Arrangement
The collection is arranged into 13 series. The series level arrangement scheme was imposed during processing to facilitate a more usable order for the records. Several series documenting typeface were combined into a single series, Series 2: Typefaces.
In most instances, original folder titles were retained. In circumstances where there was no folder title, the processing archivist created one derived from the nature of the materials.
Series 1: Organizational Records, 1929-1997
Series 2: Office Files, 1908-1992
Series 3: Typefaces, 1904-1991
Subseries 3.1: Typefaces, 1923-1993
Subseries 3.2: Designers of Typeface, 1929-1987
Subseries 3.3: Technical Development of Typeface, 1933-1985
Subseries 3.4: Matrix Data for Typeface, 1923-1974
Subseries 3.5: Typographic Committee Meetings (Standards), 1984-1988
Series 4: Licensing Agreements, 1939-1988
Series 5: International Files, 1956-1989
Series 6: Correspondence and Inter-Office Memoranda, 1968-1994
Subseries 6.1: Domestic, 1968-1994 Subseries 6.2: Marketing, 1984-1993
Series 7: Variable Input Phototypesetter (VIP), 1970-1977
Series 8: Conferences, 1986-1993
Series 9: Executives' Records
Suberies 9.1: Brian Boyajian Files, 1989
Subseries 9.2: Bruce Brenner Files, 1981-1991
Subseries 9.3: Jackson Burke Files, 1956-1961
Subseries 9.4: Stephen "Steve" Byers Files, 1973-1995
Subseries 9.5: Ames Gutierrez Files, 1990-01-1991
Subseries 9.6: Karl Heidenreich Files, 1983
Subseries 9.7: Jürgen Krufcyzk Files, 1989-1990
Subseries 9.8: Franklin J. Lassman Files, 1984-1985
Subseries 9.9: Mike Parker Files, 1969-1981
Subseries 9.10: Ray Pell Files, 1982
Subseries 9.11: Günter Zorn Files, 1990-01-1990-12
Series 10: Sales Materials, 1886-1982
Series 11: Project Files, 1977-1987
Series 12: Xerox Corporation Materials, 1982-1989
Series 13: Adobe Systems Incorporated Materials, 1983-1993