An interview of Charles Hill Morgan conducted 1973 Apr. 5, by Robert F. Brown, for the Archives of American Art.

The letter collection of soprano Susan Metcalfe and cellist Pablo Casals collected by George Moore contains 53 items and dates from 1915 to 1918.

The papers of African American artist, curator, and arts administrator Evangeline "EJ" Montgomery measure 26.1 linear feet and date from 1929-2019. The papers relate to Montgomery's career and involvement in the African American art scene in California and Washington, D.C. The collection includes biographical materials consisting of calendars and appointment books, certificates and awards, records regarding Montgomery's personal art collection, resumes and biographies, and other personal records; correspondence with colleagues and friends such as Benny Andrews, Willis Bing Davis, Edmund Barry Gaither, Eugene Grigsby, Dele Jegede, Samella Lewis, Nzegwu Nkiru, and A.M. Weaver; professional activity files documenting Montgomery's career as a consultant, curator, member, and volunteer for a myriad of organizations including the American Association for State and Local History, National Conference of Artists, and the Oakland Museum; and research files and notes on African and African American arts and history, Black media, Black photographers, the museum profession, and the artists Betye Saar, Lois Mailou Jones, Nike Davies-Okundaye, Romare Bearden, Ruth Waddy, Sam Gilliam, and Sargent Johnson. Also included are files regarding Montgomery's career as an artist containing material on the Brandywine Workshop, interviews with Floyd Coleman and for The Historymakers, sales and consignment records, and other material; printed and documentary material consisting of art reproductions, clippings, exhibition announcements and catalogs, and posters regarding Montgomery and other African American artists; artwork by Montgomery, including student sketchbooks, and others; photographic material of Montgomery, friends and colleagues, events, personal snapshots, and works of art; and unidentified audiovisual material.

An interview with Dorothy Lake Gregory Moffett conducted 1972 Sept. 22, by Robert F. Brown, for the Archives of American Art.

An interview of Walter Midener conducted 1974 July 10-17, by Dennis Barrie, for the Archives of American Art.

An interview of Thomas M. Messer conducted 1970 Sept. 22, by Paul Cummings, for the Archives of American Art. Messer speaks of his childhood in Czechoslovakia; his early interest in art and music; coming to the United States; his education at Boston University; directing a museum, in Roswell, N.M., for three years; going to the American Federation ...

An interview of Grace M. Mayer conducted 1970 May 11-22, by Paul Cummings, for the Archives of American Art.

An interview of Meyer Matzkin conducted 1972 Apr. 24, by Robert F. Brown, for the Archives of American Art.

The papers of Portland, Maine, dentist and painter Rupert Scott Lovejoy, measure 0.58 linear feet and date from 1904-1979. The collection includes biographical material, letters and sketches from painter Walter Griffin, research material on Griffin collected by Lovejoy, printed material including exhibition catalogs for Lovejoy's exhibitions, two portrait reliefs of Walter Griffin and Edward Souther Griffin, and photographs and nine glass plate negatives of Walter Griffin and his home in Stroudwater, Maine.

The papers of Artforum editor and educator Philip Leider measure 0.4 linear feet and date from circa 1962 to 1997, bulk dates 1965 to 1971. The papers consist of Leider's correspondence with Michael Fried, Barbara Rose, Frank Stella, Dan Flavin, and Clement Greenberg. Correspondence, both professional and personal, constitutes a majority of the collection and is between Philip Leider and Michael Fried, Barbara Rose, Frank Stella, Dan Flavin, and Clement Greenberg and covers topics such as the writing and publication of articles and reviews in Artforum magazine, anecdotes from parties, gallery openings, lectures and performances attended by Leider and his friends, and critical reactions to events and changes in the art world. Although few in number, writings are included, usually accompanied by a letter explaining the content and style of the manuscript. These are drafts of articles slated for publication in Artforum.