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Eliot Elisofon Photographic Archives, National Museum of African Art
Jerry Thompson Collection
Summary
- Collection ID:
- EEPA.2017-002
- Creators:
-
Thompson, Jerry L., 1945
- Dates:
-
ca. 1980
- Languages:
-
English.
- Physical Description:
-
1 Book86 Transparencies8 x 10 in206 Negatives8 x 10 in196 Prints8 x 10 in1 Slide35 mm
- Repository:
Content Description
Content Description
Collection contains transparencies, negatives, prints, and slides that depict the Paul and Ruth Tishman collection at a Metropolitan Museum of Art exhibition, circa 1980, and (1) copy of the book "For Spirits and Kings: African Art from the Tishman Collection" (1981), edited by Susan Vogel.
Biographical / Historical
Biographical / Historical
Jerry L. Thompson was born in Houston, Texas in 1945. He studied at the University of Texas and Yale University from 1972 to 1975, where he served as Walker Evans' principal assistant. From 1973 to 1980, Thompson was a member of the faculty of Yale University. He has received fellowships from the National Endowment for the Arts (1977) and the John Simon Guggenheim Foundation (also in 1977).
Thompson has worked as a professional photographer since 1973. His work includes portraits from the Coney Island amusement park of the early 1970s and street work in New York City neighborhoods, but he is best known as a photographer of sculpture. He began photographing sculpture in the mid-1970s. His first major project was to photographthe African works in the collection of the Museum of Primitive Art in New York City. In the early 1980s, Thompson began work for the Metropolitan Museum of Art (NYC). Under the direction of Lewis I. Sharp, curator of American sculpture and administrator of the American Wing, Thompson served as photographer-in-residence, photographing all the American works of sculpture in the museum's collection. He has also done extensive photography documenting the sculpture of Erastus Dow Palmer, Frederic Remington, John Quincy Adams Ward, and Augustus Saint-Gaudens. His work on the two latter sculptors included their major outdoor public monuments.
Initially in his career, Thompson used black-and-white 8x10 inch negatives, but eventually began to work with color transparency materials as well. Thompson has written several books, including "The Last Years of Walker Evans," (1997) published by Thames and Hudson, "Truth and Photography" (2003) published by Ivan R. Dee, and "Why Photography Matters," (2013), published by MIT Press.
Administration
Author
Haley Steinhilber
Immediate Source of Acquisition
Donated by Jerry Thompson, 2017
Using the Collection
Conditions Governing Access
Use of original records requires an appointment. Contact Archives staff for more details.
Conditions Governing Use
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Preferred Citation
Jerry Thompson Collection, EEPA 2017-002, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Related Materials
Related Materials
This collection is related to the objects in the National Museum of African Art's Walt Disney-Tishman African Art Collection.
Keywords
Keyword Terms | Keyword Types | ||
---|---|---|---|
Tishman, Paul | Topical | Search Smithsonian Collections | Search ArchiveGrid |
Art objects | Topical | Search Smithsonian Collections | Search ArchiveGrid |
Eliot Elisofon Photographic Archives, National Museum of African Art
National Museum of African Art
P.O. Box 37012
MRC 708
Washington, DC 20013-7012
elisofonarchives@si.edu