Ralph Rinzler Folklife Archives and Collections

Smithsonian Folklife Festival records: 2007 Smithsonian Folklife Festival

Summary

Collection ID:
CFCH.SFF.2007
Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 27-July 8, 2007
Languages:
English
.
Physical Description:
1 Cubic foot
approximate
Repository:
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

Scope and Contents note

Scope and Contents note
This collection documents the planning, production, and execution of the 2007 Smithsonian Folklife Festival. Materials may include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. Such materials were created during the Festival on the National Mall in Washington, D.C., as well as in the featured communities, before or after the Festival itself.

Arrangement note

Arrangement note
Arranged in 5 series.
  • Missing Title
  • Series 1: Program Books, Festival Publications, and Ephemera
  • Series 2: Mekong River: Connecting Cultures
  • Series 3: Northern Ireland at the Smithsonian
  • Series 4: Roots of Virginia Culture: The Past is Present
  • Series 5: Special Events

Historical note

Historical note
The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998.
The 2007 Smithsonian Folklife Festival was produced by the Smithsonian Center for Folklife and Cultural Heritage and cosponsored by the National Park Service.
For more information, see Smithsonian Folklife Festival records.

Administration

Author
CFCH Staff

Using the Collection

Preferred Citation note
Smithsonian Folklife Festival records: 2007 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Conditions Governing Access note
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Conditions Governing Use note
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Physical Characteristics and Technical Requirements note
The Rinzler Archives is continually engaged in digitization of archival materials to facilitate preservation and ready access by users. However, given the diversity of legacy formats of the originals, some older materials may not be available. Notably, certain older audio recordings cannot be played because of deterioration of the tape stock, and the Archives has no playback equipment for EIAJ-1 videoreels (1/2 inch) or multi-track audio recordings. Where listening or viewing copies are available, this is generally indicated for each item. Users are encouraged to contact Archives staff to verify that the materials of interest to them are already accessible, or to determine if they can be digitized as needed.

Forms Part Of

Forms Part Of
Smithsonian Folklife Festival records: 2007 Smithsonian Folklife Festival forms part of the Smithsonian Folklife Festival records .

Related Archival Materials note
Within the Rinzler Archives, related materials may be found in various collections such as the Ralph Rinzler papers and recordings, the Lily Spandorf drawings, the Diana Davies photographs, the Robert Yellin photographs, and the Curatorial Research, Programs, and Projects collection. Additional relevant materials may also be found in the Smithsonian Institution Archives concerning the Division of Performing Arts (1966-1983), Folklife Program (1977-1980), Office of Folklife Programs (1980-1991), Center for Folklife Programs and Cultural Studies (1991-1999), Center for Folklife and Cultural Heritage (1999-present), and collaborating Smithsonian units, as well as in the administrative papers of key figures such as the Secretary and respective deputies. Users are encouraged to consult relevant finding aids and to contact Archives staff for further information.

More Information

Introduction

Introduction
At its inception in 1967, the Folklife Festival was conceived as an act of cultural democracy, a vehicle for cultural conversation, and a means of cultural conservation. Held on the National Mall around the Fourth of July, it provided an important forum where Americans and others could explain, express, demonstrate, and perform their cultural traditions. "Back home," the Festival would encourage traditions within practitioners' communities; stimulate cultural research and documentation efforts; boost sales of crafts, music, and food; lead to public recognition by government leaders and the media; increase tourism and economic development; and inspire educational programs in schools. The 2007 Festival continued in that mold, with three programs and the Ralph Rinzler Memorial Concert, dedicated to long-time collaborator Bess Lomax Hawes.
The Roots of Virginia Culture program helped mark the 400th anniversary of the founding of Jamestown. For the nation that subsequently emerged, Jamestown set in motion relationships among Native Americans, English, and Africans. They interacted through war, slavery, and strife, as well as through a growing economy and an unfolding democracy to define, in large measure, American culture and traditions. Musicians, artisans, cooks, boat builders, farmers, archaeologists, and genealogists from Virginia (including its Native communities), England (mainly Kent County), Senegal and Mali came to the 2007 Festival to demonstrate root traditions, cultural parallels, and the ways their expressions and those of later immigrants formed a dynamic American heritage. The work of many scholars and colleagues on three continents enabled the Festival to tell that story, including Jamestown 2007, the Kent County Council, and the Smithsonian's National Museum of African American History and Culture, who supported and guided the program.
Among early immigrants to Virginia were Scots and Irish from Ireland - people who contributed mightily to the new nation. The second program, Northern Ireland at the Smithsonian, focused on the cultural life of those "back home." The 2007 Festival program came at a very important time in the history of the island region. In the months preceding the Festival, leaders of the two major parties, Unionist (Protestant) and Republican (Catholic) had just agreed to form a self-government to help surmount "The Troubles" that had long plagued the region. Music, crafts, occupational traditions, and culinary arts were flourishing. Cultural expressions, often means of resistance and conflict, increasingly came to foster understanding, reconciliation, and the economy. This was particularly evident in a massive arts effort, "Rediscover Northern Ireland," which sought to acquaint Americans with the region. Numerous scholars, cultural organizations (led by the Department of Culture, Arts and Leisure and the Northern Ireland Arts Council), and civic-minded corporate sponsors came together to design and fund the program, as well as its Washington presence at the Festival. Such public-private partnerships, increased American tourism, and economic investment should help to promote reconciliation and stability.
Similar sensibilities inspired Mekong River: Connecting Cultures, which brought together musicians, artisans, cooks, and other cultural exemplars from Cambodia, China, Laos, Thailand, and Vietnam. The program followed the 3,000-mile river from its highland origins on the Tibetan Plateau through Yunnan Province of China to the delta of southern Vietnam. Many Americans are familiar with the region because of war. But beyond the conflicts are rich, interrelated cultures. Although national identities are important and persistent, ethnic communities are distributed across national boundaries. Occupational and artisanal traditions, such as fishing, farming, and weaving, transcend citizenship. Religious beliefs have inspired a wide variety of performance and celebratory expressions. This is a politically, economically, and culturally dynamic area whose future is increasingly tied to global concerns. Millions of Americans from the region make their home in the United States - in the nation's capital, in Virginia, in Maryland, and in many other states. Americans and other visitors to the Festival were able to learn more about this important region thanks to the governments of Cambodia, Laos, Thailand, Vietnam, and Yunnan Province, China; the Rockefeller, Ford, Luce, and McKnight foundations; and institutional colleagues such as Thailand's Sirindhorn Anthropology Centre, Vietnam's Museum of Ethnology, Cambodia's Amrita Performing Arts, China Yunnan International Culture Exchange Center, and Connecticut College.
The 2007 Festival took place for two five-day weeks (June 27-July 1 and July 4-8) between Madison Drive and Jefferson Drive and between 7th Street and 14th Street, south of the National Museum of American History and the National Museum of Natural History (see site plan). It featured three programs and the Rinzler Concert.
The 2007 Program Book included schedules and participant lists for each program; keynote essays and short features provided background on the Festival and on each of the programs.
The Festival was co-presented by the Smithsonian Institution and National Park Service and organized by the Center for Folklife and Cultural Heritage.
Center for Folklife and Cultural Heritage
Richard Kurin, Director; Richard Kennedy, Deputy Director; Smithsonian Folklife Festival: Diana Parker, Festival Director; Stephen Kidd, Production Manager; Charlie Weber, Media Specialist; Smithsonian Folkways Recordings: Daniel Sheehy, Curator and Director; Anthony Seeger, Curator and Director, Emeritus; D.A. Sonneborn, Assistant Director; Ralph Rinzler Archives: Jeffrey Place, Archivist; Stephanie Smith, Assistant Archivist; Cultural Heritage Policy: James Counts Early, Director; Cultural Research and Education: Olivia Cadaval, Chair; Thomas Vennum, Jr., Senior Ethnomusicologist Emeritus; Betty J. Belanus, Olivia Cadaval, James Deutsch, Nancy Groce, Marjorie Hunt, Diana Baird N'Diaye, Peter Seitel (Emeritus), Curators, Folklorists, Education and Cultural Specialists; John W. Franklin, Program Manager; Research Associates: Robert Albro, Geri Benoit, Carla Borden, Patrick Delatour, Roland Freeman, Kip Lornell, Joan Nathan, Frank Proschan, Sita Reddy, Sam-Ang Sam, Preston Scott, Cynthia Vidaurri, Patrick Vilaire, Nilda Villalta; Fellows: Patrick Alcedo, Bill Anthes, Tressa Berman, Sara Broulette, Uma Chandru, Adriana Cruz-Manjarrez, Marie-Yvonne Curtis, Peter Glazer, Israel Lazaro, Julie McGee, Brett Pyper, Sita Reddy, Carole Rosenstein
Center for Folklife and Cultural Heritage Advisory Council
Kurt Dewhurst (chair), Judy Mitoma (vice-chair), Michael Asch (ex-officio), Michael Doucet, Anthony Gittens, John Herzog (ex-officio), Debora Kodish, Enrique Lamadrid, Worth Long, Libby O'Connell, J. Scott Raecker, Robert Santelli
Smithsonian Folkways Advisory Board
Michael Asch (chair), Patricia Shehan-Campbell, Hal Cannon, Don De Vito, Ella Jenkins, Anthony Seeger, Fred Silber
National Park Service
Mary Boman, Director; Daniel N. Wenk, Deputy Director; Joseph M. Lawler, Regional Director; Stephen Lorenzetti, Acting Superintendent, National Mall & Memorial Parks
The Festival was supported by federally appropriated funds; Smithsonian trust funds; contributions from governments, businesses, foundations, and individuals; in-kind assistance; and food, beverage, recording, and craft sales. General support for this year's Festival came from the Music Performance Fund, with in-kind support provided by Motorola, Sprint Nextel, Whole Foods Market, WAMU-88.5 FM, WashingtonPost.com, Thermador, Propex Inc., Pegasus Radio Corp., and Icom America.

Shared Stewardship of Collections

Shared Stewardship of Collections
The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://doi.org/10.25573/data.21771155.


Keywords

Keywords table of terms and types.
Keyword Terms Keyword Types
Video recordings Genre Form Search Smithsonian Collections Search ArchiveGrid
Sound recordings Genre Form Search Smithsonian Collections Search ArchiveGrid
Plans (drawings) Genre Form Search Smithsonian Collections Search ArchiveGrid
Folk music Topical Search Smithsonian Collections Search ArchiveGrid
Slides (photographs) Genre Form Search Smithsonian Collections Search ArchiveGrid
Negatives Genre Form Search Smithsonian Collections Search ArchiveGrid
Correspondence Genre Form Search Smithsonian Collections Search ArchiveGrid
World music Topical Search Smithsonian Collections Search ArchiveGrid
Notes Genre Form Search Smithsonian Collections Search ArchiveGrid
Food habits Topical Search Smithsonian Collections Search ArchiveGrid
Digital images Genre Form Search Smithsonian Collections Search ArchiveGrid
Folklore Topical Search Smithsonian Collections Search ArchiveGrid
Audiocassettes Genre Form Search Smithsonian Collections Search ArchiveGrid
Folk art Topical Search Smithsonian Collections Search ArchiveGrid
Audiotapes Genre Form Search Smithsonian Collections Search ArchiveGrid
Folk festivals Topical Search Smithsonian Collections Search ArchiveGrid
Photographic prints Genre Form Search Smithsonian Collections Search ArchiveGrid
Contracts Genre Form Search Smithsonian Collections Search ArchiveGrid
arts and crafts Topical Search Smithsonian Collections Search ArchiveGrid
Business records Genre Form Search Smithsonian Collections Search ArchiveGrid
Memorandums Genre Form Search Smithsonian Collections Search ArchiveGrid
Videotapes Genre Form Search Smithsonian Collections Search ArchiveGrid
Smithsonian Folklife Festival Corporate Name Search Smithsonian Collections Search ArchiveGrid

Ralph Rinzler Folklife Archives and Collections
Smithsonian Center for Folklife and Cultural Heritage
600 Maryland Ave SW
Washington, D.C.
rinzlerarchives@si.edu