7845 records — Page 51 of 764
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Creators:
Ottenberg, Simon
Dates:
1951-1953
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from December 1951 to March 1953.

Original title reads, "Second funeral or the memorial, often called 'horse funeral' or 'horse title' at afikpo, Amachara Village. Something a man does in honor of his father, often years later after his death, as in this case. Otelerri is doing it. Ottenberg joined his matrilineal clan at this event. Boy from Otelerri's compound leading the horse a...

"When a mature male dies his eldest son is responsible for burial and the funeral ceremony. The burial is followed by a series of related rituals, which generally continue to express the relative positions of the descent groups. The first is the 'goat funeral'. This ceremony is followed by the ritual of placing a shrine pot for the deceased in his ...

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Creators:
Ottenberg, Simon
Dates:
1951-1953
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from December 1951 to March 1953.

Original title reads, "The so-called 'horse funeral' (memorial or second funeral) done by Oteleri, Amachara Village. Performed by the eldest son, Oteleri, many years after his father's death, when he became ill, and a diviner indicated his father's spirit was angry at the neglect. Often is performed after a few years. Dividers of the meat in a disp...

"When a mature male dies his eldest son is responsible for burial and the funeral ceremony. The burial is followed by a series of related rituals, which generally continue to express the relative positions of the descent groups. The first is the 'goat funeral'. This ceremony is followed by the ritual of placing a shrine pot for the deceased in his ...

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Creators:
Ottenberg, Simon
Dates:
1951-1953
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from December 1951 to March 1953.

Original title reads, "House construction, Ezi Ukwu, Mgbom village, with cross beams on side walls, ready for the mudding of the walls. House construction and repair is generally a dry season activity." [Ottenberg field research notes, O Series,December 1951-March 1953].

"The compound is called Ezi followed by the name of its founder, who is also usually the original ancestor of the patrilineage. The houses in many compounds, particularly those increasing in population, are built wall to wall and back to back, separated by narrow alleyways and streets winding tortuously here and there. There is usually a separate h...

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Creators:
Ottenberg, Simon
Dates:
1959-1960
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from September 1959 to December 1960.

Original caption reads, "Finished mats for roofing Osigbo's mother's house, Ezi Akputa compound, Mgbom Village. Notice board in background is of Ezi Akputa branch, Afikpo Scholars Union meeting, a students' evening or late afternoon study group." [Ottenberg field research notes, September 1959-December 1960, Part I].

"The compound is called Ezi followed by the name of its founder, who is also usually the original ancestor of the patrilineage. The houses in many compounds, particularly those increasing in population, are built wall to wall and back to back, separated by narrow alleyways and streets winding tortuously here and there. There is usually a separate h...

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Creators:
Ottenberg, Simon
Dates:
1951-1953
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from December 1951 to March 1953.

Original title reads, "The so-called 'horse funeral' (memorial or second funeral) done by Oteleri, Amachara Village. Performed by the eldest son, Oteleri, many years after his father's death, when he became ill, and a diviner indicated his father's spirit was angry at the neglect. Often is performed after a few years. Slide is market scene with spe...

"When a mature male dies his eldest son is responsible for burial and the funeral ceremony. The burial is followed by a series of related rituals, which generally continue to express the relative positions of the descent groups. The first is the 'goat funeral'. This ceremony is followed by the ritual of placing a shrine pot for the deceased in his ...

[ ]
Collapse
[ ]
Expand
Creators:
Ottenberg, Simon
Dates:
1951-1953
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from December 1951 to March 1953.

Original title reads, "Second funeral or the memorial, often called 'horse funeral' or 'horse title' at afikpo, Amachara Village. Something a man does in honor of his father, often years later after his death, as in this case. Otelerri is doing it. Ottenberg joined his matrilineal clan at this event. Otelerri and friends coming out into the Amachar...

"When a mature male dies his eldest son is responsible for burial and the funeral ceremony. The burial is followed by a series of related rituals, which generally continue to express the relative positions of the descent groups. The first is the 'goat funeral'. This ceremony is followed by the ritual of placing a shrine pot for the deceased in his ...

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Collapse
[ ]
Expand
Creators:
Ottenberg, Simon
Dates:
1951-1953
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from December 1951 to March 1953.

Original title reads, "The so-called 'horse funeral' (memorial or second funeral) done by Oteleri, Amachara Village. Performed by the eldest son, Oteleri, many years after his father's death, when he became ill, and a diviner indicated his father's spirit was angry at the neglect. Often is performed after a few years. Slide is market scene with spe...

"When a mature male dies his eldest son is responsible for burial and the funeral ceremony. The burial is followed by a series of related rituals, which generally continue to express the relative positions of the descent groups. The first is the 'goat funeral'. This ceremony is followed by the ritual of placing a shrine pot for the deceased in his ...

[ ]
Collapse
[ ]
Expand
Creators:
Ottenberg, Simon
Dates:
1951-1953
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from December 1951 to March 1953.

Original title reads, "Cutting center pole slice, so pole will bend for cross roofing piece, house building Ezi Ukwu compound, Mgbom Village." [Ottenberg field research notes, O Series,December 1951-March 1953].

"The compound is called Ezi followed by the name of its founder, who is also usually the original ancestor of the patrilineage. The houses in many compounds, particularly those increasing in population, are built wall to wall and back to back, separated by narrow alleyways and streets winding tortuously here and there. There is usually a separate h...

[ ]
Collapse
[ ]
Expand
Creators:
Ottenberg, Simon
Dates:
1951-1953
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from December 1951 to March 1953.

Original title reads, "The so-called 'horse funeral' (memorial or second funeral) done by Oteleri, Amachara Village. Performed by the eldest son, Oteleri, many years after his father's death, when he became ill, and a diviner indicated his father's spirit was angry at the neglect. Often is performed after a few years. Mrs. Utchay dancing at the Afi...

"When a mature male dies his eldest son is responsible for burial and the funeral ceremony. The burial is followed by a series of related rituals, which generally continue to express the relative positions of the descent groups. The first is the 'goat funeral'. This ceremony is followed by the ritual of placing a shrine pot for the deceased in his ...

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Creators:
Eng, Miu, 1955-
Dates:
1973-1983
Size:
2.1 Linear feet (consisting of 1 oversized box)
Collection ID:
ACMA.06-102
Repository:
Anacostia Community Museum Archives

The Miu Eng Eastern Wind Collection, which dates from 1973-1983 and measures 2.1 linear feet, speaks to Ms. Eng's role as an activist and artist in Washington D.C.'s early Asian American movement. The collection includes newsletters, photographs, and booklets documenting Ms. Eng's activities with Eastern Wind, a pan-Asian American youth organization formed in 1973 that sought to document and address Asian American issues in the D.C. area. The collection also includes posters designed by Ms. Eng for several D.C. Asian American community programs of the late 1970s and early 1980s.

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7845 records — Page 51 of 764