7845 records — Page 20 of 764
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Creators:
Ottenberg, Simon
Dates:
1959-1960
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg at the Okonkwo dance presented on the the market day, aho, 9 January 1960 in the Eastern Igbo community of Oha Nwego Village, in neighboring Okpoha Village-Group. Dr. Ottenberg was conducting field research at Afikpo village-group, southeastern Nigeria, from September 1959 to December 1960.

Original caption reads, "Okpoha Ngodo performance at Okpoha Village-Group, an Igbo village-group northwest of Afikpo, related to it historically. Dancing counterclockwise as usual for Igbo and other Africans. The mask is similar to the Afikpo mma ji (knife-ham) or mma ubi (knife-farm) except at Afikpo the top knife part is straight, here it is curv...

"Okonkwo, also called okpoha ngodo, is a dance of young adult men wearing wooden masks and costumes something like those of the akparakpa dancers in the okumkpa, who perform to the music of a xylophone, basket rattles, and in some cases a wooden gong. The xylophone (igeri or akware) is in the center of the common. Composed of nine boards, without c...

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Creators:
Ottenberg, Simon
Dates:
1959-1960
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from September 1959 to December 1960.

Original caption reads, "Njenje masquerade parade, Amuro Village players." [Ottenberg field research notes, September 1959-December 1960, Part I].

Publication caption reads, "Masked couples in the njenji parade."

"The most elaborate masquerade, njenji, presented as part of the four-day Dry Season Festival, Iko Okoci, is a parade of the young adult members through many of the communities of afikpo. The masked paraders walk in a line, arranged in an order of descending age. Many players are dressed in costumes that make them appear as females. Some walk side ...

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Creators:
Ottenberg, Simon
Dates:
1951-1953
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from December 1951 to March 1953.

Original title reads, "Chukwu Okoro of Ezi Ume compound, Agbogho ward, Mgbom Village carving an ocici bowl for me in front of his home. The center is filled with sauce and bits of dried meat or fish or sometimes kola nut, in any case dipped in to eat. A widespread Igbo item. Okoro sculpted a set of Afikpo masks for me on this research trip, as he d...

Publication title reads, "Chukwu Okoro carving an ocici bowl, 1952."

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Creators:
Ottenberg, Simon
Dates:
1951-1953
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from December 1951 to March 1953.

Original title reads, "Chukwu Okoro of Ezi Ume compound, Agbogho ward, Mgbom Village carving an ocici bowl for me in front of his home. The center is filled with sauce and bits of dried meat or fish or sometimes kola nut, in any case dipped in to eat. A widespread Igbo item. Okoro sculpted a set of Afikpo masks for me on this research trip, as he d...

Publication title reads, "Chukwu Okoro carving an ocici bowl, 1952."

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Creators:
Ottenberg, Simon
Dates:
1959-1960
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from September 1959 to December 1960.

Original caption reads, "Okumkpa performance at Mgbom Village square. The youngest Akparakpa dancers come out between skits and dance around the sitting group counterclockwise. They are the most recently initiated boys and young men. The dance is called ogbare aja (in line-dance)." [Ottenberg field research notes, September 1959-December 1960, Part...

"Okumpka, the most elaborate masquerade found at Afikpo Village-Group, is the most popular and well attended Afikpo masked ritual. It consists of a series of skits, songs, and dances presented by masked players in the main common of a village during of an afternoon or evening. The play is closely associated with the village secret society; all play...

The photograph depicts akparakpa dancers performing in the village common. The akparakpa dancers sing as part of the chorus, and at set intervals in the play they come out and dance counterclockwise in a circle around the remainder of the chorus. The akparakpa are dressed to represent young, unmarried females.

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Creators:
Ottenberg, Simon
Dates:
1959-1960
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from September 1959 to December 1960.

Original caption reads, "One of the skits. Palaver involving bride price, a dispute settlement is being acted out, with humor rather than seriousness. Based on an actual case, as many skits are. Actual persons involved named." [Ottenberg field research notes, September 1959-December 1960, Part I].

"Okumpka, the most elaborate masquerade found at Afikpo Village-Group, is the most popular and well attended Afikpo masked ritual. It consists of a series of skits, songs, and dances presented by masked players in the main common of a village during of an afternoon or evening. The play is closely associated with the village secret society; all play...

The photograph depicts ori players acting out a skit. They are the principal actors in the skits. They also come out and dance as individuals between some of the events. The ori are active singers in the chorus. They are experienced players, as a rule, having taken part in previous performances.

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Creators:
Ottenberg, Simon
Dates:
1959-1960
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from September 1959 to December 1960.

Original caption reads, "Skit about the Moslems in Anohia Village, taken from in back of the seated players." [Ottenberg field research notes, September 1959-December 1960, Part I].

"Okumpka, the most elaborate masquerade found at Afikpo Village-Group, is the most popular and well attended Afikpo masked ritual. It consists of a series of skits, songs, and dances presented by masked players in the main common of a village during of an afternoon or evening. The play is closely associated with the village secret society; all play...

The photograph depicts ori players acting out a skit. They are the principal actors in the skits. They also come out and dance as individuals between some of the events. The ori are active singers in the chorus. They are experienced players, as a rule, having taken part in previous performances.

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Creators:
Ottenberg, Simon
Dates:
1951-1953
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from December 1951 to March 1953.

Original title reads, "Okumkpa masquerade play, Amorie Village square. The masqueraders are from Amorie Village. The name of the mask is also the name for the entire dress. The two Okumkpa play leaders with masks generally called nnade okumkpa (leader-okumkpa)." [Ottenberg field research notes, O Series, December 1951-March 1953].

Publication title reads, "The two okumkpa play leaders at Amorie in 1952, wearing the nnade okumkp9+a masks."

"Okumpka, the most elaborate masquerade found at Afikpo Village-Group, is the most popular and well attended Afikpo masked ritual. It consists of a series of skits, songs, and dances presented by masked players in the main common of a village during of an afternoon or evening. The play is closely associated with the village secret society; all play...

The photograph depicts two nnade okumkpa masks only worn by the senior and junior okumkpa leaders, and occasionally by assistant leaders. The two leaders, okumkpa odudo, wear a floppy, wide-brimmed mat hat and are easily identifiable amongst the players by their special dress and actions. They do not sit down and do not usually dance about. The two...

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Creators:
Ottenberg, Simon
Dates:
1959-1960
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from September 1959 to December 1960.

Original caption reads, "Nne Mgbe masker." [Ottenberg field research notes, September 1959-December 1960, Part I].

Publication caption reads, "Ori dancer with nne Mgbo mask, Mgbom village okumkpa, 1960."

"Okumpka, the most elaborate masquerade found at Afikpo Village-Group, is the most popular and well attended Afikpo masked ritual. It consists of a series of skits, songs, and dances presented by masked players in the main common of a village during of an afternoon or evening. The play is closely associated with the village secret society; all play...

The photograph depicts ori dancer with nne mgbo mask. Although it is occasionally worn at the okumkpa play with the dark raffia ori costume to portray a woman in one of the skits, it is also one of the favorite masks worn by young adult males, who come out and dance individually between skits and serve as an important and clearly male group.

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Creators:
Ottenberg, Simon
Dates:
1959-1960
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from September 1959 to December 1960.

Original caption reads, "Skit ridiculing the Moslems in Anohia Village who converted from either indigenous or Christian beliefs or combination of them. Player is dressed as a Mallam." [Ottenberg field research notes, September 1959-December 1960, Part I].

"Okumpka, the most elaborate masquerade found at Afikpo Village-Group, is the most popular and well attended Afikpo masked ritual. It consists of a series of skits, songs, and dances presented by masked players in the main common of a village during of an afternoon or evening. The play is closely associated with the village secret society; all play...

The photograph depicts ori players acting out a skit. They are the principal actors in the skits. They also come out and dance as individuals between some of the events. The ori are active singers in the chorus. They are experienced players, as a rule, having taken part in previous performances.

7845 records — Page 20 of 764