7845 records — Page 752 of 764
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Creators:
Knaths, Karl, 1891-1971
Dates:
1890-1973
bulk 1922-1971
Size:
8.9 Linear feet
Collection ID:
AAA.knatkarp
Repository:
Archives of American Art

The papers of cubist painter Karl Knaths measure 8.9 linear feet and date from 1890 to 1973, with the bulk of the materials dating from 1922 to 1971. The collection includes biographical material, personal and professional correspondence, four diaries, 22 notebooks and notes on theoretical color and compositional approaches to painting, published and draft copies of essays on art, miscellaneous printed material, 132 sketchbooks and other artwork.

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Creators:
Dryden, Hugh L. (Hugh Latimer), Dr., 1898-1965
Dates:
1903-1974
bulk 1940-1965
Size:
1.48 Cubic Feet (3 boxes)
Collection ID:
NASM.2001.0021
Repository:
National Air and Space Museum Archives

Dr. Hugh L. Dryden was an aerodynamicist by training, a career civil servant, and a government official. With degrees in physics and mathematics he became chief of the aerodynamics section of the National Bureau of Standards and eventually served as the first deputy administrator of the National Aeronautics and Space Administration (NASA). This collection consists of memorabilia relating to Dryden's career.

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Creators:
Herzfeld, Ernst, 1879-1948
Level:
item
Size:
1 Volume (Sketchbook (46 pages), 12.8 cm. x 25.7 cm.)
Collection ID:
FSA.A.06
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

- The fifteenth of a series of eighteen sketchbooks (Skizzenbücher), in which Ernst Herzfeld recorded his observations on topography, landscape, archaeological remains, architecture, artifacts and decorative motifs, related to the second campaign of excavations at the Palace of the Caliph at Samarra (Dār al-Khilāfa, Jawsaq al-Khāqāni, Bayt al-Khalī...

- Original handwritten caption on cover reads, "Samarra ; plan aufnahmen 6."

- Original handwritten notes for pg. 1 reads, "--."

- Original handwritten notes for pg. 2 and 3 reads, "[Dār al-Khilāfa, Great Courtyard, wall of mud brick with arched niches and stucco moldings]; --."

- Original handwritten notes for pg. 4 reads, "--."

- Original handwritten notes for pg. 5 and 6 reads, "[Dār al-Khilāfa, Small Serdab, square sunken basin]; [Dār al-Khilāfa, Small Serdab, surface entrance]."

- Original handwritten notes for pg. 7 and 8 reads, "[Dār al-Khilāfa, Small Serdab, surface entrance]; [Dār al-Khilāfa, Small Serdab, surface entrance]."

- Original handwritten notes for pg. 9 and 10 reads, "[Dār al-Khilāfa, Rotundabau, circular hall]; [Dār al-Khilāfa, Rotundabau, transverse halls flanked by two rooms with niches]."

- Original handwritten notes for pg. 11 and 12 reads, "--; [Dār al-Khilāfa, Rotundabau, room with niche flanking the transverse halls]."

- Original handwritten notes for pg. 13 and 14 reads, "[Dār al-Khilāfa, Rotundabau, dependencies]; --."

- Original handwritten notes for pg. 15 and 16 reads, "[Dār al-Khilāfa, Small Serdab, lower level]; [Dār al-Khilāfa, Small Serdab, lower level]."

- Original handwritten notes for pg. 17 and 18 reads, "[Dār al-Khilāfa, Small Serdab, lower level]; [Dār al-Khilāfa, Small Serdab, lower level]."

- Original handwritten notes for pg. 19 and 20 reads, "--; --."

- Original handwritten notes for pg. 21 and 22 reads, "[Dār al-Khilāfa, North Pavilion]; [Dār al-Khilāfa, North Pavilion]."

- Original handwritten notes for pg. 23 and 24 reads, "--; [Topographical measurements of unidentified location]."

- Original handwritten notes for pg. 25 and 26 reads, "[Dār al-Khilāfa, Western Garden, south of the square ornamental pool]; [Dār al-Khilāfa, Western Garden, south of the monumental steps]."

- Original handwritten notes for pg. 27 and 28 reads, "[Dār al-Khilāfa, south of the square ornamental pool]."

- Original handwritten notes for pg. 29 and 30 reads, "."

- Original handwritten notes for pg. 31 and 32 reads, "[Dār al-Khilāfa, elevated belvedere, known as al-Hammam, located northwest of the square-reception hall]."

- Original handwritten notes for pg. 33 and 34 reads, "--; --."

- Original handwritten notes for pg. 35 and 36 reads, "[Dār al-Khilāfa, Square Reception-Hall Block, courtyard building with central circular basin]; [Dār al-Khilāfa, Square Reception-Hall Block, rooms east of courtyard with central circular basin]."

- Original handwritten notes for pg. 37 and 38 reads, "[Dār al-Khilāfa, courtyard north of square reception-hall block]; [Dār al-Khilāfa, buildings in courtyard north of square reception-hall block]."

- Original handwritten notes for pg. 39 and 40 reads, "[Dār al-Khilāfa, courtyard south of the barracks of the palace guards]; [Dār al-Khilāfa, buildings in courtyard located between the Large Serdab and the North Palace]."

- Original handwritten notes for pg. 41 and 42 reads, "[Dār al-Khilāfa, northwest corner of the palace complex, barracks of the palace guards]; [Dār al-Khilāfa, northwest corner of the palace complex, barracks of the palace guards]."

- Original handwritten notes for pg. 43 and 44 reads, "[Dār al-Khilāfa, North Palace, reception-hall block on raised terrace]; [Dār al-Khilāfa, small buildings on the north end of the western garden]."

- Original handwritten notes for pg. 45 and 46 reads, "--; --."

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Creators:
Dow, Arthur W. (Arthur Wesley), 1857-1922
Dates:
circa 1826-1978
bulk 1879-1922
Size:
1.3 Linear feet
Collection ID:
AAA.dowarth
Repository:
Archives of American Art

The papers of Arthur Wesley Dow measure 1.3 linear feet and date from 1826-1978, with the bulk of the material dating from 1879-1922. The collection documents aspects of the life and work of the landscape painter, printmaker, photographer and educator. Papers include correspondence, diaries, writings, lecture notes, clippings, catalogs, ephemera, artwork, and photographs.

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Creators:
Halper, Nathan
Dates:
1952-1979
Size:
4.2 Linear feet
Collection ID:
AAA.halpnath
Repository:
Archives of American Art

Records of four of Nathan Halper's Provincetown galleries measure 4.2 linear feet and date from 1952-1979. The records relate to Kootz Gallery, H-C Gallery, HCE Gallery, and Sun Gallery - all based in Provincetown. The bulk of the collection consists of correspondence with artists, estate executors, collectors, galleries, and museums. There are also scattered business and financial records documenting operations and sales, photographs and slides, printed materials, and one poem. Correspondents include Milton Avery, Anthony Caro, John Murray Cuddihy, Marsden Hartley, Hans Hoffman, Samuel Kootz, Robert Motherwell, David Smith, Richard Stankeiwicz, and many others.

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Dates:
1865–1870
Size:
28 Reels
Collection ID:
NMAAHC.FB.M1912
Repository:
National Museum of African American History and Culture

The collection is comprised of digital surrogates previously available on the 28 rolls of microfilm described in the NARA publication M1912. These digital surrogates reproduced the records of the Texas Field Offices of the Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1870, including previous unfilmed records of the Office of the Assistant Commissioner, and records of the office of staff officers and subordinate field offices. These records consist of bound volumes and unbound records, including letters received and endorsements, monthly school reports, and other records relating to freedmen's complaints and contracts.

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Dates:
1865–1872
Size:
90 Reels
Collection ID:
NMAAHC.FB.M1903
Repository:
National Museum of African American History and Culture

This collection is comprised of digital surrogates previously available on the 90 rolls of microfilm described in the NARA publication M1903. These digital surrogates reproduced the records of the Georgia staff offices and subordinate field offices of the Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872. These records consist of bound volumes and unbound records, containing materials that include letters and endorsements sent and received, monthly reports, registers of patients, orders and circulars issued and received, and other records relating to freedmen's complaints and contracts.

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Creators:
Tibor de Nagy Gallery
Dates:
1941-2016
Size:
43.9 Linear feet
Collection ID:
AAA.tibode
Repository:
Archives of American Art

The records of the New York Tibor de Nagy Gallery measure 43.9 linear feet and date from 1941-2016. The records document the activities of the gallery through business records and correspondence, exhibition files, artist files, financial and legal records, inventory records, and a small amount of records of the Houston Branch.

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Creators:
Packard, Emmy Lou, 1914-1998
Dates:
1900-1990
Size:
9.4 Linear feet
Collection ID:
AAA.packemmy
Repository:
Archives of American Art

The Emmy Lou Packard papers measure 9.4 linear feet and date from 1900 to 1990, and focus on the career of painter, printmaker, muralist, and sculptor Emmy Lou Packard. Also found are extensive materials relating to Packard's personal and professional relationship with muralist Diego Rivera and painter Frida Kahlo, with whom Packard lived for one year in Mexico. Papers include correspondence, financial records, notes, writings, exhibition files, photographs, and printed material.

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Creators:
Miller, Dorothy Canning, 1904-2003
Dates:
1853-2013
bulk 1920-1996
Size:
34.6 Linear feet
Collection ID:
AAA.milldoro
Repository:
Archives of American Art

The papers of contemporary and folk art curator, historian, and consultant Dorothy C. Miller measure 34.6 linear feet and date from 1853-2013, with the bulk of the material dating from 1920 to 1996. The papers primarily concern Miller's private art consulting work outside of her curatorial work at the Museum of Modern Art in New York City. Found are scattered biographical materials, extensive correspondence and subject files, and project files for her art consulting work for the Rockefeller family, Rockefeller University, Chase Manhattan Bank, the Port Authority of New York and New Jersey, the World Trade Center, and other miscellaneous corporate and private clients. Miller's work as a trustee and committee member of various public and private boards and commissions is also represented here. Additionally, the papers contain Miller's research files on Edward Hicks and folk art, and a small number of files of her husband Holger Cahill about his work as Director of the Federal Art Project. There is a scattered documentation of Miller's early curatorial work with Holger Cahill on the First Municipal Art Exhibition (1934) held at the RCA Building in Rockefeller Center. Also found is Dorothy Miller's collection of artists' Christmas cards and photographs of Miller and others. An addition to the papers includes biographical material; family papers; correspondence; professional files; art collection and client files; printed material; and photographic material. While a small number professional files are included, the majority of the addition relates to her personal life, including correspondence with her husband Holger Cahill, and files pertaining to her personal art collection.

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7845 records — Page 752 of 764