African Emblems of Status, October 1982-April 1983
- Collection ID:
- Accession 09-011
Smithsonian Institution Archives
This accession consists of National Museum of African Art (NMAfA) exhibition records created during the tenures of Warren M. Robbins, Director, 1964-1982; John E. Reinhardt, Acting Director, 1982-1983; Sylvia H. Williams, Director, 1983-1996; Roslyn A. Walker, Director, 1997-2002; and Sharon F. Patton, Director, 2003-2008. Exhibitions include: "Traditional Costumery and Jewelry in Africa;" "Traditional Costumes and …
LeRoy Neiman papers
The papers of LeRoy Neiman measure approximately 70.5 linear feet and date from 1938-2005. The collection includes biographical materials, correspondence, project files, printed material and artifacts documenting the career of the American painter LeRoy Neiman.
This accession documents closed, denied, and unfinished exhibitions at the National Museum of African Art (NMAfA). These records contain correspondence, research, notes, checklists, label texts, brochures, floor plans and designs, clippings, loan information, photographs, slides, transparencies, and negatives. Some materials are in electronic format. Exhibitions documented in this accession include …
The Archives would like to thank Frederick J. Collier and Martin A. Buzas for their assistance in the transfer of these records to the Archives.
Jeff Donaldson papers
The papers of African American artist and educator Jeff Donaldson measure 12.5 linear feet and 0.003 GB and date from 1918 to 2005, with the bulk of the records dating from the 1960s to 2005. The collection documents Donaldson's work as a professional artist, his academic career at Howard University, and his leadership role in the Black Arts Movement through biographical material, a small amount of professional and personal correspondence, personal business records, writings by Donaldson and others, research files, artist files, sound recordings of interviews Donaldson conducted with over 40 artists, teaching files, exhibition files, printed and digital material, and photographs. Also found are detailed records of his professional activities and leadership roles in AfriCOBRA, CONFABA, FESTAC, and the Organization of Black American Culture (OBAC), including documentation on the Wall of Respect mural.
This accession consists of files created and maintained primarily by Edward Lifschitz and Veronika Jenke. These records document public education programs in African art, history, and culture. Materials include correspondence and memoranda; workshop and program information; docent training information; docent newsletters; photographs, negatives, and slides; brochures; newspaper clippings; exhibition materials …
This accession consists of records that document the curatorial activities of Lydia Puccinelli, Curator of Collections, National Museum of African Art, 1979-1999. Between 1964-1979, Puccinelli served as a curator at the Museum of African Art, prior to its joining the Smithsonian. A large portion of the correspondence is in response to public …
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives
Scurlock, Robert S. (Saunders), 1917-1994
Scurlock, Addison N., 1883-1964
The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.1 includes black and white silver gelatin negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records