arts in Washington D. C. as part of the Citizens Committee for Government Arts Projects. She was also active in the Artists Equity Association.
Schmidt spent many years experimenting with different painting techniques and subjects, and in the late 1950s found a new motif that she pursued for the rest of her life: still lifes of discarded paper and dead leaves. Schmidt died in Sarasota, Florida in 1978 at the age of 79.

Administration
Separated Material
Also found at the Archives of American Art are materials lent for microfilming (reel 89) including correspondence concerning exhibitions, a scrapbook containing clippings, exhibition catalogs and announcements. Lent materials were returned to the lender and are not described in the collection container inventory.
Alternative Forms Available
The papers of Katherine Schmidt in the Archives of American Art were digitized in
2007
, and total
401
images.
Material lent for microfilming is available on 35mm microfilm reel 89 at the Archives of American Art offices and through interlibrary loan.
Processing Information
The the papers were processed to a preliminary level upon accession in 1982 and were microfilmed on reels 3940-3950. The papers were reprocessed by Erin Corley and digitized in 2007 as part of the Terra Foundation for American Art Digitization Project.
Author
Erin Corley
Sponsor
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art.
Provenance
Katherine Schmidt lent material to the Archives of American Art for microfilming in 1971. The papers were donated in 1982 by Irvine J. Shubert, Schmidt's widower.

Using the Collection
Preferred Citation
Katherine Schmidt papers, circa 1922-1971. Archives of American Art, Smithsonian Institution.
Restrictions on Access
The collection has been digitized and is available online via AAA's website.
Ownership and Literary Rights
The Katherine Schmidt papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.

Related Material
Also found at the Archives of American Art is an Oral History Interview with Katherine Schmidt, December 8-15, 1969, by Paul Karlstrom which includes a transcript available via the Archives of American Art's website.

Keywords
Keywords table of terms and types.
Keyword Terms Keyword Types
Painting, Modern -- 20th century -- New York (State) -- New York Topic Search Smithsonian Collections Search ArchiveGrid
Photographs Type Search Smithsonian Collections Search ArchiveGrid
Art and state Topic Search Smithsonian Collections Search ArchiveGrid
Women painters -- New York (State) -- New York Topic Search Smithsonian Collections Search ArchiveGrid

Repository Contact
Archives of American Art
750 9th Street, NW
Victor Building, Suite 2200
Washington, D.C. 20001
https://www.aaa.si.edu/services/questions
https://www.aaa.si.edu/