Contemporary Visual Expressions, 1987, Project 61-87-02
- Level:
- file
- Collection ID:
- Accession 17-080
- Repository:
-
Smithsonian Institution Archives
Contemporary Visual Expressions: The Art of Sam Gilliam, Martha Jackson-Jarvis, Keith Morrison, William T. Williams exhibition records
19 Video recordings (VHS, 1/2")
3 Sound recordings (audio cassette)
1 Sound recording (open reel, 1/4")
1 Video recording (U-matic, 3/4")
Contemporary Visual Expressions was a 1987 exhibition on Black American artists of the 20th century. It featured the work of Washington artists Sam Gilliam, Martha Jackson-Jarvis, and Keith Morrison, as well as guest artist William T. Williams of New York City. It was the inaugural exhibition in the gallery space in the …
Gandert, Miguel, Photographer (1956-)
- Level:
- file
- Dates:
-
1977-1997, undated
- Size:
-
(2 folders)
- Collection ID:
- AAA.ybartoma
- Repository:
-
Archives of American Art
Folklife in the Museum: A Nation of Nations
- Level:
- series
- Collection ID:
- CFCH.SFF.1977
- Repository:
-
Ralph Rinzler Folklife Archives and Collections
Susan Conway Gallery records
bulk 1987-2003
0.001 Gigabytes
The modern and contemporary art gallery records of the Susan Conway Gallery in Washington, D.C. measure 23.9 linear feet and 0.001 GB and date from circa 1928, circa 1940s-2003, with the bulk of the material dating from 1987-2003. Nearly half of the collection documents the gallery's work as the sole representative of artist and political cartoonist Pat Oliphant through administrative records, exhibition files, press clippings, and a handful of photographs. Also found in the collection are artists' files of other artists represented by the gallery, client files, administrative records, printed and digital materials, and the records of the Susan Conway Conservation Studio.
Citified: Arts and Creativity East of the Anacostia River
- Level:
- series
- Collection ID:
- CFCH.SFF.2012
- Repository:
-
Ralph Rinzler Folklife Archives and Collections
David S. Rubin papers
57.68 Gigabytes
The papers of curator and art critic David S. Rubin measure 23 linear feet and 57.68 gigabytes and date from 1960 to 2017. The papers are comprised of biographical materials, interviews, correspondence, writing projects and notes, artists' files, exhibition files, professional files, subject and research files, printed materials, and photographic materials documenting Rubin's work in California, Arizona, and other locations throughout the United States.
Records
This accession includes records documenting the production of the Archives of American Art Journal (Volumes 24-26). Materials include Editor's records such as correspondence, publications, notes, grant proposals, agreements, budget summaries, photographs, and reports. Also included in this accession are records which document the administration of the Archives of American Art (AAA …
Diana Fuller papers and gallery records
The Diana Fuller papers and gallery records measure 67.9 linear feet and date from 1958 to 2004. The records shed light on the operations of Hansen-Fuller Gallery, Hansen-Fuller-Goldeen Gallery, Fuller-Goldeen Gallery, and Fuller-Gross Gallery through administrative files, correspondence files, artists' files, dealer and institution files, exhibition and event files, financial records, printed materials, photographic materials, as well as some audiovisual and born digital materials. Diana Fuller's papers concern her work with the Bay Area Consortium for the Visual Arts, her book, Art/Women/California, 1950-2000: Parallels and Intersections (2002), and include scattered project files, photographic materials, and more. Also present are correspondence files, artists' files, exhibition material, and financial records generated by Arts Unlimited and Hansen Galleries.
Downtown Gallery records
bulk 1926-1969
The records of the Downtown Gallery date from 1824 to 1974 (bulk 1926-1969) and measure 109.56 linear feet. The records present a comprehensive portrait of a significant commercial gallery that operated as a successful business for more than forty years, representing major contemporary American artists and engendering appreciation for early American folk art. There is an unprocessed addition to this collection dating circa 1970 of a single financial/legal document.
