134 records — Page 1 of 3
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Creators:
National Museum of African Art. Office of the Director
Dates:
1980-2008
Size:
1 cu. ft. (1 record storage box)
Collection ID:
Accession 09-011
Repository:
Smithsonian Institution Archives

This accession consists of National Museum of African Art (NMAfA) exhibition records created during the tenures of Warren M. Robbins, Director, 1964-1982; John E. Reinhardt, Acting Director, 1982-1983; Sylvia H. Williams, Director, 1983-1996; Roslyn A. Walker, Director, 1997-2002; and Sharon F. Patton, Director, 2003-2008. Exhibitions include:...

Found In
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Creators:
Ottenberg, Simon
Dates:
1951-1953
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg at the okumkpa presented on the eke Sunday afternoon of 13 January 1952 in the main common of Amuro village. Dr. Ottenberg was conducting field research at Afikpo village-group, southeastern Nigeria, from December 1951 to March 1953.

Original title reads, "Okumkpa play, Amuro village, Amuro players. Each village has its own players, although players may perform in other villages as well. The name of the mask is also the name for the entire dress. Masked okumpka group sitting down, with a goat mask (mkpe-horns) mask. To its left is a white ihu uri mask, unusual as they normally ...

Publication title reads, "View of chorus, Amuro okumkpa, 1952. Mkpe mask is in foreground with an unusual white okpesu umuruma mask to its right rear. Acali, beke, and mba mask forms can also been seen."

"Okumpka, the most elaborate masquerade found at Afikpo Village-Group, is the most popular and well attended Afikpo masked ritual. It consists of a series of skits, songs, and dances presented by masked players in the main common of a village during of an afternoon or evening. The play is closely associated with the village secret society; all play...

The photograph depicts a view of the chorus made of ori and akparakpa dancers. In foreground, player wearing mkpe mask. The term mkpe means horn and the major but not common form is a goat (ewu). At its right rear, an unusual white okpesu umuruma. Acali, beke, and mba mask forms can also be seen.

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Creators:
Ottenberg, Simon
Dates:
1951-1953
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg at the okumkpa presented on the eke Sunday afternoon of 13 January 1952 in the main common of Amuro village. Dr. Ottenberg was conducting field research at Afikpo village-group, southeastern Nigeria, from December 1951 to March 1953.

Original title reads, "Okumkpa play, Amuro village, Amuro players. Each village has its own players, although players may perform in other villages as well. The name of the mask is also the name for the entire dress. Okumkpa players sitting with an upa nwa (carry or hold-child) masker with violet plume, popularly called in English a 'Queen' mask." ...

"Okumpka, the most elaborate masquerade found at Afikpo Village-Group, is the most popular and well attended Afikpo masked ritual. It consists of a series of skits, songs, and dances presented by masked players in the main common of a village during of an afternoon or evening. The play is closely associated with the village secret society; all play...

The photograph depicts a view of the chorus made of ori and akparakpa dancers. In foreground, player wearing mkpe mask. The term mkpe means horn and the major but not common form is a goat (ewu). Opa nwa, acali, beke, and mba mask forms can also be seen.

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Creators:
Ottenberg, Simon
Dates:
1951-1953
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg at the okumkpa presented on the eke Sunday afternoon of 13 January 1952 in the main common of Amuro village. Dr. Ottenberg was conducting field research at Afikpo village-group, southeastern Nigeria, from December 1951 to March 1953.

Original title reads, "Okumkpa masquerade at Amuro village square. The two masked leaders facing the masked players. Masks from left to right are goat, ihu ori, mma obi, nne mgbo, mba, nne mbo, 'Queen' mask, as it is called in English at Afikpo (opa nwa) in center." [Ottenberg field research notes, O Series, December 1951-March 1953].

"Okumpka, the most elaborate masquerade found at Afikpo Village-Group, is the most popular and well attended Afikpo masked ritual. It consists of a series of skits, songs, and dances presented by masked players in the main common of a village during of an afternoon or evening. The play is closely associated with the village secret society; all play...

The photograph depicts a view of the chorus made of ori and akparakpa dancers. In foreground, player wearing mkpe mask. The term mkpe means horn and the major but not common form is a goat (ewu). Opa nwa, mma ji, okpesu umuruma, acali, beke, and mba mask forms can also be seen.

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Creators:
National Museum of African Art. Curatorial
Dates:
1981-2011
Size:
17 cu. ft. (17 record storage boxes)
Collection ID:
Accession 12-375
Repository:
Smithsonian Institution Archives

This accession documents closed, denied, and unfinished exhibitions at the National Museum of African Art (NMAfA). These records contain correspondence, research, notes, checklists, label texts, brochures, floor plans and designs, clippings, loan information, photographs, slides, transparencies, and negatives. Some materials are in electronic ...

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Creators:
Neiman, LeRoy, 1921-2012
Dates:
1938-2005
Size:
70.5 Linear feet
Collection ID:
AAA.neimlero
Repository:
Archives of American Art

The papers of LeRoy Neiman measure approximately 70.5 linear feet and date from 1938-2005. The collection includes biographical materials, correspondence, project files, printed material and artifacts documenting the career of the American painter LeRoy Neiman.

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Creators:
LaDuke, Betty
Dates:
circa 1981-2018
Size:
2 electronic discs (dvd)
4 Boxes (Printed Material (non-photographic))
11 Posters ((Oversize))
24 prints (visual works)
2488 negatives (photographic) (color , 35 mm)
3,194 Photographs (color , 20 x 24 inches or smaller)
Collection ID:
EEPA.2007-003
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection dates from circa 1981 to 2018 and consists of photographic prints, negatives, posters, art prints, DVDs and printed and manuscript materials. Photographs depict architecture, agricultural work, beadwork, weaving, village scenes, artists, artists at work, artworks, markets, celebrations, scenic views, animals, churches and mosques. Most depict Kunama or Saho peoples, particularly women and children. LaDuke also regularly photographed war zones during the Border War, especially those in Nakfa and Gelebe, portraying Internally Displaced Persons (IDP) camps. Locations include villages in Ethiopia and Eritrea, particularly Senafe, Nakfa and Massawa, as well as Border War zones various battlefields and camps for internally displaced persons.

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Creators:
Elisofon, Eliot
Dates:
1971
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"Heavy garments of quilted cotton cloth stuffed with capok were widely used as armour for horse and man in central and eastern Sudanic Africa. In the Sokoto caliphate of northern Nigeria, heavily armed horsemen in quilted armour were known as Yan Lifida. They often acted as the bodyguards of an Emir on the field. The various components which formed...

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Creators:
Finkel, Bruria, 1932-
Dates:
1953-2014
Size:
12.1 Linear feet
3.7 Gigabytes
Collection ID:
AAA.finkbrur
Repository:
Archives of American Art

The papers of California artist, curator, and educator Bruria Finkel measure 12.1 linear feet and date from 1953 to 2020. This collection includes biographical materials, correspondence, writings, project files, professional records, exhibition files, artists' files, personal business records, printed materials, photographic materials, sound and video cassettes, and numerous electronic discs. There is a born-digital unprocessed addition to this collection donated in 2020 that includes a video and photographs of Womanspace, Bruria's 88th birthday party video, and a website.

Found In
134 records — Page 1 of 3