7845 records — Page 13 of 764
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Creators:
Ottenberg, Simon
Dates:
1951-1953
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg at the okumkpa presented on the eke Sunday afternoon of 13 January 1952 in the main common of Amuro village. Dr. Ottenberg was conducting field research at Afikpo village-group, southeastern Nigeria, from December 1951 to March 1953.

Original title reads, "Okumkpa play, Amuro village, Amuro players. Each village has its own players, although players may perform in other villages as well. The name of the mask is also the name for the entire dress. Ibibio mask, male." [Ottenberg field research notes, O Series, December 1951-March 1953].

"Okumpka, the most elaborate masquerade found at Afikpo Village-Group, is the most popular and well attended Afikpo masked ritual. It consists of a series of skits, songs, and dances presented by masked players in the main common of a village during of an afternoon or evening. The play is closely associated with the village secret society; all play...

The photograph depicts dancer wearing male ibibio mask and using the dark raffia ori costume. Players in the skits wear this mask to represent an adult woman or at other time a man, and okumkpa musicians sometimes use it as well. The name refers to the fact that Afikpo consider it of Ibibio design and origin. The carving is both purchased by Afikpo...

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Creators:
Ottenberg, Simon
Dates:
1951-1953
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg at the okumkpa presented on the eke Sunday afternoon of 13 January 1952 in the main common of Amuro village. Dr. Ottenberg was conducting field research at Afikpo village-group, southeastern Nigeria, from December 1951 to March 1953.

Original title reads, "Okumkpa play, Amuro village, Amuro players. Each village has its own players, although players may perform in other villages as well. The name of the mask is also the name for the entire dress. Ibibio mask, female. Generally one can tell the difference between male and female by the hair style." [Ottenberg field research note...

"Okumpka, the most elaborate masquerade found at Afikpo Village-Group, is the most popular and well attended Afikpo masked ritual. It consists of a series of skits, songs, and dances presented by masked players in the main common of a village during of an afternoon or evening. The play is closely associated with the village secret society; all play...

The photograph depicts dancer wearing female ibibio mask and using the dark raffia ori costume. Players in the skits wear this mask to represent an adult woman or at other time a man, and okumkpa musicians sometimes use it as well. The name refers to the fact that Afikpo consider it of Ibibio design and origin. The carving is both purchased by Afik...

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Creators:
Ottenberg, Simon
Dates:
1959-1960
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from September 1959 to December 1960.

Original caption reads, "Mgbom Village, days after whipping contests. Logholo masquerader with an acali mask, Mgbom Village square. When upright he can be chased and thrown by young men, but when sitting down to rest he cannot." [Ottenberg field research notes, September 1959-December 1960, Part I].

"There are a number of masked and costumed figures, called by the general term of logholo, who play about in the commons of their villages and are chased by uninitiated boys. The costume of the most common form of logholo consists of a light-yellow raffia cover from the shoulders to below the knees. A wooden mask goes with the costume, the acali an...

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Creators:
Ottenberg, Simon
Dates:
1959-1960
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from September 1959 to December 1960.

Original caption reads, "Njenje masked parade, Ndibe Village, but with players from Mgbom. Younger players dressed as males or females in modern dress." [Ottenberg field research notes, September 1959-December 1960, Part I].

Publication caption reads, "Players toward the end of the line at an njenji performance, wearing mma ji and ibibio masks."

"The most elaborate masquerade, njenji, presented as part of the four-day Dry Season Festival, Iko Okoci, is a parade of the young adult members through many of the communities of afikpo. The masked paraders walk in a line, arranged in an order of descending age. Many players are dressed in costumes that make them appear as females. Some walk side ...

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Creators:
Ottenberg, Simon
Dates:
1959-1960
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from September 1959 to December 1960.

Original caption reads, "Njenje masked parade, Ndibe Village, but with players from Mgbom. Younger players dressed as males or females in modern dress." [Ottenberg field research notes, September 1959-December 1960, Part I].

Publication caption reads, "Players dressed as married women at an njenji performance, followed by a variety of costumed masqueraders."

"The most elaborate masquerade, njenji, presented as part of the four-day Dry Season Festival, Iko Okoci, is a parade of the young adult members through many of the communities of afikpo. The masked paraders walk in a line, arranged in an order of descending age. Many players are dressed in costumes that make them appear as females. Some walk side ...

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Creators:
Ottenberg, Simon
Dates:
1959-1960
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from September 1959 to December 1960.

Original caption reads, "Uninitiated boys logholo masquerade at ogo nte square, Amebo ward, Mgbom Village. Mainly chasing one another. They can speak, while adult lgholo cannot, except first time they play this after initiation, when they wear sheep's testicles, and travel to market to mark their initiation, which is called lgholo isubu (logholo-en...

"There are a number of masked and costumed figures, called by the general term of logholo, who play about in the commons of their villages and are chased by uninitiated boys. The costume of the most common form of logholo consists of a light-yellow raffia cover from the shoulders to below the knees. The logholo for the unitiated, in which the playe...

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Creators:
Ottenberg, Simon
Dates:
1951-1953
Level:
item
Size:
1 Item (Image indexed by original slide number. )
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from December 1951 to March 1953.

Original title reads, "Okumkpa masquerade play, Amorie Village square. The masqueraders are from Amorie Village. The name of the mask is also the name for the entire dress. Masked musicians in foreground, masked players in back, opa nwa mask on player standing in front." [Ottenberg field research notes, O Series, December 1951-March 1953].

"Okumpka, the most elaborate masquerade found at Afikpo Village-Group, is the most popular and well attended Afikpo masked ritual. It consists of a series of skits, songs, and dances presented by masked players in the main common of a village during of an afternoon or evening. The play is closely associated with the village secret society; all play...

The photograph depicts opa nwa mask player standing in front of masked musicians. Opa nwa is the largest Afikpo mask. It is said to be worn by only one person in the okumkpa play, an older boy or young man who dresses up like a girl and, at the next to the last event of the play, comes forward to dance in imitation of a girl's style.

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Creators:
Ottenberg, Simon
Dates:
1959-1960
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from September 1959 to December 1960.

Original caption reads, "Same skit about the Moslems of Anohia Village. The man with the white head cloth is supposed to be the founder of the Afikpo Anohia Village Moslem group, Alhaji Ibrahim, born of that village, who left as a young man, converted to Islam in Senegal, has been to Mecca." [Ottenberg field research notes, September 1959-December ...

Publication caption reads, "Skit concerning Moslems at the Mgbom okumkpa in 1960. The actors are wearing okpesu umuruma masks. The two play leaders are in the background."

"Okumpka, the most elaborate masquerade found at Afikpo Village-Group, is the most popular and well attended Afikpo masked ritual. It consists of a series of skits, songs, and dances presented by masked players in the main common of a village during of an afternoon or evening. The play is closely associated with the village secret society; all play...

The photograph depicts ori players acting out a skit. They are the principal actors in the skits. They also come out and dance as individuals between some of the events. The ori are active singers in the chorus. They are experienced players, as a rule, having taken part in previous performances.

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Creators:
Ottenberg, Simon
Dates:
1951-1953
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from December 1951 to March 1953.

Original title reads, "Okumkpa masquerade play, Amorie Village square. The masqueraders are from Amorie Village. The name of the mask is also the name for the entire dress. Okpesu umuroma (frighten-children) mask, also called ihu ori (face-evil)." [Ottenberg field research notes, O Series, December 1951-March 1953].

Publication title reads, "Okpesu umuruma masquerader, Amorie okumkpa, 1952."

"Okumpka, the most elaborate masquerade found at Afikpo Village-Group, is the most popular and well attended Afikpo masked ritual. It consists of a series of skits, songs, and dances presented by masked players in the main common of a village during of an afternoon or evening. The play is closely associated with the village secret society; all play...

The photograph depicts Okepesu umuruma mask, also called ihu ori. Common to the okumkpa play, the okpesu umuruma is a favorite mask of the older players who, wearing the dark ori costume, dance individually betwen the skits and may also be actors. Okumkpa musicians sometimes wear an ugly mask. The mask stands for greediness and the self-interest of...

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[ ]
Expand
Creators:
Ottenberg, Simon
Dates:
1959-1960
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from September 1959 to December 1960.

Original caption reads, "Njenje masquerade parade, Mgbom village, players practicing at home then moving out to Amuro Village. Walking through Mgbom Village before leaving for other villages to parade. Second masqueraders from left has ona, a special headdress. There always must be one of this masqueraders. Another headdress, ovuvu abo is usually w...

"The most elaborate masquerade, njenji, presented as part of the four-day Dry Season Festival, Iko Okoci, is a parade of the young adult members through many of the communities of afikpo. The masked paraders walk in a line, arranged in an order of descending age. Many players are dressed in costumes that make them appear as females. Some walk side ...

7845 records — Page 13 of 764