548 records — Page 1 of 55
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Dates:
1969
Level:
file
Size:
1 Drawings (visual works) (Medium: pen)
Collection ID:
CFCH.SPAN
Repository:
Ralph Rinzler Folklife Archives and Collections

Five men playing live music for small audience of seven. One man plays trombone, another plays double bass, another plays trumpet, another plays clarinet, and the last man plays piano. A man with a camera video tapes them nearby. Inscription reads, "Jelly Roll Memorial Band. Left to right: Jack Fields, Paul Crawford, Jacky Bachman, Louis Cottnell, ...

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Creators:
Faris, James C.
Dates:
1960-2014, undated
Size:
7.67 Linear feet
Collection ID:
NAA.2016-36
Repository:
National Anthropological Archives

James Faris (1936 – present) is an American cultural anthropologist and epistemologist who received his PhD from Cambridge University in 1966. He conducted fieldwork in the fishing settlement of Cat Harbour, Newfoundland, among the Nuba of Southeastern Kordofan in the Sudan, and among the Navajo in the American Southwest. His research specializations include cognitive anthropology, art and aesthetics, ritual, social organization and reproduction, anthropological linguistics, and visual anthropology and critical theory and representation. The James Faris Papers, 1960-2014, primarily document his fieldwork with the Nuba peoples of Southeastern Sudan. His papers also include materials related to representation of the Nuba peoples and various controversies in visual anthropology and documentary film that related to Leni Riefenstahl and her filmmaking among the Nuba. During the 1960s Faris was drawn into activism against the Vietnam War while at the University of Connecticut and his papers contain ephemeral materials on radical anthropology and racism from that period. The collection consists of field notes, correspondence, photographs, sound recordings, films (including scripts and transcriptions), videos, book and papers drafts, and news and magazine clippings.

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Creators:
Borst, Henry V.
Dates:
undated
Size:
11.99 Cubic feet ((11 record center boxes))
Collection ID:
NASM.2002.0038
Repository:
National Air and Space Museum Archives

This collection consists of the following material: 4.5 cubic feet of research material relating to the book Fluid-Dynamic Lift: Information on Lift and its Derivatives in Air and in Water, presented by Dr.-Ing. S. F. Hoerner, and co-authored by the donor, Henry V. Borst; 4.5 cubic feet of research material relating to the following book authored b...

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Creators:
Elisofon, Eliot
Dates:
1970
Level:
item
Size:
1 Negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The kanaga mask is part of a costume traditionally worn only for the dances of the Dama funerary ceremonies,and is accompanied by particular drum rythms from particular drums which generate specific dances. Only initated, circumcised members of the all-male Awa secret society dance the kanaga." [Harris M., 1989: Visual tropes: The Kanaga Mask of t...

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Creators:
Carpenter, Edmund, 1922-2011
Dates:
circa 1938-2011
Size:
26.25 Linear feet
Collection ID:
NAA.2017-27
Repository:
National Anthropological Archives

Edmund Snow Carpenter (1922-2011) was an archaeologist and visual anthropologist who worked extensively with the indigenous peoples of the Canadian Arctic as well as Papua New Guinea. With his colleague and close collaborator Marshall McLuhan (1911-1980), he laid the groundwork for modern media theory. Carpenter is also known for his work as an ethnographic filmmaker and as a collector of Paleo-Eskimo art. The Papers of Edmund Carpenter, circa 1938-2011, document the research interests and projects undertaken by Carpenter in the fields of cultural anthropology, ethnographic filmmaking, media theory, archaeology, and indigenous art.

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Creators:
Kenyon, Cecil (Teddy), 1905-1985
Dates:
[ca. 1930s-1970s]
bulk [ca. 1940s-1960s]
Size:
1.29 Cubic feet ((1 shoebox) (11 film cans))
Collection ID:
NASM.1999.0013
Repository:
National Air and Space Museum Archives

This collection consists of both color and black and white images of Ted and Teddy Kenyon and their aviation careers. There are also a number of images of Bud and Betty Gillies. This collection also contains eleven 16mm films of Teddy Kenyon.

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Creators:
Mundel, Marvin Everett, 1916-1996 (industrial engineer)
Dates:
1937-1996
Size:
15 Cubic feet (36 boxes)
75 Motion picture films
Collection ID:
NMAH.AC.0676
Repository:
Archives Center, National Museum of American History

The Marvin E. Mundel Industrial Engineering Collection contains correspondence, reports, data, notes, publications, books, charts, certificates, awards, writings, photographs, films and videos that document the life and career of Marvin Mundel, a well-known expert in the field of work management and productivity enhancement.

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Creators:
Elisofon, Eliot
Dates:
1970
Level:
item
Size:
1 Negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The photograph depicts high-ranking Kuba warrior wearing traditional costume, as well as symbolic adornements, for the state visit of the Nyim Kot a Mbweeky III. "The emphasis on titleholding and the competition for and the subsequent prestige that accrues to titleholders is a dominant aspect of Kuba culture (Vansina, 1978; Binkley, 1987). Kuba hat...

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Creators:
Elisofon, Eliot
Dates:
1961
Level:
item
Size:
1 Negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"Simultaneously, the temples depicted the world of gods. The walls and columns teem with gods who are standing, marching, sitting, communing with the king. The coinciding of these two levels of meaning signifies that Egypt's world was a sacred world. This visual cosmographic exposition was drawn into temple ritual so that the cultic performances in...

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Creators:
Elisofon, Eliot
Dates:
1961
Level:
item
Size:
1 Negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"Simultaneously, the temples depicted the world of gods. The walls and columns teem with gods who are standing, marching, sitting, communing with the king. The coinciding of these two levels of meaning signifies that Egypt's world was a sacred world. This visual cosmographic exposition was drawn into temple ritual so that the cultic performances in...

548 records — Page 1 of 55