Query: Curly, approximately 1856-1923
Films of the Dixon-Wanamaker Expedition to Crow Agency
Creators:
Dixon, Joseph K. (Joseph Kossuth)
Dates:
1908
Size:
2 Film reels (57 minutes, black-and-white silent)
Linear feet
Collection ID:
HSFA.1983.06
Repository:
Human Studies Film Archives

Collection consists of film footage shot by Joseph Dixon on the 1908 Rodman Wanamaker expedition. Collection also contains associated texts, annotations (recorded narratives), and field notes. Legacy Keywords: Settlement rural ; Procession horse procession ; Costume bridge cloth ; Ceremonies "giveaway" ; Stores general store ; School Catholic girls school mission school ; Bathing men bathing ; Racing …

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in HSFA.1983.06 for Curly, approximately 1856-1923
Copies of David F. Barry photographs of Plains Indians
Creators:
Barry, D. F. (David Francis), 1854-1934
Dates:
circa 1870-1890
Size:
24 Copy prints
Collection ID:
NAA.PhotoLot.R81-71
Repository:
National Anthropological Archives

The collection is largely composed of photographs depicting Plains Indians, many of whom took part in the Battle of the Little Bighorn. Depicted individuals include Young Man Afraid of His Horse, Low Dog, Good Horse, Clear Eyes, Rain in the Face, Crow Flies High, Trail Hunter, Sitting Bull, Crow King …

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in NAA.PhotoLot.R81-71 for Curly, approximately 1856-1923
Matie Barry Moore collection of David F. Barry copy prints
Creators:
Barry, D. F. (David Francis), 1854-1934
Dates:
1874-1897
Size:
40 Copy prints (black and white, 8x10 )
Collection ID:
NMAI.AC.334
Repository:
National Museum of the American Indian

This collection includes 40 copy prints of David F. Barry photographs which had been held by David Barry's sister, Matie (Barry) Moore. These were later copied by her brother-in-law Herbert O. Peterson. The copy prints include many of Barry's most famous portraits of Lakota leaders from at the end of the 19th century such as Tatanka Iyotanka (Sitting Bull) [Hunkpapa Lakota (Hunkpapa Sioux)], Rain in the Face (Iromagaja/Ito-na-gaju/Ite-Mahazhu/I-Te-Amaghazhu/Exa-ma-gozua) [Hunkpapa Lakota (Hunkpapa Sioux)], and Chief Gall (Pizi) [Oglala Lakota (Oglala Sioux)], among others.

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in NMAI.AC.334 for Curly, approximately 1856-1923
Bureau of American Ethnology collection of stereographs relating to Native Americans
Creators:
Smithsonian Institution. Bureau of American Ethnology
Dates:
late 19th century-early 20th century
Size:
70 Stereographs (circa, albumen)
Collection ID:
NAA.PhotoLot.140
Repository:
National Anthropological Archives

Stereographs documenting Native North Americans, including studio portraits, camps and dwellings, graves, infants in cradleboards, and pottery. Specific images portray Sitting Bull's camp at Fort Randall, Curly at the Custer monument, and a Southern Plains delegation at the White House Conservatory. Tribes represented include Winnebago, Tuscarora, Tesuque, Seneca, San Juan …

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in NAA.PhotoLot.140 for Curly, approximately 1856-1923
Fred E. Miller photograph collection
Creators:
Miller, Fred E., 1868-1936
Dates:
circa 1898-1910
Size:
2 Linear feet
132 Glass plate negatives
65 Photographic prints
145 Acetate negatives (copy negatives)
148 Contact prints
Collection ID:
NMAI.AC.108
Repository:
National Museum of the American Indian

This collection contains photographs depicting Apsáalooke (Crow/Absaroke) people on the reservation in Montana. The photographs were shot by Fred E. Miller, a Bureau of Indian Affairs clerk circa 1898-1910.

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in NMAI.AC.108 for Curly, approximately 1856-1923
William Wildschut Photograph Collection
Creators:
Wildschut, William
Dates:
1870-1930
bulk 1917-1928
Size:
183 Negatives (photographic)
21 Photographic prints
Collection ID:
NMAI.AC.001.033
Repository:
National Museum of the American Indian

The William Wildschut photograph collection contains 183 photographic negatives, and 89 post cards. From 1917 to 1928 William Wildschut studied the Apsáalooke people through interviews, photography, and the collection of cultural objects. In 1921 Wildschut was hired as a field man by George Gustav Heye the director of the Museum of the American Indian, Wildschut officially collected and conducted field expeditions in Montana, Wyoming, Idaho, Canada, and North Dakota on behalf of the Museum until 1928. Wildschuts photographs include portrait style photos of Apsáalooke people, special events, daily reservation life, interments, and encampments. Tribes represented in this collection are primarily Apsáalooke, the postcard collection consists of other tribes including Lakota, Arapaho, and other unidentified tribes.

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in NMAI.AC.001.033 for Curly, approximately 1856-1923
Smithsonian Folklife Festival records: 1976 Festival of American Folklife
Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 16-September 6, 1976
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1976
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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in CFCH.SFF.1976 for Curly, approximately 1856-1923
Sam DeVincent Collection of Illustrated American Sheet Music, Series 4: Songwriters Volumes I and II
Creators:
DeVincent, Sam, 1918-1997
Dates:
1847-1975
Size:
251 Boxes
Collection ID:
NMAH.AC.0300.S04
Repository:
Archives Center, National Museum of American History

Sam DeVincent loved music and art and began collecting sheet music with lithographs at an early age. Series 4: Songwriters: A "songwriter" for this series is defined as a composer, a lyricist, or both. An overview to the entire DeVincent collection is available here: Sam DeVincent Collection of Illustrated American Sheet Music.

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in NMAH.AC.0300.S04 for Curly, approximately 1856-1923
The Garden Club of America collection
Creators:
Garden Club of America
Dates:
circa 1920-present
Size:
37,000 Slides (35mm slides)
33 Linear feet ((garden files))
3,000 Lantern slides
37,000 Slides (35mm slides)
33 Linear feet ((garden files))
3,000 Lantern slides
Collection ID:
AAG.GCA
Repository:
Archives of American Gardens

This collection contains over 37,000 35mm slides, 3,000 glass lantern slides and garden files that may include descriptive information, photocopied articles (from journals, newspapers, or books), planting lists, correspondence, brochures, landscape plans and drawings. Garden files were compiled by Garden Club of America (GCA) members for most of the gardens included in the collection. Some gardens have been photographed over the course of several decades; others only have images from a single point in time. In addition to images of American gardens, there are glass lantern slides of the New York Flower Show (1941-1951) and trips that GCA members took to other countries, including Mexico (1937), Italy, Spain, Japan (1935), France (1936), England (1929), and Scotland. A number of the slides are copies of historic images from outside repositories including horticultural and historical societies or from horticultural books and publications. The GCA made a concerted effort in the mid-1980s to acquire these images in order to increase its documentation of American garden history. Because of copyright considerations, use of these particular images may be restricted.

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in AAG.GCA for Curly, approximately 1856-1923
Joseph Cornell Study Center Collection
Creators:
Cornell, Joseph
Dates:
1750-1980, bulk 1930-1972
Size:
196.8 Linear feet
186 Nitrate negatives
Collection ID:
SAAM.JCSC.1
Repository:
Smithsonian American Art Museum, Research and Scholars Center

The Joseph Cornell Study Center collection measures 196.8 linear feet and dates from 1750 to 1980, with the bulk of the material dating from 1930 to 1972. Documenting the artistic career and personal life of assemblage artist Joseph Cornell (1903-1972), the collection is primarily made up of two- and three-dimensional source material, the contents of the artists' studio, his record album collection, and his book collection and personal library. The collection also includes diaries and notes, financial and estate papers, exhibition materials, collected artifacts and ephemera, photographs, correspondence, and the papers of Robert Cornell (1910-1965) and Helen Storms Cornell (1882-1966), the artist's brother and mother.

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in SAAM.JCSC.1 for Curly, approximately 1856-1923
13 records — Page 1 of 2