Collection consists of 183 35mm photographic slides that Dr. John M. Fogg took of a variety of arboreta, botanic gardens, plant nurseries, and other assorted gardens throughout the United States and Canada between 1955 and 1967.

The papers of New York artist Zarina Hashmi date from 1950-2015. The extent measures 1.1 linear feet and 4.28 gigabytes. This small collection documents Hashmi's life and career through biographical material; correspondence with friends, dealers, and curators; writings, including diary pages, a digital video recording of a lecture, and notebooks; project files containing sketches, studies, and reference material; printed material; and over 100 photographs from various stages in the artist's life.

The papers of Hale Woodruff measure 0.6 linear feet and date from 1920 to 1977 with the bulk of the collection dating from the 1960s to the 1970s. The papers contain biographical material, professional files, writings, printed material, photographs, and photocopies of a scrapbook, and of artwork.

This collection consists of nine stereographic images depicting individuals from Ho-Chunk (Winnebago), Nakota (Yankton Sioux), and Wahpetonwan Dakota (Wahpeton Sioux) communities in the vicinity of Sioux City, Iowa, between approximately 1865 and 1870.

These records document the planning, organizing, and promotion of an exhibition exploring the triumphs and struggles of Latinx migrants and immigrants in four urban areas: Washington, DC, Baltimore, MD, Raleigh-Durham, NC, and Charlotte, NC. The exhibition was organized and held at the Anacostia Community Museum from December 5, 2016 – January 7, 2018, and traveled to the Carlos Rosario International Public Charter School in Washington, DC, from October 2018 to Spring 2019. Materials include research files, exhibition files, oral history interviews, exhibition brochures, and media coverage.

The papers of painter Andrew Dasburg and his wife and sculptor Grace Mott Johnson date from 1833 to 1980 (bulk 1900 to 1980), and measure 8.8 linear feet. The collection documents each artist's career and personal lives, including their brief marriage and their friendships with many notable artists in the New Mexico and New York art colonies during the early twentieth century. The papers of Dasburg (6 linear feet) and Johnson (2.8 linear feet) include biographical materials; extensive correspondence with family, friends, and fellow artists, such as John F. Carlson, Mabel Dodge Luhan, Marsden Hartley, Henry Lee McFee, and Ward Lockwood; writings by Dasburg, Johnson, and others; scattered legal, financial, and business records; clippings; exhibition materials; numerous photographs of Johnson and Dasburg, friends, family, and artwork; and original artwork, including two sketchbooks by Johnson.

The papers of Aleš Hrdlička, curator in the Division of Physical Anthropology, Department of Anthropology, United States National Museum of the Smithsonian Institution, offer considerable insight into the development of physical anthropology in the first half of this century. The papers include honors bestowed on Hrdlička, autobiographical notes, correspondence with many of the leading anthropologists of the day, anthropometric and osteometric measurements and observations (forming most of the collection), extensive photographs of Hrdlička's field work, manuscripts, research materials, and "My Journeys" (essentially a diary Hrdlička kept of his field work). In addition, there is material of a personal nature. The papers date from 1875 to 1966, but the bulk of the materials date from 1903 to 1943, the time of Hrdlička's career at the USNM.

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Refrigeration forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

This collection consists of 32 digital photographs shot by David J. Marcou and depict The Last Stand symphony dress rehearsal on April 24, 2008 in La Crosse, Wisconsin. The photographs depict the La Crosse Symphony Orchestra; co-composers Bill Miller (Mohican/Stockbridge-Munsee), Joshua Yudkin, and Kristin Wilkinson; conductor Amy Mills; La Crosse...

This collection of twenty-three cabinet card photographs was collected by Alice Kennedy Eagan, and depicts Native American and non-native life in the Fort Still, Oklahoma Territory, circa 1894-1896.