Usage conditions may apply for digital images, video, and sound recordings linked within SOVA collections. While digital content may be restricted, SOVA collection descriptions and catalog records are available CC0 for re-use. For more information, visit the Smithsonian's Terms of Use page.
Archives of American Art
A Finding Aid to the Demi and Arturo Rodríguez Papers, circa 1952-2022, in the Archives of American Art
Summary
- Collection ID:
- AAA.rodrartu
- Creators:
-
Rodríguez, Arturo, 1956-Demi, 1955-
- Dates:
-
circa 1952-2022
- Languages:
-
The collection is in English and Spanish.
- Physical Description:
-
8.42 Linear feet12.79 Gigabytes
- Repository:
The papers of Cuban born Miami painters Demi and Arturo Rodríguez measure 8.42 linear feet and 12.79 GB and date from 1952 to 2022. The collection documents Arturo Rodríguez's career, travels, and childhood as well as the artwork of Demi, Rodriquez's wife and partner, and their relationship. Included are biographical materials, correspondence, interviews, writings, project and exhibition files, personal business records, printed and digital material, artwork, and photographic materials.
Scope and Contents
Scope and Contents
The papers of Cuban born Miami painters Demi and Arturo Rodríguez measure 8.42 linear feet and 12.79 GB and date from 1952 to 2022. The collection documents Arturo Rodríguez's career, travels, and childhood as well as the artwork of Demi, Rodriquez's wife and partner, and their relationship. Included are biographical materials, correspondence, interviews, writings, project and exhibition files, personal business records, printed and digital material, artwork, and photographic materials.
Biographical material consists of childhood documents, family histories, and resumes. Additional material part of the 2023 addition includes more family history on Arturo's grandparents, Arturo's high school diploma, and some of Arturo's passports.
Personal and professional correspondence is with artists, curators, galleries, museums, art historians, and collectors, including Shifra M. Goldman, Cris Hassold, Helen L. Kohen, collectors Judith and Bill Ladner, Minuca Villaverde, and others. Additional correspondence relating to the Covid-19 pandemic and their careers during that time are included in the 2023 addition.
Interviews include video and sound recordings of Demi and Arturo discussing lives and artwork, as well as one interview with Carlos Verdecia Jr. about Arturo.
Writings include statements on artwork and autobiographical essays, lectures and talks, and notes. Additional material part of the 2023 addition includes some commentaries, notes, and travel logs.
Project files concern the exhibitions The Rage of Children (1991), Walls & Murals: Mike Glier, Arturo Rodríguez & David Wojnarowitz, and Far from Cuba. Other documentation includes a project overview for the Joan Mitchell Foundation, artwork for music album covers, and plans for a retrospective of Demi and Arturo's work that was cancelled due to lack of support. Material part of the 2023 addition includes material related to book projects and exhibitions both Demi and Arturo participated in between 2000 and 2023.
Personal business records consist of files for donations, financial investments, gallery consignments, receipts, sales lists, and collector information.
Printed material includes clippings, exhibition announcements and catalogs, journal and magazines, posters, programs, and several children's books illustrated by Arturo using the pseudonym Hieronimus Fromm.
Artwork includes drawings and comics by Arturo, collages, drawings and sketches, and 30 sketchbooks belonging to Demi and Arturo. Additional sketchbooks and sketches were included as part of the 2023 addition.
Photographic materials depict Demi and Arturo together and with others, Demi and Arturo's home and studio, exhibitions, still lives, travel, and works of art.
Unprocessed Born-Digital material consists of one hard drive with notation stating it contains photographs, writings, project and exhibition materials, and printed materials.
Arrangement
Arrangement
The collection is arranged as ten series.
- Series 1: Biographical Material, circa 1957-2019 (Box 1, 9; 0.1 linear feet)
- Series 2: Correspondence, 1978-2022 (Box 1, 9; 1.1 linear feet, ER01; 0.023 GB)
- Series 3: Interviews, 1991-2022 (Boxes 1-2, 9; 0.6 linear feet, ER02-ER07; 6.01 GB)
- Series 4: Writings, circa 1975-2022 (Box 2, 9; 0.5 linear feet, ER08; 0.012 GB)
- Series 5: Project and Exhibition Files, 1986-2022 (Box 2, 9-10; 1.3 linear feet, ER09-ER11; 0.607 GB)
- Series 6: Personal Business Records, 1974-2012 (Boxes 2-3, 10; 0.5 linear feet; ER12; 0.007 GB)
- Series 7: Printed Material, 1979-2018 (Boxes 3-4, 7, OV 8, Box 10; 0.7 linear feet)
- Series 8: Artwork, 1963-2022 (Boxes 4-5, 7, OV 8, Box 10; 1.7 linear feet)
- Series 9: Photographic Material, 1977-2020 (Boxes 5-7, 10; 1.7 linear feet, ER13-ER29; 6.13 GB)
- Series 10: Unprocessed Born-Digital Material, undated (Box 10; 0.1 linear feet)
Biographical / Historical
Biographical / Historical
Demi (1955- ) and Arturo Rodríguez (1956- ) are painters in Miami, Florida.
Demi was born in Camagüey, Cuba. In 1961, her father was executed by the Cuban government. Demi's mother struggled to take care of Demi and her sisters alone and Demi was sent to live with relatives in Puerto Rico in 1962. She came to the U.S. in 1971 where she was able to join her sisters and mother. Eventually Demi settled in Miami in 1978. She attended Miami-Dade College where she studied drama with the Prometeo Theater Group. In 1980, she met Arturo at one of his exhibitions. They married in 1984. Demi worked as a bookkeeper before she knew she could draw and paint. Her first attempts at creating art were in 1984 using a wedding photograph of herself and Arturo as her subject. Her first exhibition was in 1987 at the Cuban Museum in Miami. As she developed as an artist, children became the prime subjects in Demi's paintings. She was the recipient of the Florida State Visual Artist Grant for 1992 to 1993.
Arturo Rodríguez was born in Ranchuelo, Cuba, and showed an interest in art as a small child. Arturo and his family were exiled to Spain in 1971. While in Spain, his visits to see the paintings of Goya and Velázquez at the Prado Museum helped solidify his interest in art. Rodríguez settled in Miami with his family in 1973 where he eventually attended Miami Dade College. Arturo's works are often influenced by his relationship with Demi. In 1995, he created a series of collages using images of Demi as a way to deal with her cancer diagnosis. He has been the recipient of numerous awards including the prestigious Cintas Foundation Fellowship, Florida Arts Council Fellowships, and a Joan Mitchell Foundation grant.
Administration
Author
Sarah Mundy; Ricky Gomez
Sponsor
The processing of this collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center.
Immediate Source of Acquisition
The papers were donated by Demi and Arturo Rodríguez in increments from 1997 to 2023.
Processing Information
The collection was processed and a finding aid prepared by Sarah Mundy in 2019. Born-digital materials were processed by Kirsi Ritosalmi-Kisner in 2019 with funding provided by Smithsonian Collection Care and Preservation Fund. An addition was processed, and the finding aid updated by Ricky Gomez in 2023.
Using the Collection
Preferred Citation
Demi and Arturo Rodríguez papers, circa 1957-2022. Archives of American Art, Smithsonian Institution.
Conditions Governing Access
One folder of samples of payments for sales is ACCESS RESTRICTED; use requires written permission. Contact Reference Services for more information.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copies requires advance notice.
Conditions Governing Use
Photograph of Demi by Ramon Guerrero: Authorization to publish, quote or reproduce requires written permission from Demi. Contact Reference Services for more information.
Terms of Use
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Related Materials
Related Materials
Also found in the Archives of American Art is an oral history interview with Demi conducted on November 20, 1997 and an oral history interview with Arturo Rodríguez conducted on November 14, 1997 at Demi and Arturo's home/studio in Miami, F.L. by Juan A. Martínez for the Archives of American Art; an oral history interview with Demi conducted September 2, 2020 by Josh Franco; an oral history interview with Arturo Rodriguez conducted by August 26, 2020 by Ben Gillespie.
Keywords
Archives of American Art
750 9th Street, NW
Victor Building, Suite 2200
Washington, D.C. 20001
Business Number: Phone: 202-633-7950
https://www.aaa.si.edu/services/questions