Charles Isaacs Collection
Digitized Content

Summary
Collection ID:
FSA.A2002.01
Creators:
Isaacs, Charles
Saché, John Edward, 1824-1882
Beato, Felice, b. ca. 1825
Kusakabe, Kimbei, 1841-1934
Bourne, Samuel, 1834-1912
Skeen & Co.
Scowen & Co.
Dates:
circa 1850-1900
Languages:
English
Physical Description:
73 albumen prints
various sizes.
Repository:

Scope and Contents
Scope and Contents
73 albumen photo prints, some mounted, many signed and numbered in the negative and some with hadwritten penciled identifications, various sizes. A small number are hand-tinted. Images depict Sri Lanka, Pakistan, Japan and China. Subjects include portraits, people in daily activities, street scenes, city views, architecture, fauna and gardens, and landscapes. Photographers include Scowen & Co., Skeen & Co. and Samuel Bourne. Images depict architectural monuments, city and village views, and picturesque landscapes such as the Great Imambara and Mosque in Lucknow, the quadrangle of the Moti Masjid (Pearl Mosque) in Agra, the Memorial Well in Kanpur (Cawnpore), numerous views of villages, bridges and landscapes in Kashmir, and the botanical gardens at Ootacamund (Udagamandalam). There is also one photograph, an unmounted albumen print, signed and numbered in the negative, by John Edward Saché (active 1860-1880), also depicting a landscape in India. Additionally, an ethnographic portrait (unmounted albumen print) of two Sri Lankan aboriginal men titled "Veddahs" by Charles T. Scowen is included in the collection.

Arrangement
Arrangement
Four flat boxes.

Biographical / Historical
Biographical / Historical
British photographer Charles T. Scowen arrived in Ceylon (now Sri Lanka) in the early 1870s, where he was first employed as a clerk. By 1876, Scowen had established a studio, Scowen & Co., in Kandy, with a second location appearing in Columbo by the 1890s. There appear to have been several Scowens working in the studios, as Charles T. Scowen returned to England in 1885. C. Scowen was listed as the proprietor until 1891 and M. Scowen was the proprietor when the firm was finally sold in 1893. Images from Scowen & Co. were used to illustrate a number of books about Ceylon and the tea trade.
Biographical / Historical
Skeen & Co. was a commercial photography studio active in Ceylon (Sri Lanka) from 1860-1903. In 1860, William Skeen, who was the official Government Printer, purchased J. Parting's photography studio in Colombo for his son, William Louis Henry Skeen, who had studied at the London School of Photography. In 1891 another Skeen & Co. studio was opened in Kandy. The firm was known for its images of agriculture (particularly tea and spices), industry (the construction of the Ceylon railroads and the Colombo Breakwater), landscapes and ethnic groups.
Biographical / Historical
John Edward Saché (1824-1882) was an American commercial photographer, born in Prussia as Johann Edvart Zachert. He arrived in Calcutta in 1864 and for the next twenty years traveled widely in northern India, photographing major towns and sites. Saché's first professional association was with W. F. Westfield in Calcutta but he would go on to establish other studios, either alone or in partnerships, in Nainital, Bombay, Lucknow and Benares, among other locations.
Biographical / Historical
Samuel Bourne (1834-1912) had already begun to earn recognition for his work in England, having exhibited at the London International Exhibition of 1862, when he decided to give up his position in a bank and depart for India to work as a professional photographer. He arrived in Calcutta early in 1863, initially setting up a partnership with William Howard. They moved up to Simla, where they established a new studio Howard & Bourne, to be joined in 1864 by Charles Shepherd, to form Howard, Bourne & Shepherd. By 1866, after the departure of Howard, it became Bourne & Shepherd, the name under which the firm continues to operate to this day. Although Bourne only spent 6 years in India, his time there was extremely productive. He undertook three major expeditions in the Himalayas, creating an impressive body of work which combined the highest technical quality and a keen artistic eye, while working under difficult physical conditions. Bourne left India for good in 1870, selling his interest in Bourne & Shepherd shortly thereafter and abandoning commercial photography.

Local Numbers
Local Numbers
FSA A2002.01

Digital Content

Using the Collection
Conditions Governing Access
Collection is open for research.
Conditions Governing Use
Permission to publish, quote, or reproduce must be secured from the repository.

Custodial History
Custodial History
Gift of Charles Isaacs, 2002.

Keywords
Keywords table of terms and types.
Keyword Terms Keyword Types
Mosques Topic Search Smithsonian Collections Search ArchiveGrid
Imambaras Topic Search Smithsonian Collections Search ArchiveGrid
India Place Search Smithsonian Collections Search ArchiveGrid
Jammu and Kashmir (India) Place Search Smithsonian Collections Search ArchiveGrid
Udagamandalam (India) Place Search Smithsonian Collections Search ArchiveGrid
Kanpur (India) Place Search Smithsonian Collections Search ArchiveGrid
Lucknow (India) Place Search Smithsonian Collections Search ArchiveGrid
Japan Place Search Smithsonian Collections Search ArchiveGrid
Guangzhou (China) Place Search Smithsonian Collections Search ArchiveGrid
China Place Search Smithsonian Collections Search ArchiveGrid
Pakistan Place Search Smithsonian Collections Search ArchiveGrid
Sri Lanka Place Search Smithsonian Collections Search ArchiveGrid
Photographs Type Search Smithsonian Collections Search ArchiveGrid
Albumen prints Type Search Smithsonian Collections Search ArchiveGrid

Repository Contact
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Washington, D.C. 20013
AVRreference@si.edu
https://www.freersackler.si.edu/research/archives/