Query: Inscribing Meaning: Writing and Graphic Systems in African Art (Exhibition) (2007: Washington, D.C.)
"Inscribing Meaning: Writing and Graphic Systems in African Art," 2007
Level:
file
Collection ID:
Accession 12-375
Repository:
Smithsonian Institution Archives
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in Accession 12-375 for Inscribing Meaning: Writing and Graphic Systems in African Art (Exhibition) (2007: Washington, D.C.)
Inscribing Meaning: Writing and Graphic Systems in African Art; May 9-August 26, 2007
Level:
file
Collection ID:
Accession 09-011
Repository:
Smithsonian Institution Archives
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in Accession 09-011 for Inscribing Meaning: Writing and Graphic Systems in African Art (Exhibition) (2007: Washington, D.C.)
"Inscribing Meaning: Writing and Graphic Systems in African Art," May 9-August 26, 2007
Level:
file
Collection ID:
Accession 10-114
Repository:
Smithsonian Institution Archives
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in Accession 10-114 for Inscribing Meaning: Writing and Graphic Systems in African Art (Exhibition) (2007: Washington, D.C.)
Exhibition Records
Creators:
National Museum of African Art. Office of the Director
Dates:
1978-2008
Size:
2 cu. ft. (2 record storage boxes)
Collection ID:
Accession 10-114
Repository:
Smithsonian Institution Archives

This accession consists of exhibition records created during the tenures of Warren M. Robbins, Director, 1979-1983; Sylvia H. Williams, Director, 1983-1996; and Sharon F. Patton, Director, 2003-2008. Exhibitions documented include "African Masterpieces from the Musee de l'Homme;" "The Art of Being Tuareg: Sahara Nomads in a Modern World;" "Inscribing Meaning: Writing and Graphic …

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in Accession 10-114 for Inscribing Meaning: Writing and Graphic Systems in African Art (Exhibition) (2007: Washington, D.C.)
Exhibition Records
Creators:
National Museum of African Art. Office of the Director
Dates:
1980-2008
Size:
1 cu. ft. (1 record storage box)
Collection ID:
Accession 09-011
Repository:
Smithsonian Institution Archives

This accession consists of National Museum of African Art (NMAfA) exhibition records created during the tenures of Warren M. Robbins, Director, 1964-1982; John E. Reinhardt, Acting Director, 1982-1983; Sylvia H. Williams, Director, 1983-1996; Roslyn A. Walker, Director, 1997-2002; and Sharon F. Patton, Director, 2003-2008. Exhibitions include: "Traditional Costumery and Jewelry in Africa;" "Traditional Costumes and …

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in Accession 09-011 for Inscribing Meaning: Writing and Graphic Systems in African Art (Exhibition) (2007: Washington, D.C.)
Exhibition Records
Creators:
National Museum of African Art. Curatorial
Dates:
1981-2011
Size:
17 cu. ft. (17 record storage boxes)
Collection ID:
Accession 12-375
Repository:
Smithsonian Institution Archives

This accession documents closed, denied, and unfinished exhibitions at the National Museum of African Art (NMAfA). These records contain correspondence, research, notes, checklists, label texts, brochures, floor plans and designs, clippings, loan information, photographs, slides, transparencies, and negatives. Some materials are in electronic format. Exhibitions documented in this accession include …

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in Accession 12-375 for Inscribing Meaning: Writing and Graphic Systems in African Art (Exhibition) (2007: Washington, D.C.)
Gordon Davis Gibson papers
Creators:
Gibson, Gordon D. (Gordon Davis), 1915-2007
Dates:
1936-2007
Size:
95 Linear feet (154 document boxes, 1 manuscript folder, 63 card file boxes, 1 oversize box, plus 64 microfilm reels, 137 sound recordings, 3 map folders, and 3 sets of rolled maps )
Collection ID:
NAA.1984-13
Repository:
National Anthropological Archives

This collection is comprised of the professional papers of Gordon D. Gibson. The collection contains his correspondence, field notes, research files, museum records, writings, photographs, sound recordings, and maps.The bulk of the collection consists of Gibson's southwestern Africa research. This includes his field notes, film scripts, photographs, sound recordings, and grant proposals he wrote in support of his fieldwork in Botswana, Namibia, and Angola. In addition, the collection contains his research notes, maps, drafts, publications, and papers presented at conferences. While most of his research focused on the Herero and Himba, the collection also contains his research on the Ovambo and Okavango and other southwestern African groups. In the collection is a great deal of photocopies and microfilms of literature on southwestern African ethnic groups, many of which are in Portuguese and German and which he had translated for his files. He was also interested in African material culture, especially Central African headgear. His research on African caps is well-represented in the collection, and includes photos of caps at various museums, source materials, research notes, and textile samples of knots and loop work. Gibson's files as the curator of African ethnology at the National Museum of Natural History also make up a significant portion of the collection. Among these records are his files for the museum's Hall of African Cultures and other African exhibits; his files on the museum's African collections, early donors and collectors of the collections; his personnel files; documents relating to his committee work; department and museum memos; meeting minutes; and his records as head of the Old World Division and acting chair of the department. The collection also documents the efforts to establish the Smithsonian's National Anthropological Film Center, now the Human Studies Film Archives, as well as his work on the planning committee to establish the Museum of Man at the Smithsonian. Memos and minutes relating to the Smithsonian's Center for the Study of Man are also present in the collection. In addition to Gibson's field photos, the collection also contains African photos taken by others. Among these are Herbert Friedmann's photos of Kenya; Hausmann's Libya photos; photos by Ralph Kepler Lewis during the Morden Africa Expedition in Kenya; and photos by Lawrence Marshall, Volkmar Wentzel, Alfred Martin Duggan Cronin, and Father Carlos Estermann. There are also photos of the exhibit cases from the Hall of African Cultures; photos of Smithsonian and non-Smithsonian African artifacts; and copies of photographs he obtained from different archives, including the National Anthropological Archives. Other materials in the collection include his files as film reviews editor for the American Anthropologist during the 1960s and 70s and his activities in different organizations.

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in NAA.1984-13 for Inscribing Meaning: Writing and Graphic Systems in African Art (Exhibition) (2007: Washington, D.C.)
William C. Sturtevant papers
Creators:
Sturtevant, William C.
Dates:
1952-2007
Size:
220 Linear feet (The total extent of the collection is 191.41 linear feet (consisting of 473 document boxes and 2 record boxes) plus 254 sound recordings, 94 computer disks, 42 card file boxes, 85 oversize folders, 9 rolled items, 18 binder boxes, and 3 oversize boxes. Of the total extent, 4.79 linear feet (14 boxes) are restricted.)
Collection ID:
NAA.2008-24
Repository:
National Anthropological Archives

This collection contains the professional papers of William Curtis Sturtevant and documents his activities as Curator of North American Ethnology at the National Museum of Natural History, his work as the editor-in-chief of the Handbook of North American Indians, his research among the Seminole and Iroquois people, and other professional activities. The collection is comprised of books, sound recordings, research and field notes, realia, artifacts, clippings, microfilm, negatives, slides, photographs, manuscripts, correspondence, memorandums, card files, exhibition catalogs, articles, and bibliographies.

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in NAA.2008-24 for Inscribing Meaning: Writing and Graphic Systems in African Art (Exhibition) (2007: Washington, D.C.)
Walter Pach papers
Creators:
Pach, Walter, 1883-1958
Dates:
1857-1980
Size:
20.7 Linear feet
Collection ID:
AAA.pachwalt2
Repository:
Archives of American Art

The papers of New York artist, critic, historian, writer, art consultant and curator Walter Pach, measure 20.7 linear feet and date from 1857-1980. The collection documents Pach's promotion of modernism through his role in the landmark 1913 Armory Show, his relationships with artists and art-world figures and his extensive writings on art. Records include biographical material, correspondence with family, friends and colleagues including noted artists, handwritten and edited versions of manuscripts by Pach, diaries and journals, business records, printed material, scrapbooks, sketchbooks and artwork by Pach and others, and photographs of Pach and his family, friends, and colleagues. The collection also includes 12 linear feet of selections from Walter Pach's library.

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in AAA.pachwalt2 for Inscribing Meaning: Writing and Graphic Systems in African Art (Exhibition) (2007: Washington, D.C.)
Downtown Gallery records
Creators:
Downtown Gallery
Dates:
1824-1974
bulk 1926-1969
Size:
109.56 Linear feet
Collection ID:
AAA.downgall
Repository:
Archives of American Art

The records of the Downtown Gallery date from 1824 to 1974 (bulk 1926-1969) and measure 109.56 linear feet. The records present a comprehensive portrait of a significant commercial gallery that operated as a successful business for more than forty years, representing major contemporary American artists and engendering appreciation for early American folk art. There is an unprocessed addition to this collection dating circa 1970 of a single financial/legal document.

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in AAA.downgall for Inscribing Meaning: Writing and Graphic Systems in African Art (Exhibition) (2007: Washington, D.C.)
17 records — Page 1 of 2