Scurlock Studio Records, Subseries 4.8: Negatives in cold storage arranged by subject
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- Creators:
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Scurlock, George H. (Hardison), 1919-2005
Custom Craft
Scurlock, Addison N., 1883-1964
Scurlock, Robert S. (Saunders), 1917-1994
More … - Dates:
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circa 1870-1989
- Size:
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25 Boxes
The subseries contains black and silver gelatin negatives.
- Collection ID:
- NMAH.AC.0618.S04.08
- Repository:
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Archives Center, National Museum of American History
The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.8 consists of black and white silver gelatin negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records
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- Creators:
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Scurlock, Addison N., 1883-1964
Scurlock Studio (Washington, D.C.)
Custom Craft
Scurlock, Robert S. (Saunders), 1917-1994
More … - Dates:
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1964-1994
- Size:
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72 Boxes
- Collection ID:
- NMAH.AC.0618.S05
- Repository:
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Archives Center, National Museum of American History
The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 5 consists primarily of color negatives but it also includes order envelopes and materials. An overview to the entire Scurlock collection is available here: Scurlock Studio Records
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- Creators:
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Scurlock, Robert S. (Saunders), 1917-1994
Custom Craft
Scurlock, Addison N., 1883-1964
Scurlock Studio (Washington, D.C.)
More … - Dates:
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1923-1940
- Size:
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15 Boxes
The materials in the subseries consists of black and white silver gelatin negatives.
- Collection ID:
- NMAH.AC.0618.S04.12
- Repository:
-
Archives Center, National Museum of American History
The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.12 materials primarily document clients of the Scurlock Studio that were organizations and the images depict those groups' and organizations' activities. An overview to the entire Scurlock collection is available here: Scurlock Studio Records
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- Creators:
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Scurlock, Robert S. (Saunders), 1917-1994
Custom Craft
Scurlock, Addison N., 1883-1964
Scurlock, George H. (Hardison), 1919-2005
More … - Dates:
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1929-1989
- Size:
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87 Boxes
The subseries consists of black and white silver gelatin negatives.
- Collection ID:
- NMAH.AC.0618.S04.06
- Repository:
-
Archives Center, National Museum of American History
The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.6 consists of black and white silver gelatin negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records
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- Creators:
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Custom Craft
Scurlock Studio (Washington, D.C.)
Scurlock, Addison N., 1883-1964
Scurlock, George H. (Hardison), 1919-2005
More … - Dates:
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1928-1994
- Size:
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320 Boxes
- Collection ID:
- NMAH.AC.0618.S04.05
- Repository:
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Archives Center, National Museum of American History
The materials document the orders placed by the clients of the Scurlock Studio. The photographs primarily depict individual portrait sittings but there are also portraits of children, groups, and other subjects.
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- Creators:
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United States. Bureau of Indian Affairs
Hamner, Lucile
- Dates:
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1935
- Size:
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0.25 Linear feet
- Collection ID:
- NMAI.AC.079
- Repository:
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National Museum of the American Indian
This collection contains a U.S. Department of the Interior's Bureau of Indian Affairs report written by Lucile Hamner (1901-1997) documenting the housing conditions in the Lovelock Indian Colony Reservation region in Nevada in 1935.
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- Creators:
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Mooney, James, 1861-1921
Murphy, Charles (Cheyenne)
Sweezy, Carl, 1881-1953
- Dates:
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bulk ca. 1903-1904
- Size:
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15 Volumes (autograph documents, photographs, and graphite, ink, colored pencil, crayon, and watercolor drawings.)
- Collection ID:
- NAA.MS2531
- Repository:
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National Anthropological Archives
Notes and drawings by Native artists relating to heraldry, as Mooney termed tipi and shield designs. Also some myths and linguistic data from these and other Plains tribes. The manuscript is a compilation of materials created over a period of years, assembled under the current number by the BAE archivist. Bound volumes (since disbound for laminatio...
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- Creators:
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Smithsonian Tropical Research Institute
- Dates:
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2018
- Collection ID:
- Accession 19-094
- Repository:
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Smithsonian Institution Archives
This accession consists of the Smithsonian Tropical Research Institute (STRI) website as it existed on January 30, 2018. The website, available in both English and Spanish, was crawled twice on the same day and includes general information about STRI and its research programs, conservation initiatives, staff, and facilities. Materials are...
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- Creators:
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Gardner, Iva Towsley
- Dates:
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1854-1859
- Size:
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2 ambrotypes (photographs) (1/4 plate)
- Collection ID:
- NMAI.AC.100
- Repository:
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National Museum of the American Indian
This collection contains 2 hand-colored ambrotypes that depict portraits of Potawatomi Chief Shabbona, circa 1854-1859. The ambrotypes were given to Iva Towsley Gardner when she served as a nurse within the Potowatami community. The ambrotypes are housed in a union case that features a horse and rider motif. The photographs may have been shot on di...
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- Creators:
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National Philatelic Collection, Smithsonian Institution.
Extractive Industries, Division of.
Blenkle, Victor A., Dr., 1900-1978 (physician)
- Dates:
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circa 1880-circa 1970
- Size:
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10 Cubic feet (29 boxes)
- Collection ID:
- NMAH.AC.0200
- Repository:
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Archives Center, National Museum of American History
This collection consists of postcards gathered by Dr. Victor A. Blenkle, a twentieth century physician. The postcards primarily concern geographical locations and landmarks in the United States and Western Europe, but also include materials from six other continents.