14 records — Page 1 of 2
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Level:
file
Collection ID:
Accession 95-111
Repository:
Smithsonian Institution Archives
Contained In:
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Level:
file
Collection ID:
Accession 91-114
Repository:
Smithsonian Institution Archives
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Level:
file
Collection ID:
Accession 94-009
Repository:
Smithsonian Institution Archives
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Creators:
Martha Jackson Gallery
Dates:
1954-1964
Size:
200 Items (ca. 200 items (on 2 microfilm reels))
Collection ID:
AAA.martjack
Repository:
Archives of American Art

Artists' files, containing mainly correspondence with Jackson and her son David Anderson concerning exhibitions. Some files also contain resumes, price lists, exhibition catalogs, checklists, and receipts. Also included is a letter from John Hultberg, 1963.

Found In
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Creators:
Bacon, Peggy, 1895-1987
Dates:
1893-1973
bulk 1900-1936
Size:
4 Linear feet
Collection ID:
AAA.bacopegg
Repository:
Archives of American Art

The papers of printmaker, illustrator, caricaturist, and writer Peggy Bacon measure 3.6 linear feet and date from 1893 to 1973, with the bulk of materials dating from 1900 to 1936. Much of the collection consists of family correspondence, although writings, photographs, artwork, and personal business records from Bacon's late career are also found.

Found In
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Level:
file
Collection ID:
Record Unit 481
Repository:
Smithsonian Institution Archives
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Dates:
1962-2010
Level:
series
Size:
4 Linear feet (Box 1-4)
Collection ID:
AAA.messthom
Repository:
Archives of American Art

Correspondence dates from 1962-2010 and is both personal and professional in nature. Items include letters, postcards, and greeting cards. Other materials such as clippings, writings by Messer, and reports are mixed in throughout. Folder titles refer to name of correspondent, although in a few instances the title refers to the subject, such as "Exh...

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Creators:
Kraushaar Galleries
Dates:
1877-2006
Size:
106.3 Linear feet
0.181 Gigabytes
Collection ID:
AAA.kraugall
Repository:
Archives of American Art

The records of New York City Kraushaar Galleries measure 106.3 linear feet and 0.181 GB and date from 1877 to 2006. Three-fourths of the collection documents the gallery's handling of contemporary American paintings, drawings, and sculpture through correspondence with artists, private collectors, museums, galleries, and other art institutions, interspersed with scattered exhibition catalogs and other materials. Also included are John F. Kraushaar's estate records; artists' files; financial ledgers documenting sales and gallery transactions; consignment and loan records; photographs of artwork; sketchbooks and drawings by James Penney, Louis Bouché, and others; and two scrapbooks. There is a 6.0 linear foot unprocessed addition to this collection donated in 2022 that includes correspondence with artists, galleries, organizations and individuals regarding works of art, filed alphabetically by year. Materials date from circa 1959-1999, with the bulk from 1990-1999.

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Creators:
Milch Gallery
Dates:
1911-1995
Size:
42.2 Linear feet
Collection ID:
AAA.milcgall
Repository:
Archives of American Art

The records of Milch Gallery measure 42.5 linear feet and date from 1911-1995. Edward Milch (1865-1953) opened the Edward Milch Gallery in New York City. In 1916, he formed a partnership with his brother Albert Milch (1881-1951), a gilder and framer, creating E. & A. Milch, Inc., a gallery specializing in American art. Harold C. Milch (1904-1981), Albert's son, was appointed a partner in 1944 and continued the business until his death. Business records of Milch Gallery, 1911-1968, include correspondence, sales records, inventories, financial records, printed matter, photographs, and legal documents. Later additions to the records date from 1922-1995 and include correspondence; artists' files; financial, sales, and stock records; printed material; and photographs.

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Dates:
circa 1954-1998
Level:
subseries
Collection ID:
AAA.andremmg
Repository:
Archives of American Art

Inventory cards track artwork entering and leaving the gallery. Each card lists a work's artist, title, date, media, and measurements. Most cards include a photograph of the artwork, and most cards further list the ultimate action taken regarding the work (sold, returned to artist or gallery, consigned, etc.), the list price or paid price, exhibiti...

14 records — Page 1 of 2