4028 records — Page 30 of 403
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Creators:
Powers, Hiram, 1805-1873
Dates:
1819-1953
bulk 1835-1883
Size:
12.4 Linear feet
Collection ID:
AAA.powehira
Repository:
Archives of American Art

The papers of sculptor Hiram Powers measure 12.4 linear feet and date from 1819 to 1953, with the bulk of the material dating from 1835 to 1883. Over two-thirds of the collection consists of Powers' correspondence with business associates, purchasers of his artwork, and numerous friends in the United States and Florence, Italy. Of note is Powers' "Studio Memorandum," from 1841 to 1845, which contains dated notations of letters written, receipts and expenditures, business contacts, works in progress, commissions and price quotations for work, comments on problems encountered during studio work, and other notes. Additional papers include scattered biographical material, financial and legal records, printed materials, photographs of Powers, his family, artwork, as well as an extensive collection of carte de visite and cabinet card portraits of many notable figures. Also found is a small amount of artwork by Powers and others, a scrapbook, and two autograph and memorabilia albums.

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Creators:
Nengudi, Senga, 1943-
Dates:
1947
circa 1962-2017
Size:
12.8 Linear feet
11.24 Gigabytes
Collection ID:
AAA.nengseng
Repository:
Archives of American Art

The papers of African American conceptual and performance artist Senga Nengudi measure 12.8 linear feet and 11.24 gigabytes and date from circa 1962 to 2017, with a folder of printed material dating from 1947. The collection contains biographical material including education and family records, the kimono Nengudi wore during her wedding to Ellioutt Fittz, certificates, interview transcripts, and address books; calendars and journals chronicling Nengudi's appointments, thoughts, and artistic practice; and correspondence with friends and other artists including Maren Hassinger, Cheryl Banks, and David Hammons. Also included is family correspondence, including letters between Senga Nengudi (then Sue Irons) and her mother when Nengudi was living in Japan. The collection also contains writings by Senga Nengudi and others; material related to professional activities including teaching files, gallery files, and files related to exhibitions, projects, and performances; printed material including exhibition and event announcements and catalogs, clippings, magazines, and other published material; a scrapbook primarily containing photographs and printed material; photographic material depicting Senga Nengudi, works of art, and other individuals; artwork by Nengudi and others, including Maren Hassinger; and audio and video recordings, including recordings of performances.

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Creators:
Nesbitt, Esta
Dates:
circa 1942-1981
bulk 1964-1975
Size:
10.05 Linear feet
Collection ID:
AAA.nesbesta
Repository:
Archives of American Art

The papers of illustrator, xerography artist, filmmaker, and educator Esta Nesbitt measure 10.05 linear feet and date from circa 1942-1981. Found within the papers are biographical material, correspondence, writings, xerography research files, project and exhibition files, and printed material. Much of the collection relates to Nesbitt's xerography art work. Additionally, the collection includes motion picture film and sound recordings related to her film and performance work.

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Creators:
Poor, Henry Varnum, 1887-1970
Dates:
1873-2001
bulk 1904-1970
Size:
12.9 Linear feet
Collection ID:
AAA.poorhenr
Repository:
Archives of American Art

The papers of Henry Varnum Poor measure 12.9 linear feet and date from 1873-2001, with the bulk from the period 1904-1970. Correspondence, writings, artwork, printed material and photographs document Poor's work as a painter, muralist, ceramic artist and potter, architect, designer, writer, war artist, educator and a co-founder of the Skowhegan School of Painting and Sculpture. Also found is extensive information about the design and construction of Crow House, his home in New City, New York, commissions for other architectural projects, and his personal life.

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Creators:
Pomerantz, Louis
Dates:
1937-1988
bulk 1950-1988
Size:
34.2 Linear feet
Collection ID:
AAA.pomeloui
Repository:
Archives of American Art

The papers of Chicago art conservator, Louis Pomerantz, measure 34.2 linear feet and date from 1937 to 1988, with the bulk of the material dating from the 1950s-1980s. The papers document two principal aspects of Pomerantz's professional life: his conservation work for institutions and individuals, and the development of his professional expertise as documented through his writings and teachings, his continued conservation training, and his involvement in professional organizations. Files include scattered biographical material, professional correspondence, interviews, writings, project and client files, teaching and reference files, printed material, and photographic material primarily documenting conservation treatments and techniques.

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Creators:
Pollock, Charles C.
Dates:
1875-1994
Size:
3.1 Linear feet
Collection ID:
AAA.pollchar
Repository:
Archives of American Art

The papers of painter, muralist, and educator Charles Pollock measure 3.1 linear feet and date from 1875 to 1994. Found within the papers are biographical materials; family and personal correspondence; subject files on art and professional topics; writings; printed material; artwork, including political cartoons and figurative sketches; and photographs of Pollock, his family and friends, and his work.

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Creators:
Pollock, Jackson, 1912-1956
Krasner, Lee, 1908-1984
Dates:
circa 1914-1984
bulk 1942-1984
Size:
16.1 Linear feet
Collection ID:
AAA.polljack
Repository:
Archives of American Art

The papers of abstract expressionist painters Jackson Pollock and wife Lee Krasner measure 16.1 linear feet and date from circa 1914 to 1984, with the bulk of the material dating from 1942 to 1984. The collection documents their personal and professional lives, as well as the legacy of Jackson Pollock's work after his death. Found are biographical material, correspondence, writings by Krasner and others, research material, business and financial records, printed material, scrapbooks, artwork by others, photographs, interview transcripts, audio and video recordings, and motion picture film.

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Creators:
Pippin, Horace, 1888-1946
Dates:
circa 1920, 1943
Size:
0.2 Linear feet
Collection ID:
AAA.pipphora
Repository:
Archives of American Art

The collection measures 0.2 linear feet and consists of three notebooks, notebook fragments, and two letters written by African American primitive painter Horace Pippin. The three notebooks and notebook fragments contain Pippin's World War I memoirs written in the 1920s, one of which is illustrated by Pippin with six drawings of war scenes. Two letters are dated 1943 and circa 1943. One of the letters is written to "Dear Friends" and begins with "life story of art."; the other is written to dealer Robert Carlen about showing his painting Domino [Game] Players.

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Creators:
Provincetown Art Association
Dates:
1916
circa 2006
Size:
0.44 Linear feet
0.116 Gigabytes
Collection ID:
AAA.philanth
Repository:
Archives of American Art

The glass plate negatives of the Provincetown Art Association measure 0.44 linear feet and 0.116 GB and date from 1916 and include images believed to have been taken for A. J. Philpott's August 1916 Boston Globe article entitled "Biggest Art Colony in the World at Provincetown." In addition to the twelve glass plate images of artists at work in Provincetown, including George Elmer Browne and E. Ambrose Webster, the collection includes the original negative box, a circa 2006 photocopy of Philpott's article, and digital copies of the glass plates.

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Creators:
Peto, John Frederick, 1854-1907
Dates:
1850-1983
Size:
2.1 Linear feet
Collection ID:
AAA.petojohn
Repository:
Archives of American Art

The papers of still life artist John Frederick Peto and his family date from circa 1850 to 1983 and measure 2.1 linear feet. Within the papers are scattered biographical materials, a few letters to and from Peto, and his daughter Helen Peto Smiley's correspondence with galleries, scholars, and others concerning Peto's artwork. Also found are news clippings, exhibition catalogs, and other printed material, photographs and glass plate negatives of Peto, his family, and his artwork, and one small oil sketch fragment. Much of the collection documents the mid-twentieth century renewed interest in Peto's artwork.

4028 records — Page 30 of 403