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Creators:
Stella, Frank
Dates:
1941-1993
bulk 1978-1989
Size:
12.4 Linear feet
Collection ID:
AAA.stelfran
Repository:
Archives of American Art

The Frank Stella papers measure 12.4 linear feet and date from 1941 to 1993, with the bulk of the records spanning the period 1978 to 1989. The collection documents the professional and personal life of abstract artist, Frank Stella. Among the papers are correspondence, a small cache of records from his years as an undergraduate at Princeton University, writings by and about Stella, interview transcripts, sketchbooks, registers and inventories, financial records, printed matter, and photographs.

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Creators:
Midtown Galleries
Dates:
1904-1997
Size:
86.82 Linear feet
Collection ID:
AAA.midtgall
Repository:
Archives of American Art

The records of Midtown Galleries measure 86.82 linear feet and date from 1904 to 1997. The collection documents the operation and general administration of the business and includes artist records, exhibition material, inventories, financial records, photographs, and printed material.

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Creators:
National Museum of African Art. Curatorial
Dates:
1981-2011
Size:
17 cu. ft. (17 record storage boxes)
Collection ID:
Accession 12-375
Repository:
Smithsonian Institution Archives

This accession documents closed, denied, and unfinished exhibitions at the National Museum of African Art (NMAfA). These records contain correspondence, research, notes, checklists, label texts, brochures, floor plans and designs, clippings, loan information, photographs, slides, transparencies, and negatives. Some materials are in electronic ...

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Creators:
Medicine, Beatrice
Dates:
1914, 1932-1949, 1952-2003 (bulk dates, 1945-2003).
Size:
28 Linear feet (65 document boxes, 1 box of oversize materials, 1 box of ephemera, 1 shoebox of index cards, 1 map drawer)
Collection ID:
NAA.1997-05
Repository:
National Anthropological Archives

The Beatrice Medicine papers, 1913-2003 (bulk 1945-2003), document the professional life of Dr. Beatrice "Bea" Medicine (1923-2005), a member of the Standing Rock Sioux tribe, anthropologist, scholar, educator, and Native rights activist. The collection also contains material collected by or given to Medicine to further her research and activism interests. Medicine, whose Lakota name was Hinsha Waste Agli Win, or "Returns Victorious with a Red Horse Woman," focused her research on a variety of topics affecting the Native American community: 1) mental health, 2) women's issues, 3) bilingual education, 4) alcohol and drug use, 5) ethno-methodologies and research needs of Native Americans, and 6) Children and identity issues. The collection represents Medicine's work as an educator for universities and colleges in the United States and in Canada, for which she taught Native American Studies courses. Additionally, because of the large amount of research material and Medicine's correspondence with elected U.S. officials and Native American leaders, and records from Medicine's involvement in Native American organizations, the collection serves to represent issues affecting Native Americans during the second half of the 20th century, and reflects what Native American leaders and organizations did to navigate and mitigate those issues. Collection materials include correspondence; committee, conference, and teaching material; ephemera; manuscripts and poetry; maps; notes; periodicals; photographs; training material; and transcripts.

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Creators:
Holly Solomon Gallery
Dates:
circa 1948-2003
Size:
200.6 Linear feet
0.002 Gigabytes
Collection ID:
AAA.hollsolg
Repository:
Archives of American Art

The records of Holly Solomon Gallery, a New York City gallery specializing in contemporary American art, measure 200.6 linear feet and 0.002 GB and date from circa 1948-2003. The gallery's activities are documented through dealer files, subject files, artists' files, inventories, sales and loan records, administrative and financial records, printed and digital materials, photographic materials of artwork and exhibitions, and sound, video, and film recordings. Also found are records of the alternative space, 98 Greene Street Loft, as well as Holly Solomon's personal papers.

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Creators:
Jeffers, Grace
Formica Corporation.
Dates:
1913-2003
Size:
18 Cubic feet (59 boxes, 11 oversize folders )
Collection ID:
NMAH.AC.0565
Repository:
Archives Center, National Museum of American History

The Grace Jeffers Collection of Formica Materials consists of textual files, photographs, slides, negatives, drawings, blueprints, posters, advertisements, product brochures, newsletters, and informational pamphlets documenting the history of the Formica Corporation and the use of Formica brand plastic laminate.

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Creators:
Cornell, Joseph
Dates:
1750-1980, bulk 1930-1972
Size:
196.8 Linear feet
186 Nitrate negatives
Collection ID:
SAAM.JCSC.1
Repository:
Smithsonian American Art Museum, Research and Scholars Center

The Joseph Cornell Study Center collection measures 196.8 linear feet and dates from 1750 to 1980, with the bulk of the material dating from 1930 to 1972. Documenting the artistic career and personal life of assemblage artist Joseph Cornell (1903-1972), the collection is primarily made up of two- and three-dimensional source material, the contents of the artists' studio, his record album collection, and his book collection and personal library. The collection also includes diaries and notes, financial and estate papers, exhibition materials, collected artifacts and ephemera, photographs, correspondence, and the papers of Robert Cornell (1910-1965) and Helen Storms Cornell (1882-1966), the artist's brother and mother.

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Creators:
Hofmann, Hans, 1880-1966
Dates:
circa 1904-2011
Size:
29.92 Linear feet
5 Gigabytes
Collection ID:
AAA.hofmhans
Repository:
Archives of American Art

The papers of painter, teacher, and writer Hans Hofmann measure 29.92 linear feet and 5.00 GB and date from circa 1904 to 2011, with the bulk of the materials dating from 1945 to 2000. The majority of the papers were created after 1932 and document Hofmann's life and professional career after settling in the United States. Among his papers are personal and professional correspondence; records of his schools in Munich, New York City, and Provincetown, Mass.; writings and notes; financial records; photographs; printed matter; estate records; and a small number of personal papers of his second wife, Renate Schmitz Hofmann. Hofmann's personal papers are augmented by a large selection of printed matter, including exhibition catalogs, articles, news clippings, and monographs about Hofmann and modern art, as well as documentary projects including Tina Dickey's compilation of oral histories and records of Hofmann's students, and research materials, sound and video recordings, digital material, and motion picture film created and gathered by Madeline Amgott during the production of two video documentaries about Hans Hofmann released in 1999 and 2002. Hofmann's Library was acquired with his papers; inscribed/annotated volumes have been retained with the collection.

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