Query: Frontier Photographer: Edward S. Curtis (Exhibition) (1998: Washington, D.C.)
Frontier Photographer: Edward S. Curtis, 1998
Level:
file
Collection ID:
Accession 08-051
Repository:
Smithsonian Institution Archives
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in Accession 08-051 for Frontier Photographer: Edward S. Curtis (Exhibition) (1998: Washington, D.C.)
Frontier Photographer: Edward S. Curtis, 1997-1998, Project 78-97-05
Level:
file
Collection ID:
Accession 17-080
Repository:
Smithsonian Institution Archives
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in Accession 17-080 for Frontier Photographer: Edward S. Curtis (Exhibition) (1998: Washington, D.C.)
Scurlock Studio Records, Subseries 4.6: Black and white negatives in cold storage arranged by client
Creators:
Scurlock, Robert S. (Saunders), 1917-1994
Custom Craft
Scurlock, Addison N., 1883-1964
Scurlock, George H. (Hardison), 1919-2005
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Dates:
1929-1989
Size:
87 Boxes
The subseries consists of black and white silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.06
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.6 consists of black and white silver gelatin negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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in NMAH.AC.0618.S04.06 for Frontier Photographer: Edward S. Curtis (Exhibition) (1998: Washington, D.C.)
George V. Allen photograph collection of photographs of Native Americans and the American frontier
Creators:
Allen, George V.
Dates:
circa 1860-1935
Size:
67 Lantern slides
26 Negatives (glass)
10 Negatives (nitrate)
6 Autochromes (photographs)
50 Stereographs (circa 50 printed stereographs, halftone and color halftone)
1,000 Stereographs (circa, albumen and silver gelatin (some tinted))
239 Prints (circa 239 mounted and unmounted prints, albumen (including cartes de visite, imperial cards, cabinet cards, and one tinted print) and silver gelatin (some modern copies))
96 Prints (Album :, silver gelatin)
21 Postcards (silver gelatin, collotype, color halftone, and halftone)
Collection ID:
NAA.PhotoLot.90-1
Repository:
National Anthropological Archives

Photographs relating to Native Americans or frontier themes, including portraits, expedition photographs, landscapes, and other images of dwellings, transportation, totem poles, ceremonies, infants and children in cradleboards, camps and towns, hunting and fishing, wild west shows, food preparation, funeral customs, the US Army and army posts, cliff dwellings, and grave …

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in NAA.PhotoLot.90-1 for Frontier Photographer: Edward S. Curtis (Exhibition) (1998: Washington, D.C.)
Scurlock Studio Records, Series 1: Black and White Photographs
Creators:
Scurlock, Robert S. (Saunders), 1917-1994
Scurlock, Addison N., 1883-1964
Custom Craft
Scurlock Studio (Washington, D.C.)
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Dates:
1888-1993
Size:
106 Boxes
Collection ID:
NMAH.AC.0618.S01
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 1 primarily consists of black and white photographs, but also includes job envelopes, order forms, correspondence, notes, and other photographic materials such as negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records.

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in NMAH.AC.0618.S01 for Frontier Photographer: Edward S. Curtis (Exhibition) (1998: Washington, D.C.)
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives
Creators:
Scurlock Studio (Washington, D.C.)
Scurlock, Robert S. (Saunders), 1917-1994
Custom Craft
Scurlock, Addison N., 1883-1964
More …
Dates:
undated
Size:
320 Boxes
Collection ID:
NMAH.AC.0618.S04.01
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.1 includes black and white silver gelatin negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

Digital Content Available

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in NMAH.AC.0618.S04.01 for Frontier Photographer: Edward S. Curtis (Exhibition) (1998: Washington, D.C.)
Scurlock Studio Records, Subseries 4.5: Black and white negatives in cold storage arranged by job number
Creators:
Custom Craft
Scurlock Studio (Washington, D.C.)
Scurlock, Addison N., 1883-1964
Scurlock, George H. (Hardison), 1919-2005
More …
Dates:
1928-1994
Size:
320 Boxes
Collection ID:
NMAH.AC.0618.S04.05
Repository:
Archives Center, National Museum of American History

The materials document the orders placed by the clients of the Scurlock Studio. The photographs primarily depict individual portrait sittings but there are also portraits of children, groups, and other subjects.

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in NMAH.AC.0618.S04.05 for Frontier Photographer: Edward S. Curtis (Exhibition) (1998: Washington, D.C.)
Edward Bruce papers
Creators:
Bruce, Edward, 1879-1943
Dates:
1902-1960
bulk 1932-1942
Size:
8.9 Linear feet
Collection ID:
AAA.brucedwa
Repository:
Archives of American Art

The Edward Bruce papers measure 8.9 linear feet and date from 1902 to 1960, with the bulk of the material dating from 1932 to 1942. The collection documents Bruce's work as an artist, art collector, exhibition juror, and federal government art administrator, particularly his tenure as Director of the U. S. Treasury Department's Section of Fine Arts. Well over one-half of the collection consists of extensive correspondence with artists, art collectors and dealers, arts associations, galleries, and government officials, including President and Mrs. Franklin D. Roosevelt.

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in AAA.brucedwa for Frontier Photographer: Edward S. Curtis (Exhibition) (1998: Washington, D.C.)
John Canfield Ewers Papers
Creators:
Hanson, James A.
Conner, Stuart W.
Dempsey, Hugh A.
Ewers, John C. (John Canfield), 1909-1997
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Dates:
1945-1993
Size:
97 Linear feet
Collection ID:
NAA.1998-35
Repository:
National Anthropological Archives

The John Canfield Ewers Papers document his wide ranging anthropological interests from early White depictions of Native Americans to the material culture of the Plains tribes through correspondence, exhibit catalogs, field notes, illustrations, lectures, maps, photocopies of archival materials, photographs, and writings. The collection includes materials relating to his numerous …

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in NAA.1998-35 for Frontier Photographer: Edward S. Curtis (Exhibition) (1998: Washington, D.C.)
William C. Sturtevant papers
Creators:
Sturtevant, William C.
Dates:
1952-2007
Size:
220 Linear feet (The total extent of the collection is 191.41 linear feet (consisting of 473 document boxes and 2 record boxes) plus 254 sound recordings, 94 computer disks, 42 card file boxes, 85 oversize folders, 9 rolled items, 18 binder boxes, and 3 oversize boxes. Of the total extent, 4.79 linear feet (14 boxes) are restricted.)
Collection ID:
NAA.2008-24
Repository:
National Anthropological Archives

This collection contains the professional papers of William Curtis Sturtevant and documents his activities as Curator of North American Ethnology at the National Museum of Natural History, his work as the editor-in-chief of the Handbook of North American Indians, his research among the Seminole and Iroquois people, and other professional activities. The collection is comprised of books, sound recordings, research and field notes, realia, artifacts, clippings, microfilm, negatives, slides, photographs, manuscripts, correspondence, memorandums, card files, exhibition catalogs, articles, and bibliographies.

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in NAA.2008-24 for Frontier Photographer: Edward S. Curtis (Exhibition) (1998: Washington, D.C.)
50 records — Page 1 of 5