Scope and Content Note
The Patti Warashina papers measure 4.8 linear feet and date from circa 1900 and 1957 through 1991 (bulk 1970-1989). The collection documents the artistic and teaching career of Seattle-based sculptor and ceramicist Patti Warashina predominantly through correspondence and printed material reflecting the many ceramic and craft exhibitions and other projects Warashina participated in throughout the United States, and her associations with other ceramicists. Also included are biographical documents, writings, art works, several photographs, and a video.
Biographical material includes family trees, diplomas, awards, and documents relating to Warashina's family Japanese internment during WWII. Correspondence, 1968-1991, relating to exhibitions and other projects, is with galleries, museums, purchasers, publishers, and others, among them the Lee Nordness Gallery (N.Y.), Morgan Gallery (Kansas City), and Theo Portney Gallery (Seattle). Additional correspondence files contain letters received, 1977-1990, many addressed to Warashina and her husband Bob (Robert Sperry), from friends, colleagues, former students and family members, including Nancy Carmen, Anne Currier, Deborah Horrell, Matthew Kangas, Howard Kottler, Marvin Lipofsky, Michael Lucero, and others.
Ten photographs, circa 1900-1944, are portraits of Warashina's relatives and family, and several snapshots, circa 1970s, are of former students and works of art. Printed material, 1961-1990, includes newspaper and magazine clippings, programs, journals, newsletters, exhibition announcements, exhibition catalogs, and workshop announcements for Warashina's various sculpture and ceramic lectures. Writings include both published and unpublished works by Warashina, including an artist's statement for a possible lecture at the 1986 conference of the National Council on Education for the Ceramic Arts (NCECA). Also found here are handwritten notes on a panel discussion titled Cultural and Racial Heritage: Sources and Imagery in which Warashina was a participant along with artists Aminah Brenda Lynn Robinson, María Brito Avellana, and Indira Johnson. Art work consists of blue line drawings for her sculpture "Red Earth," 1986 as well as a pen and ink sketch of Warashina by an unidentified artist. A videocassette, 1987, is of the television program "The Big A: Different Ways of Seeing", in which Warashina appears briefly.